Gebruiksaanwijzing /service van het product AT-5 van de fabrikant Casio
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E AT3/AT5-E-1B USER’S GUIDE Please keep all information for future reference. Safety Precautions Bef ore tr ying to use the ke yboard, be sure to read the separate “Saf ety Precautions”.
NO TICE This equipment has been tested and found to comply with the limits for a Class B digital device, p ursuant to Part 15 of the FCC Rules. These limits are designed to provide re asonable protec tion against harmful interferen ce in a residential installation.
Important! Please note the follo wing impo r tant info rmation before using this product. • Before using the optional AC Adap tor to power the unit, be su re to check the AC Adaptor fo r any damage first. Carefully check the power cord for breakage, cuts, exposed wire and other serious damage.
E-2 Contents General Guide ............................. E-4 Reading t he Display .................... .......... ............. .... E-6 Modes ............................ .................... .................. ... E-7 Menus .........................
Contents E-3 Using the Pattern Sequencer .............. ................... E-97 About the Pattern Seq uencer ............. .......... ........ E-97 Creating a User Rh ythm ... ............. ........... ............ E-98 Creating a User Rhythm by Combinin g Exiting Rhythm Parts ( Easy Edit ) .
E-4 General Guide • Illustrations in this User’s Guide show the AT-5. Back Dial L-1 - L-18 C-1 - C-17 R-1 - R-20 D-1 - D-17 S-1 T-1 - T-9 S-2.
General Guide E-5 • In this manual, the term “Digital Keyboard” refers to the AT-3/AT-5. • This manual uses the numbers and names below to refer to but tons and controllers. • The following explains the meanin gs of the # and $ symbo ls that appea r on the product console and with t he key names below.
General Guide E-6 This section explains the cont ents of the Digital Keyboard’s display screen. 1 Detailed information area This area displays a variety of information while the Digital Keyboard is being used. Use th is area to confirm proper operation when changing values, when selecting a menu item, and when performing other operations.
General Guide E-7 Your Digital Keyboard has th ree modes: a rhythm mode, a card mode, and a song sequencer mode. The currently selected mode is shown as an indicator on the display. •R h y t h m m o d e ( : indicator d isplayed) Under its initial factory defaul t settings, the Digital Keyboard enters the rhythm mode whenever it is turned on.
General Guide E-8 Your Digital Keyboard is equi pped with a song sequencer and other features that you can use t o store data you create. This stored data is retained even when the Digital Keyboard is turned off.
E-9 Getting Read y to Pla y Prepare a household power out let or batteries. • Be sure to comply with the separate “Safety Precautions”. Incorrect use of this product creates the risk of electric shock and fire.
Getting Ready to Play E-10 You can use six D-size batteries for p ower. • Use alkaline or zinc-carbon batteries. Never use oxyride or any ot her nickel based batteries. 1. Open the battery cover on the bottom of the Digital Keyboard. 2. Load six D-size batteri es into the battery compartment.
E-11 Connections Using headphones cuts off output from the built-in speakers, which means you can practice playing even late at n ight without disturbing others. • Be sure to turn down the volume level before connecting headphones. • Headphones do not come with the Digital Keyboard.
Connections E-12 You can use the Digital Keyboar d’s speakers to output sound from a CD player, another digita l keyboard, or other external device, or from a microphone. • Whenever connecting something to the Digital Keyboard, first use the L-2 (MAIN VOLUME) knob to set the volume to a low level.
E-13 Selecting and Pla ying a T one 1. Rotate the L-2 (MAIN VOLUME) knob towards MIN to set the volume to a low level. 2. Referring to “Connections” (page E-11), connect headphones, ampl if ier, or other device. 3. Use the L-1 (POWER) button to turn on power.
Selecting and Playing a Tone E-14 ■ To disable Auto Power Off 1. While the Digital Keyboa rd is turned on, press the L-1 (POWER) button to turn it off. 2. While holding do wn the L-4 ([ A] POPS/ROCK/ DANCE) button, press th e L-1 (POWER) button to turn on the Digital Keyboard.
Selecting and Playing a Tone E-15 5. Now you can play on the keyboard using the tone you selected. • You also can use the R-14 (–, +) buttons to select a tone.
Selecting and Playing a Tone E-16 1. Refer to the separate “App endix” to look up the group(s) and numbers of the two tones (UPPER 1 part tone and UPPER 2 part tone) yo u want to use. 2. Check to make sure that the @ and A indicators are not on the display.
Selecting and Playing a Tone E-17 1. While holding down the R-19 ( SPLIT) button, press the keyboar d key that you want to be the leftmost key in the right side (UPPER 1 part) range. • The name of the key you press will appear on the display as the new split point key name.
Selecting and Playing a Tone E-18 The transpose feature lets you raise or lower the overall tuning of the keyboard in semi tone steps. You can use this feature to adjust keyboard tuning to a key that better matches a vocalist, another musical instrument, etc.
Selecting and Playing a Tone E-19 1. Press the L-10 (METRONOME) button. • This will start the metronome. • The display will show the tempo along with a count of the measures and beats since you started the metronome. 2. Press the L-10 (METRONOME) button again to stop the metronome.
Selecting and Playing a Tone E-20 ■ To adjust the tempo by tappi ng a beat 1. While holding down the R-13 (FUNCTION) button, tap the L-12 (TAP) button four times at the speed (tempo) you want to set. • The first tap of the L-12 (TAP) button will cause the display shown below to appear.
