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CTK671-ES-1 P USER’S GUIDE GUÍA DEL USUARIO CTK671_es_cover.p65 01.8.1, 3:53 PM Page 1 Adobe PageMaker 6.5J/PPC.
703A-E-002A GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other areas). NOTICE This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.
E-1 W elcome... T o the happy family of satisfied CASIO electronic musical instrument owners! T o get the most out of the many features and functions of the keyboar d, be sure to car efully read this manual and keep it on hand for future r eference. Important! Please note the following important information before using this pr oduct.
E-2 Congratulations upon your selection of this CASIO musical instrument. This keyboar d provides you with the following featur es and functions. ❐ 348 tones, including 100 “ Advanced T ones ” A.
E-3 ❐ General MIDI compatibility The General MIDI tones of this keyboard let you connect to a personal computer to enjoy “desktop music” capabilities. This keyboard can be used as a desktop music input device or sound source, and it's just the thing for playback of commer cially available pre-r ecorded General MIDI music software.
E-4 Safety Precautions Symbols Various symbols are used in this user’s guide and on the product itself to ensure that the product is used safely and correctly, and to prevent injury to the user and other persons as well as damage to property. Those sym- bols along with their meanings are shown below.
E-5 AC Adaptor Misuse of the AC adaptor’s electric cord can damage or break it, creat- ing the risk of fire and electric shock. Always make sure you observe the following precautions. • Never place heavy objects on the cord or subject it to heat. • Never try to modify the cord or subject it to excessive bending.
E-6 Plastic Bags Never place the plastic bag the prod- uct comes in over your head or in your mouth. Doing so creates the risk of suffocation. Particular care concerning this pre- caution is required where small chil- dren are present. Keep off of the product and stand.
E-7 Cleaning Before cleaning the product, always unplug the AC adaptor from the wall outlet first. Leaving the AC adaptor plugged in creates the risk of damage to the AC adaptor, fire, and electric shock.
E-8 IMPORTANT! When using batteries, be sure to replace them or shift to one of the alternate power sources whenever you notice any of the following symptoms.
E-9 Avoid heat, humidity or direct sunlight. Do not overexpose the instrument to dir ect sunlight, or place it near an air conditioner , or in any extremely hot place. Do not use near a TV or radio. This instrument can cause video or audio interference with TV and radio r eception.
E-10 Contents 703A-E-012A W elcome... .............................. E-1 Introduction ........................... E-2 Safety Precautions ................ E-4 Care of your keyboard .......... E-9 Contents ............................... E-10 General Guide .
E-11 703A-E-013A Song Memory Function ...... E-46 T racks ...................................................... E-46 Basic Song Memory operations ............... E-46 Using Real-time Recording ...................... E-47 Mixer Mode Settings .........
E-12 General Guide 703A-E-014A REST /YES /NO ( TIE ) 3 FULL RANGE MAX MIN PLAY RECORD STEP RECORD CHORD FINGERED CASIO CHORD NORMAL BANK STORE 89AB D EF G H D E G F H 1 2 3 4 5 6 8 0 B 7 9 AC * 1 BANK.
E-13 * Attaching of the Score Stand Firmly press the music stand pr ovided with the keyboard all the way into the groove on the top of the keyboar d. OUT IN SUSTAIN/ ASSIGNABLE JACK MIDI PHONES/ OUTPUT DC 9V H I J K L M ab c b 703A-E-015A Rear Panel • Key , button, and other names are indicated in the text of this manual using bold type.
E-14 G r a n d P n o 1 2 4 8 9 10 14 15 3 6 57 11 12 13 About the display 1. Indicators appear here to show when r everb, chorus, DSP , the Mixer Mode, Song Memory , or T ouch Response is being used. 2. The TONE indicator appears when you ar e selecting or viewing the TONE setting, while RHYTHM appears for the RHYTHM setting.
E-15 Playing a Demo Tune Pressing the DEMO button starts demo tune play . There ar e two demo tunes, which continuously play in sequence. T o stop demo tune play , press either the DEMO button or the ST ART/ST OP button. ❚ NOTE • Pressing the [+]/[ – ] buttons skips to the next demo tune.
