Gebruiksaanwijzing /service van het product 416 van de fabrikant ARRI
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Instruction Manual As of: Dezember 2006 A ll Artwork , pictures And texts Are covered by our copyright . t hey must not be copied ( e . g . on cd-rom, disks or internet - sites ) or used in their entire form or in excerpts without our previous written Agreement .
release button for on board batter y remote-socket cover on magazine opening tape hook power supply socket mini monitor sockets PL-mount adjustable mirror shutter bre screen nder arm friction ad.
1.Content Content 1. Contents ............................................................ 3 2. Safety Instructions and Legal Disclaimer ............... 7 2.1 Safety Instructions ............................................. 7 W arning signs .
Content 7. Camera Body ................................................. 43 7.1 Mechanically Adjustable Mirror Shutter ............ 43 Setting the Mirror Shutter Angle ....................... 43 Shutter Angle Measurement ...................
Content 10. Video Assist System ................................... 73 10.1 General Description of the IVS ....................... 73 New Features .................................................. 73 Main Features .........................
Content 12. ARRIFLEX 416 Plus .................................... 185 12.1 General Description .................................... 185 12.2 Radio system .............................................. 186 12.3 Wireless Remote System ..
2. Safety Instructions and Legal Disclaimer General safety instructions Read and understand all safety and operating i n st ru ct io ns b ef or e yo u op er at e or i ns ta ll t he s ys te m. Retain all safety and operating instructions for future reference.
Do not operate the system in high humidity areas or expose it to water or moisture. Do not place the system on an unstable trolley , stand, tripod, bracket, or table. The system may fall, causing serious personal injur y and damage to the system or other objects.
Specic safety instructions Never run the camera without a lens or a protective cap in the lens mount receptacle! Never operat e the magazin e relea se mec hanism while the camera is run.
10 10 2.2 Disclaimer Before using the products described in this manual be sure to read and understand all respective instructions. The ARRIFLEX 416 and 416 PLUS is only available for commercial customers. The customer grants by utilization, that the ARRIFLEX 416/PLUS or other components of the system are only deployed for commercial use.
11 11 any claim by third party , downtime, good-will, damage to or replacement of equipment or property , any costs or recovering of any material or goods associated with the assembly or use of our products, or any other damages or injur y of persons and so on or under any other legal theor y .
1 1 GeneralDecription.
1 1 .GeneralDecriptionoftheARRIFLEX1 The ARRIFLEX 416 is a lightweight, modern Super 16 lm camera with a 35-style viewnder and a ver y low sound level.
1 1 magazine opening cover loop protector Intallation.
1 1 .IntallationoftheCamera 4.1 Packing and T ranspor t In order to prevent damage to the mirror shutter , a protective cap must be in the lens mount receptacle at all times. When the ARRIFLEX 416 is transported or stored without a magazine, the magazine opening cover a photo should be in place.
1 1 4 . 3 S p l i t B r i d g e P l a t e s B P - 1 0 & B P - 1 1 Th e Spl it B ridg e Pl ates fac ilit ate bala ncin g of the cam era on the tripod and elevate the 416 to proper height for the mo unt ing of accessories. They separate into two pieces to allow you to q uic kly chan ge b etwe en t ripo d an d ha nd-h eld op er ati on.
1 1 • Slide the Sled into the dovetail-guide of the Base Plate until the spring-loaded stop pin a photo snaps back audibly . The Sled‘s position can then be xed with the clamping lever . • Fit the camera onto the short dovetail-guide on the Sled.
1 1 Removing the Split Bridge Plate from the Base Plate • Before removing the camera, make sure that all cables are disconnected and that the eyepiece levelling rod is detached.
1 1 4.4 Accessor y Carrier The Accessor y Carrier is a par t of the BP-10 & BP-11 Split Bridge Plates. It must be tted to the camera to work with a split bridge plate but, as its name.
0 0 The 416 Left Rod Bracket – LRB-2 a photo attaches to the left side of the Accessor y Carrier to allow the mounting of single 19 mm support rod.
1 1 4.5 Lens Suppor t Hea vy or l ong len ses re quir e s upp ort to av oid ove rst ress ing the camera‘s lens mount. Supporting a lens is achieved by using either the Lens Support LS-9 (s.
4.6 Grip System The multipurpose grip system on the ARRIFLEX 416 guarantees high stability through its xed connection to the camera body and provides numerous possibilities for attaching accessories. 3/8-16 inner threads allow attach- ment in various positions.
The 416 Standard Camera Handle can be extended with the Handle Extension Block HEB-1 a photo . The Handle Ex te nsi on B lock can be moun ted to a ny o f th e 3/ 8-16 hol es by rs.
Low Mode Support Set LMS-2 The Low Mode Support Set LMS-2 a photo is a sturdy triple post camera handle with integrated Steadicam low mode plate that attaches to the 416 camera body . It consists of the Low Mode Bracket a photo , the Low Mode Support Handle a photo and Low Mode Riser a photo .
a p hot o , one po sit ion ap pro xim ate ly 50 mm (2“ ) f orwar ds a n d a th ir d ap pr ox im at el y 10 0 mm ( 4“ ) fo rwa rd s. T he h an dl e can be mount ed in a ny of t he posi tions facing for wards or backwards; in this way , the grip balance can be adapted to best t the lens in use.
416 Lightweight Support L WS-5 The 41 6 Li ght weig ht Sup port L WS- 5 i s a stu rdy , thr ee poin t brack et for mountin g 15 mm light weight support rod s. The L WS-5 is tted with an Accessor y Rosette to replace the camera‘s rosette which is covered when the L WS-5 is tted a photo .
4.7 Operation fr om the Shoulder • Fit the Accessor y Carrier to the camera base. • Attach the Shoulder Pad to the rear of the Accessor y Carrier a photo . • Position the handgrip on the rosette and fasten with the fastening screw a photo .
.PowerSupply The a cceptab le volt age ran ge to p ower t he came ra is f rom 20.6 to 35 V DC. The power supply cable is attached to the power supply socket on the camera. Available are: • the batter y NC 24/7 R with charger NCL 24 R • the mains unit NG 12/24 R.
5.1 Batter y NC 24/7 R The b attery NC 24/7 R has a cap acity o f 7 am pere-h ours. • Ensure that the main switch on the camera is off. • Plug the batter y cable KC-20-S or the spiral batter y cable KC-29-S into the power supply socket on the camera and into the batter y socket.