Selecting and Playing a Tone E-21 With the arpeggiator, you can play various arpeggios and other phrases automatically by simply pressing keys on the keyboard. You can select from a number of different arpeggiator options, including play ing arpeggios from a chord, playing various phrases automatically, and more.
E-22 Pla ying with an Oriental Scale You can change the scale of the keyboard to various Oriental scales or other temperaments. • The settings you configure with the scale function are retained even when the Digital Keyboard is turned off.
Playing with an Oriental Scale E-23 You can use the procedure below to instantly fine tune the note assigned to all the keyboard keys that play it in 1 cent (1/100 semitone) steps. 1. Use buttons D-6 (KEY C) through D-17 (KEY B) to specify the key whose note you want to fine tune.
Playing with an Oriental Scale E-24 2. Press the R-16 (ENTER) button. • This displays a preset te mperament selection screen like the one shown below. 3. Use the dial or the R -14 (–, +) buttons to select a temperamen t. • Selecting a temperament other than 01: Equal will cause the C indicator to appear on the display.
Playing with an Oriental Scale E-25 You can use the following procedur e to store up to four scale setups in memory for quic k and easy recall whenever you want to use them. 1. While holding down the D-5 (STO RE) button, press the SCALE MEMORY number button (D-1 through D-4) to whic h you want to assign the current scale setup.
E-26 Using A uto Accompaniment With Auto Accompaniment, simply select the accompaniment rhythm you want and the matching accompaniment (drums, guitar, etc.) will play automatical ly when you play a chord with your left hand. It’s like having your own personal backup group along with you wherever you go.
Using Auto Accompaniment E-27 6. Press the L-16 (SYNCHRO/ENDING) button. • This enters synchro standby (Auto Accompaniment waiting for you to play a chord), with the F indicator flashing on the display. The flashing F indicator means that the normal Auto Accompaniment pattern is standing by.
Using Auto Accompaniment E-28 While Auto Accompaniment is playing, you use the chord keyboard to specify the chord root and type. The area of the keyboard to the left of the spli t point (p age E-17) is the chord keyboard. The illustration bel ow shows the chord keyboard range under AT-5 initial default settings.
Using Auto Accompaniment E-29 There are six different Auto Accompaniment patterns, shown below. You can switch between patterns during accompaniment play and even modify patterns.
Using Auto Accompaniment E-30 Auto harmonize lets you add har mony to melody no tes you play with your right hand. You can select any one of 12 Auto harmonize settings. 1. Hold down the R-18 (AUTO HARMONIZE/ ARPEGGIATOR) bu tton until the type selection screen sho wn below appears on the disp lay.
E-31 Appl ying Eff ects to a Sound You can apply a variety of different acoustic effects to the s ounds produced by the Digital Keyb oard. The built-in effects incl ude a wide variety of variations that give you access to a selection of general digital effects.
Applying Effects to a Sound E-32 ■ DSP Effect Mode Configuration The DSP effect mode is enabled while “DSP” is selected for the “C horus/DSP”effect parameter. D SP and reverb can be used in the DSP effect mode. • Reverb This type of effect simulates acoustic spaces.
Applying Effects to a Sound E-33 Effects are divided among different types (reverb, chorus, DSP), so first you need to use the procedure below to select an effect type. 1. While holding down the R-13 (FUNCTION) button, press the C-7 (EFFECT) button. • This displays the effect setting screen shown below.
Applying Effects to a Sound E-34 2. If you want, use the R-17 ( t , y ) buttons to move the thick brackets ( % ) to the “DSP Disable”setting, and then use the R -14 (–, +) buttons to change th e setting to “on”. • For more information about this setting, see the “Important!” note below.
Applying Effects to a Sound E-35 4. Use the R-17 ( t , y ) buttons to move the thick brackets ( % ) to the “DSP” setting. • This causes the number and name of the currently selected preset DSP to appear within the thick brackets ( % ) on the display.
Applying Effects to a Sound E-36 5. Use the R-17 ( t , y ) buttons to move the 0 to the parameter you want to change. • For information about the operation and the setting range of each parameter, see “DSP Parameter Settings” (page E-37). 6. Use the dial or R-14 (–, +) buttons to change the setting value.
Applying Effects to a Sound E-37 The table below shows the parameters that can be configured on the DSP editor screen. The settings marked with an asterisk ( * ) in the “Setting Range” column are initial defaults.
E-38 Using the Mixe r The sound source of this Digital Keyboard is capable of sounding up to 32 individual parts simultaneously. Each part can be controlled indivi dually, and each part can be configured to sound a different musical instrument.
Using the Mixer E-39 1. Press the C-7 (MIXER) button. • This causes the mixer screen to appear. 2. Use the R-17 ( u , i ) buttons to select the mixer parameter you want to cha nge. • You can select master (MASTER), effect (DSP), microphone input (MIC/INST), or a part (A01 through A16, B01 through B16).
Using the Mixer E-40 • For details about how initial default settings are configured when you perform the following procedure, see “Paramete r List” (page E-158). 1. While the mixer screen is di splayed, h old down the R-13 (FUNCTION) button as you press the C-17 (MENU) button.