E-16 This keyboard can be power ed by current from a standar d household wall outlet (using the specified AC adaptor) or by batteries. Always make sur e you turn the keyboard off when- ever you are not using it. Using batteries Always make sure you turn of f the keyboard before loading or replacing batteries.
E-17 Using the AC Adaptor Make sure that you use only the AC adaptor specified for this keyboard. Specified AC Adaptor: AD-5 Also note the following important warnings and precautions when using the AC adaptor . WARNING! • T ake care to avoid any damage to or breakage of the power cord.
E-18 Memory Contents In addition to the above settings, data stored in the Registra- tion Mode and Song Memory Mode is also retained when keyboard power is turned of f. Electrical Power The settings and memory data described above are r etained as long as the keyboard is being supplied with electrical pow- er .
E-19 Phones/Output T erminal Before connecting phones or other external equipment, be sure to first turn down the volume settings of the keyboard and the connected equipment. Y ou can then adjust volume to the desired level after connections ar e complete.
E-20 703A-E-022A Sustain Pedal • W ith piano tones, depressing the pedal causes notes to lin- ger , much like a piano ’ s damper pedal. • W ith organ tones, depressing the pedal causes notes to con- tinue to sound until the pedal is released.
E-21 3. Use the number buttons to input the three digit tone number for the tone you want to select. Example: T o select “ 039 ACOUSTIC BASS ” , input 0, 3 and then 9. ❚ NOTE • Always input all three digits for the tone number , including lead- ing zeros (if any).
E-22 Using an Advanced Tone 100 of the preset tones ar e “ Advanced T ones, ” which are vari- ations of standard tones cr eated by programming in effects (DSP) and other settings. For example, PIANO is modified into STEREO PIANO, ORGAN becomes ROT ARY SPEAK- ER ORGAN, and so on.
E-23 This keyboard provides you with a selection of ef fects that you can apply to tones. The built-in effects include a wide variety of variations that give you access to a selection of general digital effects. Effect Blocks The following shows how the effects of this keyboar d are or- ganized.
E-24 703A-E-026A Changing the Settings of REVERB and CHORUS Parameters Y ou can control the r elative strength of an effect and how it is applied. The parameters you can control depend on the ef- fect. See the following section titled “ REVERB and CHORUS Parameters ” for more information.
E-25 703A-E-027A Selecting a DSP T ype Perform the following steps to select a DSP type. 1. Press the DSP button so the indicator appears next to DSP on the display . 2. Use the [+] and [–] buttons or number buttons to select the type of DSP you want.
E-26 ❚ NOTE • Whether or not an effect is applied to the parts that are sound- ing also depends on Mixer Mode Reverb Send, Chorus Send, and DSP on/of f settings. See “ Mixer Function ” on page E-35 for more information. • Playing a demo tune (page E-15) automatically changes the effect to the one that is assigned to the tune.
E-27 Using the Equalizer The equalizer is another type of effect that you can use to make adjustments in tone quality . Frequencies are divided among a number of bands, and raising and lowering the lev- el of each frequency band alters the sound.
E-28 This keyboard automatically plays bass and chor d parts in accordance with the chor ds you finger . The bass and chord parts are played using sounds and tones that ar e automati- cally selected to select the rhythm you ar e using.
E-29 ❚ NOTE • Pressing both TEMPO buttons ( 왖 and 왔 ) at the same time resets the tempo to the default value of the currently selected rhythm. Using Auto Accompaniment The following procedur e describes how to use the keyboard ’ s Auto Accompaniment feature.
E-30 703A-E-032A ❚ NOTE • It makes no difference whether you press black or white keys to the right of a major chord key when playing minor and sev- enth chords.
E-31 Example: T o play the chord C major . Any of the fingerings shown in the illustration below will produce C major . E G C E C G ❚ NOTE • As with the FINGERED mode (page E-30), you can play the notes that form a chord in any combination ( 1 ).