0 0 5.3 Mains Units NG 12/24 R and NG 12/26 R Us e of a ma ins unit is reco mmen ded for lmi ng i n th e st udio and when using electronic accessories with high power consumption. • First check that the correct mains voltage is set on the mains unit.
1 1 The OBB-2 contains Lithium-Ion cells. The equivalent Lithium content is less than 8 grams. T ested according to UN manual of test and criteria chapter 38.3. T o reduce the risk of re burns do not disassemble, crush, puncture or short exter nal contacts.
Charging the OBB-2 • Connect the batter y to the charger a photo . • Connect the mains supply . • The LED on the charger glows orange when the batter y is empty • The LED on .
5.5 Accessor y Power Supply 24 V Accessories The RS sockets supply the same voltage as the camera power supply . Ensure that the accessories to be used are suited to the available voltage! 24 V accessories are normally attached to the RS sockets a photo .
Magazine.
.Magazine Only the SHM-3 416 Shoulder Magazine 120/400 can be used with the ARRIFLEX 416. Magazines from the 16 SR 1, 2 & 3 cameras are not compatible.
• Swing the footage counter roller arm a photo away from the feed side core holder until it locks in place. • Remove the lm from the lm can and black bag. • Remove the tape from the lm head. Ensure that the tape i s comp letely removed and se cured out of the way .
loop mark transfer roller Step 2: The T ake-up Side The following procedures may be carried out in the light. • Flip the magazine over so that the take-up door is uppermost and the top of the magazine is facing you. The ARRI on the door will be upside down.
• Hold the lm between thumb and middle nger of your left hand, while using your index nger to push the lm head into the lower magazine throat slot. The angle at which the lm enters is not as critical as it is on the old SR magazines.
6.2 Checking the Loop Size • T urn the magazine so the throat is pointing upwards with the feed side facing you. • Push the loop to the left so all the slack is below the pressure plate. • The end of the loop must fall within the white line marked in the lower throat chamber a photo .
0 0 Magazine lay-on roller arm 6.3 Removing Exposed Film If o nly part o f t he lm r oll has been exp osed and you int end leaving a ‘short end‘ in the magazine, cut the lm loop squarely through a perforation.
1 1 Magazine 6.4 T ranspor t and Storage Loaded or empty magazines should only be transported or stored with the loop protector a photo attached to avoid damage to the lm stock and the magazine throat assembly .
Magazine.
.CameraBody 7.1 Mechanically Adjustable Mirr or Shutter Th e m irr or shu tte r o n t he ARR IFL EX 416 ca n b e m ech ani cal ly adj ust ed w hil e th e c ame ra i s s wit ched off. The sh utt er a ngl e can be adjusted from 180° to 45°.
• T urn the shutter tool to set the shutter to the desired shutter opening. The shutter is held in its preset positions by a sprung-ball, which can be felt as the shutter is adjusted. Make sure the shutter registers properly at the set opening.
Filming with HMI Light When lighting scenes with HMI/CID discharge lamps, the i n te ns it y of t he l ig ht w il l pu ls e wi th t he p ow er s up pl y fr eq ue nc y unless a icker-free ballast is used.
7.2 Exchanging the Fibre Screen • In St andby , bri ey pre ss the “PHASE ” butto n to po sition the shutter so the mirror surface is protected from damage as far as possible a photo .
7.4 Attaching the Magazine • Move the magazine release lever safety catch to the open position a photo . • Press down the magazine release lever a photo and remove the magazine opening cover . • Remove the loop protector from the magazine.
7.5 Removing the Magazine • Stop the camera if it is running! • Move the magazine release lever safety catch to the open position a photo . • Push the magazine release lever down a photo and pull the magazine back and out of the camera.
Optic .Optic 8.1 Lenses All ARRIFLEX lenses with a PL-mount can be used. Lenses with a Ø 41 mm standard or bayonet mount can be used with a suitable adapter . Heavy and long lenses, such as zoom lenses, must be supported at all times.
0 0 8.2 V iewnder System The viewnder system on the ARRIFLEX 416 can be swivelled in two axes. The viewnder image is always upright and correct left-to-right when the viewnder is swivelled within the main axes a photo . An 80/20 beamsplitter for the video assist is integrated into the camera body .
1 1 Adjusting the Dioptre The dioptre compensation is tted with a scale a photo of 1 to 12. Position “6” is normal focus. • T o adjust, turn the ring right/left until the bre screen markings are totally in focus. Adjusting the Viewnder T urning the Eyepiece The eyepiece can be rotated 360° around the viewnder arm.
Extending the Viewnder Arm The viewnder arm can be telescoped continuously by approx. 40 mm. • T urn the knurled ring a photo towards the “LOOSE” position. • Pull the viewnder arm a photo out to the desired length. • Retighten the knurled ring.
Note: The automatic image compensation locks in two positions 180° apart. This allows the image compensation to be set to provide an upright image when using a nder extension. If the viewnder image is inverted without the nder extension, the image compensation must be adjusted to the opposite locking position.
ON/OFF button RUN button CameraOperation.
.CameraOperation 9.1 Main Camera Switch • If using a mains unit, switch it on. • Connect the camera to the mains unit or batter y . • Push the “ON/OFF” button a photo to turn the camera on. Push the “ON/OFF” button for approx.
Running the Camera If th e o per ati on con tro l i ndi cat or glo ws red wh ile in St and by , the camera is not ready and will not run (see “Over view of Display Symbols”). • Briey press the “RUN” button. While the camera is running up to speed, the operation control indicator a photo glows red.
Inching The ca mera ca n be in che d by pr ess ing the “PH ASE ” b utto n wh ile th e c ame ra is in Sta ndb y . If t he “PH ASE ” b utt on is onl y pressed briey , the mirror shutter rotates a par t revolution to enable an unrestricted view of the lm gate (e.
Overview of Display Modes Mode 1 is displayed: after switching on the camera, after pressing the “RUN” button or 30 seconds after the last operation.
Overview of Display Symbols Symbol Meaning glows The display is in Mode 1. bat glows Batter y voltage too low asy glows Asynchronous operation (camera is not running at set frame rate) fps glows display shows current frame rate blinks ESU is connected and no sync-frequency is available 7 6 5.
0 Mode 1 total exposed lm or takelength Mode 3 take length or total exposed lm 0 Film Counter Displaying the Film Counting V alues (Modes 1 and 3) Film counting values are shown in Modes 1 and 3.