Using the Mixer E-41 The tables below show the parameters that can be configured on the mixe r screen. The settings marked with an asterisk ( * ) in the “Setting Range” column are initial defaults. MASTER parameters include items for adjusting the volume level, pan p osition, and other settings that are applied glo bally to a ll parts.
Using the Mixer E-42 MIC/INST parameters include settings related to the T-5 (INST IN) and T-8 (MIC IN) terminals. MIC/INST Parameters Parameter Name Description Setting Range Part (Mic/Inst Enable) Specifies if sound input should be output (on) or not output (oFF).
Using the Mixer E-43 Part parameters include setting items that can be adjusted for parts A01 through A16 and B01 throug h B16. Part Parameters Parameter Name Description Setting Range TONE (Part Tone) Specifies a tone for each part.
E-44 Using the T one Editor You can create a user tone by editing one of the built-in preset tones. The preset tones built into this Digital Keyboard consist of a number of parameters. To cre ate a user tone, you first recall a preset tone (A:001 through K:128) and then modify its parameters to change it to your own original tone.
Using the To ne Editor E-45 • Cutoff Freque ncy The cutoff frequency is a parameter for adjusting timb re by cutting any frequency that is hi gher than a specific frequency. A larger cutoff frequency produces a brighter (harder) timbre, while a smaller frequency produces a darker (softer) timbre.
Using the Tone Editor E-46 4. Use the dial or R-14 (–, +) buttons to change the setting value. • Pressing the R-14 (–, +) buttons at the same time returns a parameter to its initial default setting. 5. Repeat steps 3 a nd 4 as required to configure other parameters.
Using the To ne Editor E-47 The table below shows the parameters that can be configured on the tone editor sc reen. For information about each parameter, also refer to “Tone Creat ion Overview” (page E-44). The settings marked with an asterisk ( * ) in the “Setting Range” column are initial defaults.
Using the Tone Editor E-48 DSP Parameters 1 through 8 Shows up to eight parameters for “DSP Type”. * 2 * 2 DSP RevSend (DSP Reverb Send) Adjusts how much reverb is applied to the post-DSP note. 0 to 40 * to 127 Mod Setting (Modulation Setting) Assigns either vibrato or DSP to the S-2 (MODULAT ION) button.
E-49 Music Presets Music presets provide one -touch access to Auto Accompaniment, tone, reverb, and othe r settings that are configured in accordance with preset chord progressions. A total of 305 presets let you easily configure the keyboard for a wide variety of different musi cal styles.
Music Presets E-50 3. Use the buttons from L-4 ([A] POPS/ROCK/ DANCE) to L-9 ([F] USER RHYTHMS) to sele ct a music preset group. • The L-9 ([F] USER RHYTH MS) button is for the user preset group. For details, s ee “Creating a User Preset” (page E-53).
Music Presets E-51 The settings listed in the table below are recalled when a music preset is selected. • Except for the chord progression, all of th e settings can be modifie d after a music pres et is selected.
Music Presets E-52 While the music preset screen is displayed, you can use the L-18 (ACCOMP ON/OFF) button to change Auto Accompaniment settings. • Each press of the L-18 (ACCOMP ON/OFF) button cycles through settings as shown below. • When a preset chord progressi on or accompaniment off is selected, the keyboard can be used fo r melody play.
Music Presets E-53 Preset areas numbered F:001 through F:050 are for storage of user presets. You can have up to 50 user presets stored in memory at one time. You can recall a stored user preset after pressing the L-9 ([F] USER RHYTHMS) button. See “T o perform using a music pres et” (page E-49) for more information.
Music Presets E-54 6. Use the R-17 ( y ) button to move the 0 to “Store” and then press the R-16 (ENTER) button. • This displays a screen for specifying the destina tion user preset number and name. 7. Use the di al or R- 14 (–, +) buttons to select the destination user preset number you want.
Music Presets E-55 This section explains how chord progressions are p layed in accordance with the “T iming” (Timing set) settings in step 5 under “ To create and save a user preset” (page E-53). Note that this setti ng affects playback only. It d oes not change the chord progress io n data.
Music Presets E-56 •3 / 4 Plays chords measure-by-measure at a timing t hat is 3/4 time s that of the recording. This setting is best for use wit h a 6/8 ti me rhythm. Playing back a chord pro gression like that shown for “Half” above while “3/4” is spec ified results in the progression shown bel ow.
Music Presets E-57 You can modify the preset chor d progression and save it as a user preset, or you can create a new chord progression from scratch and save it. 1. Perform steps 1 through 4 under “To pe rform using a music preset” (page E-49) and select the music preset you want to edit in order to create yo ur user music pr eset.
Music Presets E-58 1. Perform steps 1 through 4 of the procedure under “Chord Progre ssion Editing Flow ” on page E-57. 2. Use the R-17 ( t , y ) buttons to move the cursor to the chord you want to edit. • You can use the L-15 ( d FF) and L-14 ( s REW) buttons to move the cursor by measure-by-measu re.
Music Presets E-59 4. Specify the location of th e new chord insert as a number of beats afte r the current cur sor position. • Except for the R-8 ( 7 ) button, pressing the R-4 ( • ) button after you press any one of the above buttons will increase number of beats by 1.
Music Presets E-60 1. Perform steps 1 through 4 of the procedure under “Chord Progre ssion Editing Flow ” on page E-57. 2. While holding down the R-13 (FUNCTION) button, press the C-17 (MENU) button. 3. This displays a screen like the one shown below.