E-32 703A-E-034A Synchro Starting Accompaniment with Rhythm Play Y ou can set up the keyboard to start r hythm play at the same time you play the accompaniment on the keyboard.
E-33 Using Auto Harmonize When you are using Auto Accompaniment, Auto Harmonize automatically adds three additional notes to your melody in accordance with the chor d that is being played. The result is a harmony effect that makes your melody line richer and fuller .
E-34 About Auto Harmonize notes and tones The notes you play on the keyboard ar e called “ melody notes, ” while the notes added to the melody by Auto Har- monize is called the “ harmonize notes.
E-35 703A-E-037A What you can do with the Mixer This keyboard lets you play multiple differ ent musical in- strument parts at the same time during auto-accompaniment play , song memory playback, receipt of data through the MIDI terminal, etc.
E-36 703A-E-038A 4. Use the [+]/[ – ] buttons to select on or off. Example: T o turn the channel off. • Press [ 왖 ] (EXIT) to r eturn to the channel selection screen. • Pressing the MIXER button r eturns to the T one Screen. ❚ NOTE • The MIDI data display shows only the data for the channels selected with the Mixer .
E-37 T uning Parameters Y ou can use these parameters to tune each of the parts indi- vidually . ■ Coarse T une (Range: –24 to 00 to +24) This parameter controls the coarse tuning of the selected chan- nel ’ s pitch in semitone units.
E-38 The Synthesizer Mode of this keyboard pr ovides the tools for creating your own original tones. Simply select one of the built-in tones and change its parameters to create your own original sound. Y ou can even store your sounds in memory and select it using the same procedure as that used to select a preset tone.
E-39 Saving User T ones The group of tone numbers fr om 238 through 247 (User 01 through User 10) is called the “ user ar ea ” because they are r e- served for storage of user tones. After you recall a preset tone and change its parameters to create your own user tone, you can store it in the user ar ea for later recall.
E-40 Creating a User T one Use the following procedur e to select a preset tone and change its parameters to create a user tone. 1. First, select the preset tone you want to use as a basis for your user tone. 2. Press the SYNTH button. • This enters the Synth Mode, which is indicated by the indicator next to SYNTH on the display screen.
E-41 703A-E-043A ■ V ib.Depth (V ibrato Depth) (Range: –64 to 00 to +63) Depth of the vibrato effect ■ V ib.Rate (V ibrato Rate) (Range: –64 to 00 to +63) Rate (speed) of the vibrato effect ■ Cut Off Freq.
E-42 Storing a User T one In Memory The following procedur e shows how to store a user tone in memory . Once a tone is stored, you can call it up just as you do with a preset tone.
E-43 703A-E-045A .
E-44 Registration Memory Registration Memory Features Registration memory lets you store up to 16 keyboard setups (4 sets x 4 banks) for instant recall whenever you need them. The following is a list of settings that are saved in r egistra- tion memory .
E-45 703A-E-047A Setup Names Y ou can assign setups into one of 16 areas, which you can select using BANK buttons 1 through 4 and the four REGIS- TRA TION buttons. Ar ea names range from 0-1 through 3-4 as shown below . 1 Use the BANK button to select the bank.
E-46 This keyboard lets you r ecord up to two separate songs in song memory for later playback. There ar e two methods you can use to recor d a song: real-time recor ding where you recor d the notes as you play them on the keyboard, and step r ecord- ing where you input chor ds and notes one-by-one.
E-47 703A-E-049A Song number (0 or 1) R e c o r d Using Real-time Recording W ith real-time r ecording, the notes you play on the keyboard are r ecorded as you play them. T o record with real-time recording 1. Press the SONG MEMORY button twice to enter real-time record standby .
E-48 SONG MEMORY TRACK [+]/[ – ] SONG MEMORY START/STOP SYNCHRO/FILL-IN NEXT 703A-E-050A Mixer Mode Settings Channel 1 Mixer parameters (page E-36) are automatically recor ded to T rack 1. Y ou can use the Mixer to change each of the parameters. Memory Capacity The keyboard has memory for appr oximately 3,500 notes.