1 1 Resetting the Film Counter (Modes 1 and 3) • Change to the mode which shows the total exposed lm counter (“MODE” button). • The total exposed lm counter can be set to zero by pressing the “SET” button (for at least 1.5 seconds) while in Standby .
Frame Rates The ARRIFLEX 416 offers the possibility to set and store two frame rates. It is possible to select and store: • a st an da rd f ra me r at e (2 3. 97 6, 2 4, 2 5, 2 9. 97 a nd 3 0 fp s) • and a freely programmed frame rate between 1 and 75 fps in increments of 0.
Setting a Programmed Frame Rate (Mode 2) Standby Operation • Change from Mode 1 to Mode 2 by pressing the “MODE” button once. • Press the “SEL” button repeatedly until the digit to be set blinks. • Press the “SET” button repeatedly until the desired value is reached.
Shifting phase After the camera has run up, the frame rate can be temporarily increased by 0.2 fps while the button the “PHASE” is held pressed a photo .
Displaying On-board Battery information (Mode 3) The options in this section are only available when an OBB-2 on-board batter y is attached. • Ch an ge fr om Mo de 1 to M od e 3 by p re ss in g th e “M OD E” button twice. The display shows the batter y voltage.
Set tin g th e L ow Batt ery w arn ing lev el ( Mod e 3 ) When the 416 is not powered by an OBB-2, it is possible to set the threshold at which the Low Batter y warning is triggered. It can be set anywhere between 20.0 and 29.9 volts.
Displaying the Timecode Time and Frame Rate (Mode 4) • Pr ess th e “ MOD E“ but ton un til th e d isp lay sh ows Mo de 4. The display shows the current timecode value. The top line shows “Hours:Minutes“. The bottom line shows “Seconds:TC generator frame rate“.
Displaying and Setting the Timecode User Bits (Mode 5) User Bits are automatically input with the timecode signal but they may also be set manually in Mode 5. • Pr ess th e “ MOD E“ but ton un til th e d isp lay sh ows Mo de 5.
Display Beep on start Be ep on s to p LS _ _ off off LS – _ on of f LS _ – off on LS – – on on Switching the Beeper On and Off (Mode 6) Standby Operation • Pr ess th e “ MOD E“ but ton un til th e d isp lay sh ows Mo de 6.
0 0 Selecting a Preset ARRIGLOW Color (Mode 7) • Push the “+“ DIMMER button on the camera left side so you can see the ARRIGLOW in the viewnder . • Pr ess th e “ MOD E“ but ton un til th e d isp lay sh ows Mo de 7. • Press the “SEL” button to make the ARRIGLOW color number ash.
1 1 Setting a User-Adjustable ARRIGLOW Color (Mode 7) • Push the “+“ DIMMER button on the camera left side so you can see the ARRIGLOW in the viewnder . • Pr ess th e “ MOD E“ but ton un til th e d isp lay sh ows Mo de 7. • Press the “SEL” button to make the ARRIGLOW color number ash.
Video-Ait-Sytem switch check/hide menu on/off É /Y video with data or Y -Signal È /C clean video or C-signal mini-monitor connector icker-free on/off white balance a.
10.VideoAitSytem 1 0. 1 G en e r a l D e s c ri p t i on o f t h e I V S The Integrated Video Assist System (IVS) for the ARRIFLEX 416 brings the highly praised video assist systems from the ARRIFLEX 435, ARRICAMS and ARRIFLEX 235 to the ARRIFL EX 416 .
Main Features • Integrated into the camera body Instead of a bulky add-on, the video assist is integrated into the camera without additional cabling.
Video-Ait-Sytem • Camera status display Camera status information, e.g. camera speed and lm counter data are passed on a bus interface from the camera to the video assist and can be displayed in a camera status line on the monitor .
10.2 Setup 10.2.1 Installation A 3 mm Allen key is used for installation. • Undo the two screws holding the transport cover a photo and remove it. • Remove the IVS transport cover from the video assist by undoing the two screws on the IVS a photo .
• Attach the video assist to the ARRIFLEX 416 by tting it to the camera right side in the direction marked a photo . • Tighten the two screws on the camera right side of the IVS rst a photo and then tighten the third screw into the top of the camera a photo .
10.2.2 Cabling Outputs If it is int ended t o use c omposit e outp uts but it is not k nown whether the BNC connectors are s wi tc he d to c om po si te o r to Y /C , co nn e ct t he.
Composite Video Outputs Composite video is only available when the output is switched to VBS out. • T o switch to composite video (VBS mode), enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds. Go to sub menu VIDEO/TEXT ADJUST .
0 0 Y/C Output Y/C output offers even better , S VHS quality , compared to the composite video output. There are also clean video and video with data signals available in Y/C mode. Y/C video is only available when the output is switched to Y/C out.
1 1 • T o switch between clean video and video with data, use the on-screen program mode. Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds.
Video-Ait-Sytem Black and White Output The Y part o f t he Y /C out put is a s tand ard bla ck and whi te signal. T o get black and white, use a standard BNC cable wi th 75 Ω c onne cted to the É /Y outp ut a nd s witc h to Y/C out.
Video-Ait-Sytem • T o switch between clean video and video with data, use the on-screen program mode. Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds.
Mini-Monitor Outputs The IVS has two mini-monitor connectors. T ypically one might be used for a standard mini-monitor and the other for a video transmitter . It is possible to switch between normal video and video with data on the Mini-Monitor output.
10.3 Standard V ideo Contr ols The IVS can be used as a standard video assist if no inserter features are used. Note: All currently used settings are stored even when the IVS or the camera is switched off.
Video-Ait-Sytem Hide Menu If the on-screen program mode is on because the settings are changed, the Menu (M) position clears the screen. For example, if color is to be changed with the on-screen progr am tool , the o n-scree n progr am win dow ove rlays t he image.
Video-Ait-Sytem Ch ec k a ll s etti ngs on a cor rect ly a djus ted moni tor . If the mechanical iris is closed more than necessar y , the IVS will compensate by increasing the gain and restore the image brightness electronically .
10.3.4 White Balance (WB) The IV S offe rs a ch oic e o f Wh ite Ba lanc e m etho ds bet ween • automatic control (A WB) • xed setting of indoor (IND) • xed setting for outdoor (OTD) • a one push white setting procedure • and a full manual control of white balance (MAN).
Note: With the MAN LED constantly on, no color settings can be made to avoid accidental adjustment. Note: The one push white facility is only available when the exposure is within the normal range. If the image is over or underexposed, one push white will not work.