E-61 Sa ving K eyboar d Setups to Registration Memor y Registration memory lets you store Digital Keyboard setups (tone, rhythm, etc.) for instant recall whenever you need them. • For information about items that can be part of a registration setup, see “Par ameter List” (page E-158).
Saving Keyboard Setups to Re gistration Memor y E-62 1. Configure the tone, rhythm, an d other settings you want to include in the setup. 2. Press the C-10 (BANK) button to select the bank you want. • Each press of the C-10 (BANK) button cycles through the bank numbers.
E-63 Using the Song Sequencer You can use the song sequencer to record keyboard play (including Auto Accompaniment), or to record individual parts (multi-track recording) and combine them into a final song. After recording data, you can ed it each individual note (event).
Using the Song Sequencer E-64 2. Press the C-6 (RECORD) button. • The button will start flashing and the EASY REC screen shown below will appear on the display. • An asterisk ( * ) next to a song area number indicates that there is already data recorded in that area.
Using the Song Sequencer E-65 1. Perform steps 1 through 4 under “To pe rform using a music preset” (page E-49). 2. Press the C-6 (RECORD) button. • The button will start flashing and the EASY REC screen will appear on the display. 3. Start to play something using a music preset.
Using the Song Sequencer E-66 ■ Recording Start • Beat setting •R h y t h m s e l e c t i o n • Tempo setting • Scale setting • The mixer settings below – All part parameters from A04 th.
Using the Song Sequencer E-67 This section explains how to record to the system track and how to record to Tracks 01 through 1 6. For details about track configuration and what is recor ded to each track, see “Wha t you can do with the song sequencer” (page E-65).
Using the Song Sequencer E-68 • Page 2 of the menu screen has a “RecType” setting, but this setting cannot be used when recording a performance to the system track. 7. Start playing something on the keyboard. • Recording starts automatica lly when you perform any one of the following operations.
Using the Song Sequencer E-69 4. Use the R-17 ( u , i ) buttons to select a track (Track 01 through Track 16). 5. Configure panel setti ngs as required for your performance. • Configure the following settings: tone selection, tempo, mixer settings, etc.
Using the Song Sequencer E-70 1. While the song sequencer mode in itial screen is on the display after trac k recording is complete, hold down the R-13 (F UNCTION) button as you press the C-17 (MENU) button. • This displays the song sequencer menu with the 0 located at “ClearTrack”.
Using the Song Sequencer E-71 You can access the mixer dur ing playback, playback standby, or record standby ( C-6 (RECORD) button flashing), or while recording is in progress ( C-6 (RECORD) button lit) . Press the C-7 (MIXER) button to display the mixer screen.
Using the Song Sequencer E-72 6. Press the L-17 (START/STOP) button. • This starts punch-in playback. • The following operations ar e supported during punch-in playback.
Using the Song Sequencer E-73 6. Use the R-17 ( u , i ) buttons to move the cursor, use the dial or the R-14 (– , +) buttons to change the value at the cursor position, and then press the R-16 (ENTER) button.
Using the Song Sequencer E-74 5. Use the R-17 ( y ) button to move the 0 to “PanelReco rd”. 6. Press the R-16 (ENTER) button. 7. In response to the “Sure?” me ssage that appears, press the R-14 (YES) button to execute the panel record operati on or the R-14 (NO) button to cancel.
Using the Song Sequencer E-75 1. Press the C-5 (SONG SEQU ENCER) button to enter the song sequencer mode . 2. Use the dial or R-14 (–, +) buttons to select a song area number. 3. Press the C-7 (MIXER) button to display the mixer screen. 4. Use the R-17 ( u , i ) buttons to select the part you want to pla y (A04 through A 16, B01 through B16).
Using the Song Sequencer E-76 7. To stop playback, press the L-17 (START/STOP) button. • Pressing the R-15 (EXIT) button without pressing the R-16 (ENTER) button in step 4 above will ca ncel the phrase setting operation and close the locator screen.
Using the Song Sequencer E-77 1. Perform the procedure un der “To start a song editor operation” on page E-76 to display the song editor menu, with the 0 located at “Clear”. 2. Press the R-16 (ENTER) button. • This displays the “Clear Song” screen.
Using the Song Sequencer E-78 1. Perform the procedure un der “To start a song editor operation” on page E-76 to display the song editor menu. 2. Use the R-17 ( t , y ) buttons to move the 0 to “DeleteMeas.” and then press the R-16 (ENTER) button.
Using the Song Sequencer E-79 As explained in detail under “Songs, tracks, and parts” (p age E-65), the system track is an individ ual track, while the keyboard play and Auto Accompaniment data are recorded individually to mult iple parts (A04 thr ough A07, A09 through A16).
Using the Song Sequencer E-80 The following operations are supported during track (system track, Tracks 01 through 16) editing. • Clearing a single track • Copying one track to another track (Tracks 01 through 16 only) • Combining two tracks into a single track (T racks 01 through 16 only) 1.
Using the Song Sequencer E-81 1. Perform the procedure under “To start a track editor operation” on page E-80 to display the track editor menu. 2. Use the R-17 ( t , y ) buttons to move the 0 to “Copy” and then press the R-16 (ENTER) button. • This causes the “Copy Trac k” screen to appear.
Using the Song Sequencer E-82 7. After everything is the way you want, press the R-16 (ENTER) button. • If the destination track does not contain recorded data, combination of the trac ks starts immediately.