E-49 Recording Melody and Chords with Step Recording W ith step recording, you can recor d Auto-Accompaniment chords and notes, and even specify note lengths one by one. Even those who find it difficult to play along on the key- board with an Auto-Accompaniment can create Auto-Accom- paniments based on their own original chord pr ogressions.
E-50 T rack 1 Contents After Step Recording In addition to chords, the following data is also r ecorded to T rack 1 during step recor ding. This data is applied whenever T rack 1 is played back.
E-51 703A-E-053A T rack 1 Step Recording V ariations The following describes a number of differ ent variations you can use when recor ding to T rack 1 using step recording. All of these variations are based upon the pr ocedure described under “ T o recor d chords with step recor ding ” on page E-49.
E-52 703A-E-054A Recording Multiple Tracks T rack 1 of the keyboard ’ s song memory r ecords Auto Accom- paniment and keyboard play . In addition, there are five oth- er melody tracks that you can use to recor d melody parts only . Y ou can recor d different tones to the melody tracks and build a full ensemble of instruments for your recor dings.
E-53 Recording track Not recording track 703A-E-055A 2. Use the SONG MEMORY TRACK buttons to se- lect the track you want to record to (2 through 6). Example: Select T rack 2. 3. Specify a tone number . • After changing the tone number , press any keyboard key to clear the tone number and name screen, and return to the note input scr een.
E-54 Correcting Mistakes While Step Re- cording Memory data can be thought of as a musical score that progresses fr om left to right, with the input point normally at the far right of the recor ded data. The procedure described her e lets you move the input point to the left in order to make changes in data you have alr eady input.
E-55 703A-E-057A T o delete specific note data 1. Perform steps 1 and 2 under “ T o correct mis- takes while step recording ” above to display the note you want to delete. 2. Press the [ 왔 ] (ENTER) button. 3. In response to the “ Delete? ” message that ap- pears on the screen, press the YES button to de- lete the displayed note.
E-56 ❚ NOTE • In the case of real-time recording, you later can change tone numbers you specified while recording to T racks 1 through 6 is in progress. • Y ou can only change tone numbers that were originally set for T racks 2 through 6 using step recording.
E-57 4. Press the [ 왗 ] or [ 왘 ] (CURSOR) button to dis- play the track delete screen. 5. Use the SONG MEMORY TRACK buttons to se- lect the recorded track or tracks whose data you want to delete. T rack delete standby • Y ou can specify more than one track for deletion by pressing mor e than one track select button.
E-58 T o rewrite song header data (Panel Record) Y ou can use a procedur e called “ Panel Record ” to change the initial Mixer , tempo and other settings stored in the song header . 1. Press the SONG MEMORY button once to enter playback standby . 2.
E-59 Using Split W ith split you can assign two differ ent tones (a main tone and a split tone) to either end of the keyboard, which lets you play one tone with your left hand and another tone with your right hand.
E-60 703A-E-062A LAYER TOUCH/TRANSPOSE/SETTING [+]/[ – ] SPLIT TONE Main Tone (STRINGS) Split point Split Tone (PIZZICATO STRINGS) S t r i n g s P i z z .
E-61 T o split the keyboard and then layer tones 1. Press the TONE button and then input the tone number of the main tone. Example: T o set “ 065 BRASS SECTION ” as the main tone. 2. Press the SPLIT button and then input the num- ber of the split tone.
E-62 703A-E-064A Transposing the Keyboard T ranspose lets you raise and lower the overall key of the key- board in semitone units. If you want to play an accompani- ment for a vocalist who sings in a key that ’ s differ ent from the keyboard, for example, simply use transpose to change the key of the keyboard.
E-63 Changing Other Settings Setting T ypes The table below shows the parameters whose settings you can change. Setting menu T ouch Response (T ouch) T ranspose (T rans.
E-64 703A-E-066B T o use the keyboard settings menu 1. Press the TOUCH/TRANSPOSE/SETTING button. 2. Use the [ 왗 ] and [ 왘 ] (CURSOR) buttons, and the [ 왖 ] (EXIT) and [ 왔 ] (ENTER) buttons to recall the items whose settings you want to change.