0 0 Video-Ait-Sytem MENU WB/GAIN/BARS -> - WHITE BALANCE IND AUTOADJUST RED BLUE - MANUAL GAIN OFF VALUE - COLOR BARS OFF - EXIT Using the on-screen menu Please see chapter 10.4 Inserter Facilities for basics on the On-screen display .
1 1 Video-Ait-Sytem One push white One push white is only available when white balance control is set to manual. If manual white balance is set to MAN, it is possible to use the one push white facility or to adjust the red and blue saturation of the video image manually .
Manual White Balance red increase/decrease Manual white balance red increase/decrease is only available if white balance control is set to manual. When manual white balance is on MAN, it is possible to use the one push white facility or to adjust the red and blue saturation of the video image manually .
Manual White Balance blue increase/decrease Manual white balance blue increase/decrease is only available if white balance control is on manual. If manual white balance is on MAN, it is possible to use the one push white facility or to adjust the red and blue saturation of the video image manually .
10.3.5 Gain Control The gain control of the IVS can be set to automatic or manual. When set to automatic, the brightness of the video image is adjusted electronically . If automatic control is selected, the IVS outputs the best possible image brightness at all times.
Using the on-screen menu Please see chapter 10.4 Inserter Facilities for basics on the On-Screen display . The manual gain control can be programmed via the on- screen menu as well as control via keypad,. Manual gain control can be switched on or off.
Manual Gain increase/decrease Man ual ga in i ncr eas e/de cre ase is only ava ilab le when manual gain control is on. • Move the cursor > with the keys Ê and Ë to the line – V ALUE. Pressing the key Í will increase the gain; the key Ì will decrease it.
10.3.6 Flicker free on/off Flicke r free can be switch ed off to b ypass the dig ital fr ame store and have the video assist output with no delay . The ty pica l r unni ng spe ed f or the lm ca mera is di fferen t t o that of the video assist.
Using the on-screen menu Please see chapter 10.4 Inserter Facilities for basics on the On-Screen display . Flicker free off can also be programmed via the on-screen menu as well as via the keypad. • Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds.
10.3.7 Changing Format marking number The IVS can insert dif ferent format markings. It is possible to have • no format marking (OFF), • format marking number one (1), • format marking number two (2) • o r b ot h f o rm a t m a rk i ng s a t t h e s am e t i me (1 & 2 ) o n d is p la y .
100 100 Using the on-screen menu Please see chapter 10.4 Inserter Facilities for basics on the On-Screen display . The format marking number can be programmed via the on-screen menu as well as via the keypad. • Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds.
101 101 10.3.8 Storing a video image The IVS can grab and store a selected image, display that or ove rlay it ag ains t t he live im age in fro nt of the cam era to compare both images.
10 10 Using the on-screen menu Please see chapter 10.4 Inserter Facilities for basics on the On-Screen display . • Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds. Go to sub menu COMP ARE/STORE. Move the cursor > with the keys Ê and Ë to the line – STORE IMAGE.
10 10 10.3.9 W rong Cable W arning LED The ma in r eas on f or dam age to the IVS is inc orr ect ly w ire d cables connected to any of the IVS outputs. Even if some faults do no t cause immedi ate des tructi on, the y put t he IVS at risk and may eventually cause failures of the IVS unit.
10 10 Video-Ait-Sytem.
10 10 Video-Ait-Sytem 10.4 Inser ter Facilities In add itio n t o th e u sua l vi deo as sist fu ncti ons , t he I VS offer s a variety of inserter facilities.
10 10 10.4.1 Setting the On-Screen Displays During programming, inserted data is not fully updated (e.g. Frame Counter Information). T o get updated information, leave the on-screen display menu by pressing the Enter/Insert key Ñ for more than three seconds.
10 10 10.4.2 Main Menu Th e ins erter ’ s m ai n men u is dis play ed o n th e mo nito r sc reen when the on-screen programming is activated by pressing the Enter/Insert key Ñ a photo for more than three seconds. An illuminated LED indicates that the on-screen programming is activated.
10 10 10.4.3 Load/Store Menu Th e IV S ca n st or e up t o 5 s et s of s et ti ng s a nd r ec al l th e m. T he defaul t valu es are a 6th s et of s etting s. Thus it is possibl e to mak e a ll s ett ings fo r e .g. ind oor sho oti ng a nd sto re t hem as set tin g 1.
10 10 • When the required number is reached, press the Ent er/ Inse rt ke y Ñ to sto re t his se ttin g u nde r th e g iven number . The word DONE will appear for 3 seconds to indicate that the setting was stored. After this, the display will return to its normal mode.
110 110 All Settings to Default When the function set all settings to default is called, all settings are cleared. They cannot be recalled. This menu recalls default setting for all values. This makes it possible to obtain basic setting throughout the IVS.
111 111 Y/C data = ON BNC OUT = VBS MINI-MONITOR DA T A = ON GENLOCK = OFF FORMA T 1 = ON FORMA T 2 = OFF WHITE LEVEL frame lines = 2 COLOR BARS = OFF OUTSIDE area = DARK VIEW MODE = LIVE (Frame s.
11 11 1 0 .4 .4 W hi te B al an ce ( WB ), M an ua l Ga in C on tr ol (MGC) and Bars Menu White balanc e and m anual g ain con trol a llows t he user to chang e the c olor ap pearanc e and b rightn ess of the vid eo i m ag e. C o l o r Ba r s h e lp t o s e t u p a n d t es t c o n n e ct ed m o n i to rs .
11 11 White Balance (Indoor/Outdoor/Automatic/Manual) Wh it e b alan ce c an b e pr ogra mmed via the on- scre en m enu as we ll as via th e k eyp ad. It to ggl es thr oug h I ndo or , Ou tdo or and Automatic and Manual. • Move the cursor > with the keys Ê and Ë to the line – W HIT E BA LAN CE.
11 11 Video-Ait-Sytem One push white One push white is only available when the white balance control is on manual. If manual white balance is on MAN, it is possible to use the one push white facility or to adjust the red and blue saturation of the video image manually .
11 11 Video-Ait-Sytem Manual White Balance red increase/decrease Manual white balance red increase/decrease is only available if white balance control is on manual. If manual white balance is on MAN, it is possible to use the one push white facility or to adjust the red and blue saturation of the video image manually .