Using the Song Sequencer E-83 The event editor screen displays the individual events that make up a song as values and characters as shown in the sample screen below. The event editor screen shows three events at one time. The event in the middle line is t he selected event.
Using the Song Sequencer E-84 ■ Event Data List The following table shows the event types that correspond to t he abbreviations that app ear on the display, as well as the parameters of each event type and setting ranges.
Using the Song Sequencer E-85 System Track Events Event Type 2 display during insert 4 display Parameter Name Setting Range 2 display Event Name TnU1 UPPER 1 Tone [ Tone_U1 ] VALU Tone Number A:001 - .
Using the Song Sequencer E-86 1. Perform steps 1 to 3 of th e procedur e under “To start an event editor opera tion” on page E-82 to display the event editor screen. 2. While holding down th e R-13 (FUNCTION) button, use the R-17 ( u , i ) buttons to select the track you want to edit.
Using the Song Sequencer E-87 1. Perform the proce dure under “To start an event editor operation” on page E-82. 2. Use R-17 ( i ) button to display page three of the event editor menu, with the 0 located at “ViewSelect”. 3. Press the R-16 (ENTER) button.
Using the Song Sequencer E-88 1. Display the event editor sc ree n of the track that includes the events you want to delete. • See “To select a track for editing” (pa ge E-86). 2. While holding down the R-13 (FUNCTION) button, press the C-17 (ME NU) button to display the event editor menu.
Using the Song Sequencer E-89 1. Display the event editor screen of the track where you want to insert the event. • See “To select a track for editing” (pa ge E-86). 2. Use the R-17 ( t , y ) buttons to move the cursor to the position wh ere you want to insert an event.
Using the Song Sequencer E-90 3. Press the C-12 (COPY) button. • This displays the “Copy” screen. • If you have already specifi ed a range using the locator screen (page E-75), that range will be displayed on the range specification screen. 4.
Using the Song Sequencer E-91 1. Display the event e ditor screen of the track you want to quantize. • See “To select a track for editing” (pa ge E-86). 2. Press the C-13 (QUANTIZE) button. • This displays the “Quantize” screen. 3. Use the dial or R-14 (–, +) buttons to change the setting in the thick brackets ( % ) to “All”.
Using the Song Sequencer E-92 You can use the procedures in th is section to delete all pitch bender events from a track or from a specific range in a track. • To delete individual pitch bender events, perform the operation under “To delete an individua l event” (page E-87).
Using the Song Sequencer E-93 1. Display the event e ditor screen of the track you want to edit. • See “To select a track for editing” (pa ge E-86).
Using the Song Sequencer E-94 1. Perform steps 1 throug h 5 under “To adjust the velocity value of a note event” on page E-93. In step 4, select “Gatet imeMod.” instea d of “VelocityMod.”. 2. Press the R-16 (ENTER) button. • This will display the setting screen like the one shown below.
Using the Song Sequencer E-95 1. Perform step s 1 and 2 under “To dele te a beat event” (page E-94). 2. Move the cursor to the beat event that comes immediately before the lo cation where you want to insert a new beat event. 3. Press the C-11 (INSERT) button.
Using the Song Sequencer E-96 5. Use buttons R-1 ( 5 ) to R-4 (•) and buttons R-7 ( 6 ) to R-10 ( , ) to specify the length of the note you want to input. • For information about how to specify note lengt hs , see step 4 under “To insert an event” (page E-89).
E-97 Using the P attern Sequencer You can use the pattern sequencer to create accompaniment patterns that sound while using the Digital Keyboard’s Auto Accompaniment function and st ore them as user rhyth ms.
Using the Pattern Sequencer E-98 The following describes each of the differen t instrument part statuses that appear in the lower left corner of the screen. Rhythm areas numbered F :001 through F:100 are for storage of user rhythms. You can have up to 100 user rhythms stored in memory at one time.
Using the Pattern Sequencer E-99 ■ Replacing the Accompan iment Patterns of an Existing Rhythm with New Recordings With this procedure, you re-record one or more of the accompaniment patterns of an ex isting preset rhythm or previously stored user rhyt hm to create a new rhythm.
Using the Pattern Sequencer E-100 3. Use buttons L-13 (INTRO) through L-16 (SYNCHRO/ENDING) to select the accompaniment pattern you want to play. If you want to play the INTRO accompaniment pa ttern, for example, press the L-13 (INTRO) button.
Using the Pattern Sequencer E-101 1. While the pattern sequencer screen is displayed, press the C-6 (RECORD) button. • The button will start to flash and the Digital Keyboard will enter record standby. 2. While holding down the R-13 (FUNCTION) button, press the C-17 (MENU) button.
Using the Pattern Sequencer E-102 1. Perform steps 1 through 6 under “To re hearse before editing an existing rhythm” (page E-99). 2. Perform the procedu re under “To configure pattern rec setti ngs (Rec Menu)” (page E-101).
Using the Pattern Sequencer E-103 6. If you want to record notes you play on the keyboard in real time , perform the following steps. • The operation you can perform here depends on the status (page E-98) of the currently selected part, as described below.
Using the Pattern Sequencer E-104 8. Repeat ste ps 4 thro ugh 7 for all of th e parts y ou want to edit. • It is recommended that you save the rhythm as a user rhythm each time you finish editing each accompaniment pattern. For details about how to do this, see “To store an edited or newly created rhythm” (page E-106).