E-65 Setting Menu Items Description Adjusts display contrast. Assigns the sustain pedal effect to a pedal. Assigns the sostenuto pedal effect to a pedal. Assigns the soft pedal effect to a pedal. Assigns the ST ART/ST OP button function to a ped- al. Specifies the send channel for main tone play .
E-66 703A-E-068A MIDI What is MIDI? The letters MIDI stand for Musical Instrument Digital Inter- face, which is the name of a worldwide standard for digital signals and connectors that make it possible to exchange musical data between musical instruments and computers (devices) produced by differ ent manufacturers.
E-67 Sending and Receiving MIDI Mes- sages This keyboard can send notes you play on the keyboard, as well as auto accompaniment patterns and Song Memory play- back as MIDI messages to another device. MIDI Send Data ■ Keyboard Play Each keyboard part (Channels 1 through 4) is sent over its own individual MIDI channel.
E-68 703A-E-070A Using the Data Download Service Accompaniment, song, tone, DSP , and registration data, as well as application software for transferring data between your computer and the keyboard ar e all available for down- load at the CASIO MUSIC SITE * .
E-69 703A-E-071A T roubleshooting Problem Possible Cause Action See page No keyboard Sound Any of the following symptoms while using battery power . • Dim power indicator • Instrument does not turn on.
E-70 703A-E-072A Problem Possible Cause Action See page The key or tuning does not match when playing along with another MIDI machine. Parts suddenly drop out during song memory playback. Some parts do not play at all dur- ing song memory playback. Cannot recor d Auto Accompani- ment or rhythm.
E-71 Model: CTK-671 Keyboard: 61 standard-size keys, 5 octaves with touch r esponse (Off / Light / Normal / Heavy) T ones: 348 total (100 panel tones + 128 GM tones + 10 drum sounds + 10 user tones + .
E-72 703A-E-074A Mixer Function Channels: 16 Parameters: Channel on/off; tone; part on/off; volume; pan pot; octave shift; coarse tune; fine tune; reverb send; chor us send; DSP line MIDI: 16 multi-ti.
A-1 0 PIANO GRAND PIANO 0 65 32 N - 1 GRAND PIANO WIDE 06 7 1 6 N - 2 MELLOW PIANO 0 66 32 N - 3 BRIGHT PIANO 1 65 32 N - 4 MODERN PIANO 1 66 16 N - 5 HONKY -TONK 3 65 16 N - 6 ELEC.GRAND PIANO 26 5 3 2 N - 7 ELEC.PIANO 4 65 32 N - 8 MODERN E.PIANO 56 5 1 6 N - 9 GLASS E.
A-2 56 CHOIR AAHS 52 65 32 N - 57 VOICE DOO 53 65 32 N - 58 SYNTH-VOICE 54 65 32 N - 59 ORCHESTRA HIT 55 65 16 N - 60 BRASS TRUMPET 56 65 32 N - 61 TROMBONE 57 65 32 -1 - 62 TUBA 58 65 32 -1 - 63 MUTE.
A-3 Advanced T ones Sonidos avanzados 0 PIANO STEREO PIANO 0 68 32 N Reflect 1 SYNTH-STR.PIANO 0 70 16 N Reflect 2 VOICE PIANO 0 69 16 N Reflect 3 STRINGS PIANO 1 68 16 N Reflect 4 DANCE PIANO 1 69 16 N EnhaDly 5 60'S OCT A VE PIANO 3 68 16 N Equalize 6 MODERN E.
A-4 62 ST ACK TUBA 58 68 16 -1 CmpEnDly 63 W AH MUTE TRUMPET 59 68 32 N AwCrDly 64 OCT FRENCH HORN 60 68 16 -1 ChoDly3 65 STEREO BRASS 61 68 16 N EnhaDly 66 TRUMPET + BRASS 61 69 16 N Plate1 67 BRASS SFZ 61 70 16 N EnhaDly 68 DEEP SYNTH-BRASS 62 68 16 N EnhaDly 69 SLOW SYNTH-BRASS 63 68 16 N ChoDly4 70 REED MELLOW S.