11 11 Manual White Balance blue increase/decrease Manual white balance blue increase/decrease is only available if white balance control is on manual. If manual white balance is on MAN, it is possible to use the one push white facility or to adjust the red and blue saturation of the video image manually .
11 11 Manual Gain Control ON/OFF The manual gain control can be programmed via the on- screen menu as well as via the keypad. Manual gain control can be switched on or off. If it is on, specic values can be set between 0 (low gain) and 63 (high gain).
11 11 Manual Gain increase/decrease Manual gain increase/decrease is only available when manual gain control is on. I f ma nu al g ai n is o n, i t is p os si bl e to a d ju st t he g ai n m an ua ll y . • Move the cursor > with the keys Ê and Ë to the line – V ALUE.
11 11 Color Bars ON/OFF Color bars can be displayed instead of the video image. The bars are helpful to set up or check monitors, which are connected to the IVS. Note: If the IVS is switched off and on again, it will always start in the mode COLOR BARS OFF to avoid accidental use of this mode.
10 10 10.4.5 Video and T ext Adjustment Menu Th is su b m enu all ows the us er to cha nge bas ic vid eo s etti ngs as we ll as the ap pea ran ce of the in sert ed man re ada ble te xt. C h a n g es m ad e to s et t i ng s ar e im m e di a t el y ac t i va t e d.
11 11 Flicker free ON/OFF Flicke r free can be switch ed off to b ypass the dig ital fr ame store and have the video assist output with no delay . The ty pica l r unni ng spe ed f or the lm ca mera is di fferen t t o that of the video assist.
1 1 Line interpolation on/off Due to the rotating mirror shutter of the lm camera, the CCD ch ip o f t he I VS get s li ght on ly f or 50 % of th e ti me. Al l video assists will therefore have only one true video eld and t he next one wi ll be t he repe tition of the previo us one.
1 1 Note: Sharpness 1 corresponds to the settings of older IVS types e.g. the IVS 235. Composite or Y/C signal at the BNC Connectors The IVS has two BNC sockets which can be switched to ou tp ut t wo i nd ep en de nt c om p os it e si gn al s o r on e Y/ C si gn a l.
1 1 GENLOCK on/off It is possible to synchronize the IVS to an external video signal, thus allowing the user to switch between different video signals without synchronizing problems. • Connect a standard video signal of the same type as the video system (P AL or NTSC) to the Video output with no data (C-Output).
1 1 Mini-Monitor Output as clean video or video with data The mi ni m oni tor out put can be pr ogra mme d to ha ve eith er c le an v id eo o r vi de o wi th d at a. B ot h mi ni mo ni to r ou tp ut s a re i n p ar a ll e l, so th e re ar e e i th e r n o d at a , o r d at a o n b o th ou t pu t s.
1 1 Video-Ait-Sytem Inverse This menu changes the appearance of all man readable windo ws. The format m arking s are n ot chan ged. If inver se OFF is selected, the characters will appear white. If the background is BOXED it will appear black in this case.
1 1 Video-Ait-Sytem Exit Use exit to return to the main menu. • Move the cursor > with the keys Ê and Ë to the line –EXIT and press the key Í or Ì .
1 1 10.4.6 Format Marking Menu T h e IV S ca n in se rt tw o di ff e r en t fo rm at m ar ki ng s el ec tr on ic al ly into the video image, either individually or simultaneously . The p ositio n of t hese f ormat m arkings can be set anywh ere on the screen, to line up exactly with the bre screen mar kin gs.
1 1 Activate Format Markings If t he elec tron ic f orma t mar king s ar e no t pa rall el t o th e b re screen format markings, readjust the CCD chip with the rotation alignment screw , as shown in chapter 10.3.3 Alignment of the image position (X-, Y - and Rotation) and focus.
10 10 Position – Adjusting the position of the Format Markings Th e f orm at ma rki ngs ca n b e a dju ste d t o s uit an y f orm at . T he format markings on the bre screen ser ve as a reference. T o align format 1, make sure that FORMA T 1 or FORMA T 1&2 is selected.
11 11 White Level – Setting the Brightness of the Format Markings The brightness of the format markings can be set to black (0), dark grey (1), and light grey (2) or white (3). • Move the cursor > with the keys Ê and Ë to the line – WHITE LEVEL.
1 1 Exit Use exit to return to the main menu. • Move the cursor > with the keys Ê and Ë to the line – EXIT and press the key Í or Ì .
1 1 10.4.7 Compare/Store Menu The IVS can grab and store a selected image, display it or overlay it against the live image in front of the camera to compare both images. C h a n g es m ad e to s et t i ng s ar e im m e di a t el y ac t i va t e d.
1 1 Store image The IVS can grab and store a selected image, display it or overlay it against the live image in front of the camera to compare both images.
1 1 Exit Use exit to return to the main menu. • Move the cursor > with the keys Ê and Ë to the line – EXIT and press the key Í or Ì .
1 1 10.4.8 System, LDS and Status Menu The IV S can insert the camera system, lens data an d statu s into the video image. The System line inserts infor mation from the lm camera su.
1 1 26.2V RUN FWD 24.000/24.000fps 180.0 F 120FT lm camera voltage in standby (STBY), run (RUN) or not ready (NRDY) actual lm camera speed in fps selected lm camra speed in fp.
1 1 Video-Ait-Sytem System Line This sub men u line switche s the i nsertion o f camer a syste m da ta on (ON ) an d off ( OFF ) in depe nden tly of o ther ins erted data. • Move the cursor > with the keys Ê and Ë to the line – SYSTEM LINE.
1 1 Video-Ait-Sytem LDS Line This sub menu line switches the insertion of Lens Data (LDS) information on (ON) and of f (OFF) independently of other inserted data. • Move the cursor > with the keys Ê and Ë to the line – LDS LINE.
10 10 Video-Ait-Sytem Status Line This sub menu line switches the insertion of camera status data on (ON) and off (OFF) independently of other inserted data. • Move the cursor > with the keys Ê and Ë to the line – ST A TUS LINE.
11 11 Video-Ait-Sytem Position The window can be positioned anywhere on the monitor screen. The menu option Position is only available if at least one of the three information lines is on. • Move the cursor > with the keys Ê and Ë to the line – POSITION.
1 1 Video-Ait-Sytem Background The b ackgrou nd of t he wind ow can be set electr onicall y to black in normal display mode or to white in inverse mode (BOXED) to improve the readability . If this is not activated, th e a rea ar oun d t he tex t i s t he nor ma l v ide o i mag e ( VID EO) .