Using the Pattern Sequencer E-105 6. Configur e mixer settin g s for the selected instrument part. You can sk ip this step if y ou do not want to configure mixer settings. • For details about mixer setting operations, see step 5 under “To edit an existing rhythm” (page E-102).
Using the Pattern Sequencer E-106 1. Press the C-4 (PATTERN SEQUENCER) button. • This displays the pattern sequencer screen. For details about screen contents, see step 2 under “To rehearse before editing an existing rhythm” (page E-99).
Using the Pattern Sequencer E-107 • Pressing the R-15 (EXIT) button in place of the operation in step 1 displays the confirmation screen shown belo w. Pressing the R-14 (YES) button at this time will display the user rhythm store screen in step 2. To cancel the editor operation without saving the edited results, press the R-14 (NO) button.
Using the Pattern Sequencer E-108 6. Use the R-17 ( u , i ) buttons to select the instrument part you want to edit. 7. Edit the selected accompaniment pattern instrument part as desired.
Using the Pattern Sequencer E-109 The event editor screen shows the individual events recorded to an instrument part as shown in the sample screen below. • The event editor screen show s three events at one time. The event in the middle line is the selected event.
Using the Pattern Sequencer E-110 1. On the pattern sequencer screen, select the “Recorded Data” or “Empty” status instrument part whose events you want to edit. • You can perform event editing on one of the following types of parts. 2. While holding down the R-13 (FUNCTION) button, press the C-4 (E DIT) button to display the edit menu.
Using the Pattern Sequencer E-111 The settings in this section c ontrol how instruments parts you are currently editing or creat ing are soun ding when played back as Auto Accompaniment after being saved as a user rhythm. These settings are conf igu red using the “PartPara” (Part Parameter) item on the edit menu.
Using the Pattern Sequencer E-112 ■ Table (Chord conversion table) Recording of each accompaniment pattern is normall y performed using C major (root of C, major type). * When playing an Auto Accompaniment, you can use a root other than C and a chord type ot her than major, if you want.
Using the Pattern Sequencer E-113 ■ BreakPoint (Break Point) This parameter specifies the key, from C to B, that is the point at which Auto Accompaniment bass and chord notes drop one octave.
Using the Pattern Sequencer E-114 • This procedure copies no te events only. • You will not be a ble to perform this procedure if an INTRO or ENDING is selected as the accomp animent pattern.
Using the Pattern Sequencer E-115 1. While the pattern sequencer screen is display ed, hold down the R-13 (FUNCTION) button and press the C- 4 (EDIT) button to display the edit menu. 2. Use the R-17 ( t , y ) buttons to move the 0 to “ElementEdit” and then press the R-16 (ENTER) button.
E-116 Recor ding and Play ing A udio All of the sound out put by th e Digital Keyboard can be reco rded as audio files on a memory ca rd. The maximum recording t ime for a single audio fil e is approxima tely 13 minutes. Yo u can have up to five audio files record ed on a si ngle memory c ard.
Recording an d Playing Audio E-117 You can record keyboard play while in the rhythm mode or song sequencer mode. • Recording is actually performed in the audio record mo de, but you can switch between the rhythm mode screen and song sequencer mode screen from the audio record mode screen.
Recording and Playing Audio E-118 1. Referring to “Audio Reco rding” (page E-116), determine what type of perf ormance you want to record. 2. If you plan to use a microphone, CD player or some other external de vice as a sound source during recordin g, turn off both the external device and the Digital Keyboard and then connect them .
Recording an d Playing Audio E-119 4. If required, perform the steps below to switch from the time counter screen to the tempo, measure, beat screen. If you wa nt to leave the time counter displayed, go straight to step 5. 5. Use the dial or the R-14 (– , +) buttons to select an audio file number.
Recording and Playing Audio E-120 1. Perform the procedure un der “To get ready for audio recording” (page E-118). • This enters the rhythm mode. 2. Perform steps 1 through 4 under “To pe rform using a music preset” (page E-49). • This enters music preset record standby.
Recording an d Playing Audio E-121 • You can start audio playback oper ations from the rhythm mode or the song sequencer mo de. You cannot start from the card mode. • You can perform normal key board play along with audio playback, and you can use la yer and split.
Recording and Playing Audio E-122 4. Press the L-17 (PLA Y/STOP) button. • This will start playback of the audio file and cause the L-17 (PLAY/ST OP) button to change from flashing to lit. The time counter also will start counting up. • The following operations are supported during playback.
Recording an d Playing Audio E-123 1. Perform steps 1 through 4 under “To pl ay back a recorded audi o file” (page E-121) to start playback. 2. When playback reache s the location you want to specify as the repeat start point, press the L-13 (REPEAT) button.
Recording and Playing Audio E-124 1. Press the C-2 (AUDIO PLAY) button to enter the audio play mode. 2. Use the dial or the R-14 (–, +) buttons to display the audio file you w ant to clear or delete. • Selecting an audio file numbered from 001 through 005 will make this an audio file data clear operation.
E-125 Using the Function Menu The function menu contains items for tuning and touch adjustments, local on/off, and other global settings that need to be changed by you relatively infrequently. It also in cludes some memory card operations (format, etc.