A-5 GM T ones Sonidos GM 100 PIANO Piano 1 0 0 32 N - 101 Piano 2 1 0 32 N - 102 Piano 3 2 0 32 N - 103 HONKY -TONK GM 3 0 16 N - 104 E.PIANO 1 4 0 32 N - 105 E.
A-6 N Normal -1 1 Octave Down -2 2 Octave Down 1 1 Octave Up 2 2 Octave Up 1/2 1/2 Octave 1/4 1/4 Octave ❚ NOTE Range Symbol Meaning 206 SHAMISEN 106 0 32 N - 207 KOTO 107 0 32 N - 208 THUMB PIANO 1.
A-7 228 ST ANDARD SET 1 0 120 229 ST ANDARD SET 2 1 120 230 ROOM SET 8 120 231 POWER SET 16 120 232 ELECTRONIC SET 24 120 233 SYNTH SET 1 25 120 234 SYNTH SET 2 30 120 235 JAZZ SET 32 120 236 BRUSH SE.
A-8 Key/Note number Clave/ N ú mero de nota 0: ST ANDARD SET 1 HIGH Q SLAP SCRA TCH PUSH SCRA TCH PULL STICKS SQU ARE CLICK METRONOME CLICK METRONOME BELL ST ANDARD 1 KICK 2 ST ANDARD 1 KICK 1 SIDE S.
A-9 Root Nota fundamental M m 7 dim7 M7 m7 -5 dim m7 Chord Type Root Chord Type Tipo de acorde C D E F G A B C /(D ) (D )/E F /(G ) (G )/A (A )/B C D E F G A B .
A-10 No. Display Name T ype Name N º Nombre de display Nombre de tipo 00 Chorus 1 Chorus 1 01 Chorus 2 Chorus 2 02 Chorus 3 Chorus 3 03 Chorus 4 Chorus 4 04 FBChorus Feedback Chorus 05 Flanger1 Flang.
A-11 703A-E-157A DSP Algorithm Display DSP Name No. ID Name N º Identificaci ó n Nombre Nombre DSP DSP (ID) de de algoritmo presentaci ó n DSP Algorithm Display DSP Name No. ID Name N º Identificaci ó n Nombre Nombre DSP DSP (ID) de de algoritmo presentaci ó n DSP Algorithm Display DSP Name No.
A-12 DSP Algorithm List 00 : Auto Pan ■ Function Continually performs left-right panning of the input signal in accordance with an LFO. ■ Parameters 0 : Rate (Range: 0 to 127) Adjusts the panning rate. 1 : Depth (Range: 0 to 127) Adjusts the panning depth.
A-13 3 : Depth(Range: -64 to 0 to +63) Adjusts the depth of the wah in accordance with the level of the input signal. Setting a positive value causes the wah filter to open in direct pr oportion with the size of the input signal, producing a bright sound.
A-14 2 : Rate (Range: 0 to 127) Adjusts the rate of the LFO. 3 : Depth (Range: 0 to 127) Adjusts the depth of the LFO. 4 : W et Level (Range: 0 to 127) Adjusts the level of the effect sound. 1 1 : Rotary ■ Function This is a rotary speaker simulator .
A-15 6 : Bass(Range: -64 to 0 to +63) Adjusts the volume of low sounds. 7 : Level (Range: 0 to 127) Adjusts the output level. 16 : 1-Phase Chorus ■ Function This is monaural chorus in accordance with a sine wave LFO. ■ Parameters 0 : LFO Rate (Range: 0 to 127) Adjusts the rate of the LFO.
A-16 ■ Parameters 0 : Delay T ime (Range: 0 to 127) Adjusts the delay time. 1 : W et Level (Range: 0 to 127) Adjusts the level of the effect sound. 2 : Feedback (Range: 0 to 127) Adjusts the repeat of the delay . 3 : High Damp (Range: 0 to 127) Adjusts damping of the high-range delay sound.