1 1 • Move the cursor > with the Ê and Ë keys to the line – F I LM CO U NT E R. Th e Í ke y w i ll sw i tc h f r om T A K E (M / FT ) , T AKE (SEC) to FTGE and back to T AKE (M/FT). The Ì key will step through the options in the reverse order .
1 1 10.4.9 User T ext Menu The IV S ca n i nsert add iti onal te xt into th e vi deo im age, e. g. the production name or a scene number . The text can be entered on the IVS using the text edit facility or the ARRI software User T ext Line IVS (downloadable from the ARRI website).
1 1 MENU USER TEXT -> - USER TEXT LINE ON - EDIT TEXT - CLEAR TEXT (NO UNDO) - POSITION - SIZE SMALL - BACKGROUND BOXED - EXIT The adjustment of the white level of the inserted data, an in ve rse dis play and a ne a djus tmen t of the vert ic al posi tion is described in chapters 10.
1 1 The menu EDIT TEXT is displayed on the screen: • The X Symb ol show s t he posi tio n i n th e u ser tex t l ine tha t is t o b e ch ange d. M ove this tex t in serte r cur sor X le ft a nd right with the Í and Ì keys to the desired position.
1 1 Clear T ext using the internal text editing facility The user text line can be cleared on the IVS without an external device. When the text is cleared, the default line, a dotted line will appear . T ext cleared from the IVS is lost and cannot be recalled.
1 1 Size The size of the window can be changed independently from other inserts. • Move the cursor > with the Ê and Ë keys to the line – S IZE . Th e k ey Í wi ll swit ch fro m SM ALL , WI DE, HI GH to BIG and back to SMALL. The Ì key will switch in opposite direction.
1 1 Exit Use exit to return to the main menu. • Move the cursor > with the Ê and Ë keys to the line – EXIT and press the Í or Ì keys.
10 10.4.10 Timecode Menu The IV S ca n b urn the lm ca mera ‘s time cod e i nto the vi deo assist image to create a direct link to the post production. It is possible to insert either timecode, which is related to the lm camera speed, e.
11 Note: The frame information (the last two digits of the timecode display) is only active if timecode is actually recorded on lm. If there is no time- code recording on lm, because for example the camera is not running at a timecode speed, only the symbol ** is displayed in that position.
1 Position The window can be positioned anywhere on the monitor screen. • Move the cursor > with the Ê and Ë keys to the line – POSITION. Activate the positioning mode with the Í or Ì keys. The following menu is displayed on the screen: -> - POSITION <>^v E • The Ê and Ë keys move the window up and down.
1 Background The background of the window can be set electronically to black in normal display mode or to white in inverse mode (BOXED) to improve the readability . If this is not activated, the area around the text is the normal video image (VIDEO).
1 T o ha ve the ti mec ode co unt re lat ed to the l m c ame ra, se lec t the mode “Frame counter Film“ which is often referred to as “l m re lat ed t ime cod e“.
1 Exit Return to the main menu using Exit. • Move the cursor > with the keys Ê and Ë to the line – EXIT and press the key Í or Ì .
1 10.4.11 USER BITS Menu T he I VS c an i ns er t th e Us er B it s of t h e l m ca me ra ’ s ti me co de into the video assist image to create a direct link to the post production. Like all man readable information, the data is inser ted as a window on the monitor image.
1 TC Ubit This sub menu line switches the insertion of User Bit data on (O N) and off (O FF) in dep end ent ly of oth er ins erte d d ata . • Move the cursor > with the Ê and Ë keys to the line – TC UBIT . The Í or Ì keys switch the insertion on and off.
1 Size Th e siz e of the win dow can be c hang ed i ndep ende ntly fro m other inserts. • Move the cursor > with the keys Ê and Ë keys to the line – SIZE. The Í key will switch from SMALL, WIDE, HIGH to BIG and back to SMALL. The Ì key will switch in opposite direction.
1 Exit Return to the main menu using Exit. • Move the cursor > with the Ê and Ë keys to the line – EXIT and press the Í or Ì keys.
10 10.4.12 Pull-Down Menu The IVS can generate information on whether the current video image corresponds to a new lm frame or whether it is a repeated video image.
11 In practice the most important case is a lm camera speed of 23.976 fps and a NTSC video assist. This creates the situation described in the drawing. From the rst lm frame, two video elds are derived, the second lm frame, three video elds are derived, from the next lm frame, two video elds and so on.
1 Pull-Down This sub menu line switches the insertion of pull down information on (ON) and of f (OFF) independently of other inserted data. • Move the cursor > with the Ê and Ë keys to the line – PULL DOWN. The Í or Ì keys switch the insertion on and off.
1 Size The size of the window can be changed independently from other inserts. • Move the cursor > with the Ê and Ë keys to the line – SIZE. The Í key will switch from SMALL, WIDE, HIGH to BIG and back to SMALL. The Ì key will switch in the opposite direction.
1 Exit Return to the main menu using Exit. • Move the cursor > with the Ê and Ë keys to the line – EXIT and press the Í or Ì keys.
1 10.4.13 VITC Line Menu The IVS can convert the timecode, which can also be displayed man-readable in the video image, into machine readable VITC (V er tical Inter val Time-Code) and place it in non visible video lines.
1 VITC This sub menu line switches the insertion of VITC on (ON) and off (OFF). • Move the cursor > with the Ê and Ë keys to the line – VI TC . Th e Í an d Ì ke ys s wi tc h th e in se rt i o n on a nd o ff . Position 1 The insertion of VITC can be on single or multiple lines between lines 6 and 22.
1 Position 2 The insertion of VITC can be on single or multiple lines between lines 6 and 22. If the same line number is selected on both position 1 and position 2, the insertion will be single line; other wise it will be multiple lines. The value of position 1 can be higher or lower than that of position 2.
1 10.4.14 White Line Menu The IVS can generate information on whether the current video image corresponds to a new lm frame or whether it is a repeated video image. The White Line ag displays this in machine readable form. • Enter the White Line Menu from the Main Menu.
1 From the rst lm frame, two video elds are derived, the second lm frame, three video elds are derived, from the next lm frame, two video elds and so on.
10 White Line This sub menu line switches the insertion of White Lines on (ON) and off (OFF). • Move the cursor > with the Ê and Ë keys to the line – WHITE LINE. The Í and Ì keys switch the insertion on and off. Position The in sertio n o f Wh ite Li nes can be bet wee n li ne 6 a nd 2 2.