Using the Function Menu E-126 4. To exit the function menu, press the R-13 (FUNCTION) button or R-15 (EXIT) button. • Note that all function m enu settings you configure are returned to their initial defaults whe never you turn off the Digital Keyboard.
Using the Function Menu E-127 Specifies how many times notes or chords should sound within one beat for arpeggio phrases played by the arpeggiator (page E-21). 1, 2, 2S, 3, 4 * , 4S, 6, 8 The setting value indicates the number of times within one beat.
Using the Function Menu E-128 • For details about “parts” mentioned here, see “How Parts are Organized” (page E-38). Adjusts the Auto Accompaniment volume level (master volume of parts A09 through A16). This setting does not a ffect the keyboard volume level (parts A01 through A03).
Using the Function Menu E-129 Specifies if Auto Power Off (page E-13) is enabled (on * ) or disabled (oFF). Even when “on” is selected for this setting, you can temporarily disable Au to Power Off by holding down the L-4 ([A] POPS/ROCK/DANCE) button as you press the L-1 (POWER) button to turn on power.
Using the Function Menu E-130 ■ To initializ e all da ta an d settings (o r parameter settings only) 1. Press the R-13 (FUNCTION) button to display the function menu. 2. Use the R-17 ( i , y ) buttons to move the 0 to “General” and then press the R-16 (ENTER) button.
E-131 Using a Memory Car d You can save Digital Keyboard user area data to a memory card and load data from a memory card to Digital Keyboard memory. You also can play musi c files (MIDI files) stored on a memory card on the Digital Keyboard. • Use a memory card that satisfies the co nditions below.
Using a Memory Card E-132 • The message “Please Wait” will remain on the display while a data save operation is in progress. Do not perform any other operation while it is displayed. Turning off the Digital Keyboard or removing the memory card can cause Digital Keyboard data to be deleted or become corrupted.
Using a Memory Card E-133 4. Use the R-17 ( t , y ) buttons to move the 0 to “CardFormat”. 5. Press the R-16 (ENTER) button. • This will cause the confir mation message “Sure?” to appear. 6. Press the R-14 (YES) button to format the memory card or the R-14 (NO) button to cancel.
Using a Memory Card E-134 5. Press the R-17 ( y ) button to ch ange to the “Xxxx Save” * 1 screen. • To save a song sequencer s ong in SMF format, press the R-17 ( y ) button one more time here to display the “Seq SmfSave” screen.
Using a Memory Card E-135 ■ Memory card Data Storage The above procedure stores Digita l Keyboard data in a folder named MUSICDAT on the memory card. • The MUSICDAT folder is cr eated automatically when you format the memory card on the Digital Keyboard (page E-132).
Using a Memory Card E-136 1. Insert the memory card into the card slot. 2. Press the C-9 (CARD) button to enter the card mode. 3. While holding down the R-13 (FUNCTION) button, press the C-17 (MENU) button. • This displays the function menu “Play/CardUtl” screen.
Using a Memory Card E-137 You can use the Digital Keyboard to play music files you saved to a memory card with your computer. • Supported music files are SMF form at 0 or 1 MIDI files (MID). • Playback of audio files (WAV, MP3, etc.) is not supported .
Using a Memory Card E-138 When playing a music file of a piano piece that has the left hand and the right hand parts recorded in separate MIDI channels, you can turn off play back of one of the parts a nd play it on the keyboard along with playback of the o ther part.
Using a Memory Card E-139 You can perform the followi ng operations and play on the keyboard along with playback of a music file on a memory card. • Select UPPER 1 part, UPPER 2 part, and LOWER p art tones.
E-140 Connecting to a Computer You can connect the Digital Keyboard to a computer and exchange MIDI data between them. You can send play data from the Digital Keyboard to music software running on your computer, or you can send MIDI data from your computer to the Digital Keyboard for playback.
Connecting to a Computer E-141 You can transfer song sequencer songs, user rhythms, and other data in Digital Keyboard memory to a computer for storage. You also can load Auto Accompaniment data you download from the CASIO we bsite to the Digital Keyboard, which greatly expands the Auto Accompaniment patterns available to you.
Connecting to a Computer E-142 You can transfer rhythm data fr om other models by loading it from a memory card, or by usi ng Data Manager to transfer the data from a computer to Di gital Keyboard memory. For information about actual operati ons, see “Importing Data from Various Storage Media” (page E-142).
E-143 Reference Err or Messages Display Message Cause Required Act ion Format 1. The current memory card format is not compatible with this Digital Keyboard. 1. Format the memory card on the Digital Keyboard (page E-132). 2. The memory card capacity is gr eater than 32GB.
Reference E-144 Memory Full 1. There is not enough memory capacity required for pattern sequencer operations. 1. To record new data of some part of some accompaniment pattern, clear another part and/or another accompaniment patterns.
Reference E-145 T roubleshooting Symptom Action Included Accessories I can’t find something that should be included with the product. Carefully check inside all of the packing materials. Power Requirements Power will not tu rn on. • Check the AC adaptor or make sure that the batteries are facing correctly (page E-9).
Reference E-146 Some notes are cut off while they are playing. Notes are cut off whenever the number of notes being sounded exce eds the maximum polyphony value of 64 (21 to 32 for some ton es). This does not indicate malfunction. The volume or tone setting I configured has changed.