A-17 1 : T ime (Range: 0 to 127) Adjusts the reverb time. 2 : High Damp (Range: 0 to 127) Adjusts damping of the high-range reverb sound. The smaller the value, the greater the damp- ing of high-range reverb sound. 3 : ER Level (Range: 0 to 127) Adjusts the level of the initial reflection.
A-18 M05 : Multi05 (Enhancer – 1-Phase Chorus) ■ Function This is a multi effector r elated to Enhancer - 1- Phase Chorus. ■ Parameters 0 : Enhancer Low Frequency 1 : Enhancer Low Gain 2 : Enhan.
A-19 M13 : Multi13 (Ring Modulator – Distortion) ■ Function This is a multi effector r elated to Ring Modu- lator - Distortion. ■ Parameters 0 : Ring OSC Frequency 1 : Ring LFO Rate 2 : Ring LFO.
A-20 1 : Phaser Manual 2 : Phaser Rate 3 : Phaser Depth 4 : Chorus LFO Rate 5 : Chorus LFO Depth 6 : Auto Pan Rate 7 : Auto Pan Depth M21 : Multi21 (Auto Wah – Tri 2-Phase Cho- rus – 2-T ap Delay) ■ Function This is a multi effector that is related to Auto W ah - T ri 2-Phase Chorus - 2-T ap Delay .
A-21 M28 : Multi28 (Distortion – 3-T ap Delay) ■ Function This is a multi effector that is r elated to Distor- tion - 3-T ap Delay . ■ Parameters 0 : Distortion Gain 1 : Distortion Low 2 : Disto.
703A-E-178A Basic Default Channel Changed Default Mode Messages Altered Note Number: True voice Velocity Note ON Note OFF After Key's Touch Ch's Pitch Bender 0, 32 1 6, 38 7 10 11 16 17 18 19 64 66 67 71 Control 72 Change 73 74 76 77 Function .
703A-E-179A Change 73 74 76 77 78 80 81 82 83 91 93 98, 99 100, 101 120 121 Program Change : True # System Exclusive System : Song Pos Common : Song Sel : Tune System : Clock Real Time : Commands Aux .
CTK671-ES-1 MA0105-B Printed in Malaysia P CASIO COMPUTER CO.,LTD. 6-2, Hon-machi 1-chome Shibuya-ku, Tokyo 151-8543, Japan This recycle mark indicates that the packaging conforms to the environmental protection legislation in Germany.
Een belangrijk punt na aankoop van elk apparaat Casio CTK-671 (of zelfs voordat je het koopt) is om de handleiding te lezen. Dit moeten wij doen vanwege een paar simpele redenen:
Als u nog geen Casio CTK-671 heb gekocht dan nu is een goed moment om kennis te maken met de basisgegevens van het product. Eerst kijk dan naar de eerste pagina\'s van de handleiding, die je hierboven vindt. Je moet daar de belangrijkste technische gegevens Casio CTK-671 vinden. Op dit manier kan je controleren of het apparaat aan jouw behoeften voldoet. Op de volgende pagina's van de handleiding Casio CTK-671 leer je over alle kenmerken van het product en krijg je informatie over de werking. De informatie die je over Casio CTK-671 krijgt, zal je zeker helpen om een besluit over de aankoop te nemen.
In een situatie waarin je al een beziter van Casio CTK-671 bent, maar toch heb je de instructies niet gelezen, moet je het doen voor de hierboven beschreven redenen. Je zult dan weten of je goed de alle beschikbare functies heb gebruikt, en of je fouten heb gemaakt die het leven van de Casio CTK-671 kunnen verkorten.
Maar de belangrijkste taak van de handleiding is om de gebruiker bij het oplossen van problemen te helpen met Casio CTK-671 . Bijna altijd, zal je daar het vinden Troubleshooting met de meest voorkomende storingen en defecten #MANUAl# samen met de instructies over hun opplosinge. Zelfs als je zelf niet kan om het probleem op te lossen, zal de instructie je de weg wijzen naar verdere andere procedure, bijv. door contact met de klantenservice of het dichtstbijzijnde servicecentrum.