11 Exit Return to the main menu using Exit. • Move the cursor > with the Ê and Ë keys to the line – EXIT and press the Í or Ì keys. Note: Pressing the Enter/Insert key Ñ for more th.
1 Video-Ait-Sytem.
1 11.Timecode The ARRIFLEX 416 is equipped with a TC generator which produc es 80b it T imecode with a data structu re conf orming to SMPTE RP136, Format T ype C.
1 • Using the “MODE“ key a photo switch to Mode 4 (Timecode time) • Plug the cable with the TC signal into the “TCC“ socket a photo . The last two entries on the indicator show a blinking “EC“ (external code). If the LTC signal is correctly transferred the indication “CC“ (correct code) appears for approx.
1 TC Output TC information is constantly available as 80bit LTC on the “TCC“ socket. Output signal is in the L TC format. From the TC output TC compatible equipment can be synchr onized on the set on ce (for 8 hou rs) on the cam era’ s Timecode or constantly supplied with T imecode by the ca mer a.
1 Using Timecode For Timecode operation, please make sure that the magazine is equipped with a Timecode exposure module K2.55034.0. T urning on and off the TC Recording • Using the “MODE“ key a photo , switch to Mode 4 (Timecode time).
1 When TC is set at a Real Time frame rate (24 fps, 25 fps & 30 fps) and the camera speed is changed to a Non Real Time Frame rate (23.976 fps & 29.
1 Overview of the Display Indications used in Timecode Operation TC-Indication on the Display The “TC“ symbol has the following meanings: Timecode symbol (TC) solid Timecode is set and w.
1 TC W arnings A T C w arnin g i s d ispl aye d rstl y a s a bli nki ng “ TC“ sy mbol in the camera display . If the beeper volume is set to 1 or higher , a warnin g beep will sound in tim e with the b linking of the “TC“ symbol when the camera is in Standby .
10 Upper Line 1st Digit for TC Warnings 0 1 2 3 4 5 6 7 8 9 A b C d E F Warning Remedy • • • • • • • • no valid TC frame rate set correct TC frame rate or switch off TC • • .
11 Upper Line 3rd Digit for TC Warnings 0 1 2 3 4 5 6 7 8 9 A b C d E F Warning Remedy • • • • • • • • no meaning on 416 N/A • • • • • • • • TC not set to NDF/RT.
1 Film Sensitivity (TCS V alue) The intensity of the TC recording must be adjusted to suit the sensitivity of different lm stocks. The switch for setting the TCS level (Timecode sensitivity) is on the feed side on the magazine.
1 Indicating Clock Adjustment If the 416 TC generator has been adjusted to an Ambient Clockit the capital letter “A” is displayed next to the TCS va lu e in t he s ec on d li ne o f M od e 4 by p re s si ng t he “ SE L“ ke y .
1 TC Buffer The ARRIFLEX 416 ensures not only high accuracy of the Timecode but also allows the TC clock to continue running while the camera is switched off as long as the camera is connected to a power supply . The TC generator needs a power supply of 10mA when the camera is switched off.
1 1.ARRIFLEX1Plu 12.1 General Description The ARRIFLEX 416 Plus has an extended electronic side cover that offers the following additional functions over the standard ARRIFLEX 416: • Built-in radio modem for wireless remote control of len s and ca mera .
1 12.2 Radio system A radio is incorporated into the 416 Plus extended electronics. This enables wireless communication of lens con tro l an d l ens dat a i nfor mati on as w ell as rem ote co ntro l of the camera functions. The 416 Plus uses the latest ARRI WRS protocol which is denoted be a yellow rubber washer on the antenna a photo .
1 Channel Use 0 2444 - 2472 MHz 1 2406 - 2435 MHz 2 2444 - 2472 MHz 3 2406 - 2435 MHz 4 2444 - 2472 MHz 5 2406 - 2435 MHz 6 2444 - 2472 MHz 7 2406 - 2435 MHz 8 Not used 9 Radio device deactivated • Se t t he cha nne l s ele cti on swi tch on th e c ame ra to the ne w channel – the RF LED goes red.
1 12.3 Wireless Remote System Lens Motors Both CLM-1 and CLM-2 motors can be used with the ARRIFLEX 416 Plus. • CL M-1 mo tor s s hou ld be dai sy- cha ine d i n s eri es wit h o ne of the end motors connected to either (but not both) of the 416 Plus LCS bus connectors a photo .
1 The status LEDs indicate the following: Color Status Off no motor connected Red motor connected but no control unit found Green motor OK Green blinking motor OK but at an end stop Red blin.
10 WMU-3, WBU-3, WFU-3 and CLM-2 Motors CLM-2 Iris WBU-3 + WMU-3 + WFU-3 – Iris & Focus LC-F1 CLM-2 Focus ARRIFLEX1Plu.
11 2 x WMU-3, WBU-3, WFU-3 and CLM-2 Motors CLM-2 Iris LC-F1 CLM-2 Focus ARRIFLEX1Plu WBU-3 + WMU-3 + WFU-3 – Focus WBU-3 + WMU-3 + WFU-3 – Iris.
1 CLM-2 Iris CLM-2 Zoom CLM-2 Focus ZMU-3, WMU-3, WBU-3, WFU-3 and CLM-2 Motors ARRIFLEX1Plu WBU-3 + WMU-3 + WFU-3 Focus & Iris ZMU-3 Zoom.
1 CLM-2 Iris CLM-2 Zoom CLM-2 Focus ZMU-3, WZB-3, WBU-3, WMU-3 and WFU-3 with CLM-2 Motors ARRIFLEX1Plu ZMU-3, WZB-3, WBU-3 + WMU-3 + WFU-3 Zoom, Focus & Iris.
1 WHA-2, WFU-3, WZB-3, ZMU-3 and CLM-2 Motors ARRIFLEX1Plu CLM-2 Iris CLM-2 Zoom CLM-2 Focus WHA-2 + WFU-3 Focus & Iris ZMU-3 Zoom.
1 ZMU-3, WZB-3, WBU-3, WMU-3, LDD-FP , WEB-3, WFU-3 and CLM-2 Motors ARRIFLEX1Plu CLM-2 Iris CLM-2 Zoom CLM-2 Focus ZMU-3, WZB-3, WBU-3, WMU-3, LDD-FP , WEB-3, WFU-3 Zoom, Foc.