Reference E-147 Specifications Models AT-3 / AT-5 Keyboard AT-3: 61 standard-size keys AT-5: 76 standard-size keys Touch Response 2 types, Off Maximum Polyphony 64 notes (32 for certain to nes) Tones .
Reference E-148 • Design and specifications are s ubject to change without no tice. Memory Cards Supported Memory Cards SD or SDHC memory cards, 2 GB to 32GB Functions SMF playback, fi le storage, f.
Reference E-149 Be sure to read and observe the following operating precautions. ■ Locatio n Avoid the following loca tions for this product. • Areas exposed to direct sunlight and high humidity .
Reference E-150 The table below shows the preset DSPs that can be se lected by the procedure under “To use a DSP” (page E-34). • The “Number” column shows DSP numbers, while the “Screen Name” shows the DSP name that appears on the display.
Reference E-151 All of the Digital Keyboard’s preset DSPs belong to one of the DSP types shown in the table below. When creating a user DSP (page E-35) or when using the tone editor ( page E-44) to e dit the DSP applied to a tone, you need to select one of the DSP type s in the table.
Reference E-152 ■ Single Type DSP Parameters 01: Wah This is a “wah” effect that can automatically affect the frequency using an LFO. Parameters and Value Ranges: 1 : Resonance (0 to 127) Adjusts the strength of resonance. 2 : Manual (0 to 127) Adjusts the wah filter reference frequency.
Reference E-153 08: Flanger Applies wildly pulsating and meta llic reve rberation to sounds. LFO waveform is selecta ble. Parameters and Value Ranges: 1: L F O R a t e (0 to 127) Adjusts the LFO rate. 2 : LFO Depth (0 to 127) Adjusts the LFO depth. 3 : LFO Waveform (sin, tri, random) Selects the LFO waveform.
Reference E-154 14: Lo-Fi Applies various types of noise to the input signal to reproduce a retro Lo-Fi sound. Includes wow and flutter for rotati onal fluctuation like that in tapes and records, a Noise 1 generator that generates continual FM radio type, and a Noise 2 generator that generates record play types scratch noise.
Reference E-155 In addition to the chords that can be fingered w ith Fingered 1 and Fingered 2, the following chords also are recognized. • With Fingered 3, the lowest note fingered is interpreted as the base note.
Reference E-156 Chord Example List Root Chord Type M m dim aug sus4 sus2 7 m7 M7 m7 b 5 7 b 5 7sus4 add9 madd9 mM7 dim7 69 6 m6 ( A # ) /B b B F # / ( G b ) G ( G # ) /A b A F CC # / ( D b ) D ( D # ) /E b E • Since the chord input range is limited, this mode l may not support some of the chords shown abo ve.
Reference E-157 The following shows the relationship between MIDI IN and MIDI OUT channels and each part. * The A01 part MIDI OUT channel depen ds on the keybaord chann el setting. For details, see “KeyboardCh (Keyboard Channel)” (page E-128). • For details about parts, see “How Parts are Organized” (page E-38).
Reference E-158 P arameter List To check this setting item: Refer to this column i n the table below: Setting items that are always saved when power is turned off 1 Setting items stored in registratio.
Function T ransmitted Recognized Remarks Basic Channel 1 - 16 1 - 16 1 - 16 1 - 16 Def ault Changed Note Number 0 - 127 0 - 127 * 1 T rue voice After T ouch Control Change X X X O Pitch Bender O O K e.
Program Change O 0 - 127 O 0 - 127 :T rue # System Exclusive O * 2 O System Common X X X X X X : Song Pos : Song Sel : T une A ux Messages Remarks X O X O X X O O X O O X : All sound off : Reset all c.
MA1011-B Printed in China AT3/AT5-E-1B K This recycle mark indicates that the packaging conforms to the environmental protection legislation in Germany.
Een belangrijk punt na aankoop van elk apparaat Casio AT-5 (of zelfs voordat je het koopt) is om de handleiding te lezen. Dit moeten wij doen vanwege een paar simpele redenen:
Als u nog geen Casio AT-5 heb gekocht dan nu is een goed moment om kennis te maken met de basisgegevens van het product. Eerst kijk dan naar de eerste pagina\'s van de handleiding, die je hierboven vindt. Je moet daar de belangrijkste technische gegevens Casio AT-5 vinden. Op dit manier kan je controleren of het apparaat aan jouw behoeften voldoet. Op de volgende pagina's van de handleiding Casio AT-5 leer je over alle kenmerken van het product en krijg je informatie over de werking. De informatie die je over Casio AT-5 krijgt, zal je zeker helpen om een besluit over de aankoop te nemen.
In een situatie waarin je al een beziter van Casio AT-5 bent, maar toch heb je de instructies niet gelezen, moet je het doen voor de hierboven beschreven redenen. Je zult dan weten of je goed de alle beschikbare functies heb gebruikt, en of je fouten heb gemaakt die het leven van de Casio AT-5 kunnen verkorten.
Maar de belangrijkste taak van de handleiding is om de gebruiker bij het oplossen van problemen te helpen met Casio AT-5 . Bijna altijd, zal je daar het vinden Troubleshooting met de meest voorkomende storingen en defecten #MANUAl# samen met de instructies over hun opplosinge. Zelfs als je zelf niet kan om het probleem op te lossen, zal de instructie je de weg wijzen naar verdere andere procedure, bijv. door contact met de klantenservice of het dichtstbijzijnde servicecentrum.