1 12.4 Camera Remote Contr ol Note: For details of how to use the RCU-1, WRC-1 and ESU-1, please see the instruction manuals supplied with these units. The 416 Plus can be remotely controlled by cable and via wireless remote control. Only one camera control unit may be used with the 416 Plus at any one time.
1 ARRIFLEX1Plu WRC-1 + WMU-3 WRC-1 via wireless remote control.
1 WRC-1 + WHA-2 LC-M1 WRC-1 with WHA-2 via cable ARRIFLEX1Plu.
1 ARRIFLEX1Plu WRC-1 + WHA-1 WRC-1 with WHA-1.
00 RCU-1 KC39 RCU-1 ARRIFLEX1Plu.
01 ARRIFLEX1Plu 12.5 Lens Data Display Compatibility The ARRIFLEX 416 Plus can be used with the Lens Data Di sp lay for Foc us P ulle r (L DD-F P) t o di spla y le ns i nfor ma tio n using the Lens Data Archive.
0 0 accessory mounting points Acceorie.
0 0 1.Acceorie Acceorie Accessory Mounting Points On the camera body and on the electronic cover there are accessor y mounting points.
0 0 W ork Light WL-3 • Screw the work light into the Accessor y Rosette. • Connect the plug to an “RS” socket. • Bend the exible arm, to bring the work light into the desired position. The work light can be turned on and off with the ring on the lamp head a photo .
0 0 Remote “RUN” Switch RS-4 • Attach the remote “RUN” switch with the spring clamp a photo (e.g. to the pan handle). • Plug the RS-4 plug into an “RS” socket. The RS-4 cable can be extended by 3m/9ft by use of the KC-40 Extension Cable (K2.
0 0 External Synchronization Unit ESU-1 The external synchronization unit ESU-1 a photo can be used with the ARRIFLEX 416 as well as with the 235, the 435 models, 535, 535B and 16SR 3/Advanced. It allows the c amera t o be sy nchroni sed to other equipme nt such as TV monitors.
0 0 Remote Control Unit RCU-1 The RCU-1 a photo is a practical remote control unit for us e wi th a ll o f th e la te st ge ne ra ti on A RR I FL EX c am er a mo d el s. It can be used in all applications that call for an uncompli- c at ed , q u i c k, s t u r d y a nd y e t st il l c o m pr eh e n s i v e re m o t e co nt r o l .
0 0 Wireless Remote Control WRC-1 The Wireless Remote Control WRC-1 is a handy remote control unit for use with all of the latest generation of ARRIFLEX camera models: ARRIFLEX 16SR 3/Advanced, 16SR 3 HS/Advanced, 535, 535B, 235, 435ES, 435 Advanced, 435 Xtreme and the ARRIFLEX 416.
0 0 The WRC-1 is the perfect addition to the ARRI Wireless Remote System. Connected to the Wireless Main Unit (WMU-2, WMU-3) it enables all functions to be remotely co ntr oll ed. Th e W RC- 1 c an als o b e c onn ect ed to the ca mer a vi a cab le u sing the Wir eles s Ha ndgr ip A ttac hmen t WH A-2.
10 10 Acceorie.
11 11 1.Maintenance When maintaining and cleaning the camera and accessories, pay careful attention to the following notes and tips: • Always disconnect the camera from the power supply . • Clean the camera and accessories only on a clean and at surface which is covered with foam material or a clean, lint-free cloth.
1 1 Camera Cleaning the Film Gate Loose dust or dirt leads to a layer of emulsion for ming on the lm gate. This can cause scratches on the lm and can also lead to a change in the lm’ s coefcient of friction. Attention! Keep ngers out of the lm gate opening as this may damage the mirror shutter .
1 1 Cleaning the Field Lens • Briey press the “PHASE” button, to position the shutter to protect the mirror surface from damage as far as possible.
1 1 Magazine Cleaning the Throat Assembly The magazine throat assembly a photo can be disassembled for cleaning. • Remove the two screws beside the top and bottom corners of the pressure plate a photo . • Open the take-up side door and fully loosen the screw between the two sprocket rollers a photo .
1 1 Maintenance pressure plate assembly from the back lm running surfaces guide rollers in magazine screw guide rollers in magazine lm running surfaces.
1 1 Maintenance Timecode Exposure Module For Timecode operation, make sure that the lens of the exposure mode is clean. • T o clean the lens, swing it out as shown a photo and clean it. • Make sure that there are no foreign objects, e.
1 1 1.Appendix The fr ame ra te of t he came ra is c onstan tly mon itored while it is running. If the actual frame rate deviates from the set frame rate, the operation control indicator glows red, a red LED is seen in the viewnder and the camera display shows the warning for asynchronous running (“asy”).
1 1 Error text in display Error text in IVS Problem Error LooP .S Magazine lm loop too short magazine lm loop too short Error LooP .
1 1 Problem Cause Remedy Scratches on the emulsion side of the negative In the image area, Dirty or damaged cross bars Clean or , if defective, replace the lm gate over several fram.
0 0 Problem Cause Remedy Unsteady Image V ertical Heavy emulsion build-up in the lm gate area, Clean lm gate area, use dif ferent lm stock damaged lm perforation, ver y poo.
1 1 Problem Cause Remedy Problems at extremely low temperatures Damage to the lm Greatly reduced tensile strength and increased The camera, batter y and particularly the lm stock brittleness of raw stock In temperatures must be protected from extreme cold.
Appendix.
1.T echnicalData Film Format Super 16 mm, conforming to DIN 15602 and ISO-5768-1998 Magazine 416 Shoulder Magazine 120/400 (SHM-3) for ward only , up to 75 fps Lens Mount 54mm PL-mount (positive locking) Flange Focal Distance 52.
Operating T emperature Range -20°C to +50°C (-4°F to +122°F) Power Supply 24 V DC Acceptable voltage range: ....................................................... 20.6…35 V DC Viewnder W arning Indicators Low power supply voltage (BA T) Asynchronous running (ASY) IVS W eight .
1.OrderNumber ARRIFLEX 416 Camera Body & SV-2 viewnder ................................ K0.60038.0 ARRIFLEX 416 Plus Camera Body & SV-2 viewnder .......................... K0.60037.0 ARRIFLEX 416 Camera Body only .
Magazines 416 Shoulder Magazine 120/400 (SHM-3) ...................................... K2.55026.0 Timecode exposure module .............................................................. K2.55034.0 Optical Accessories 4“ x 4“ light-weight matte box LMB-3 .
1.ARRISer vice Germany ......... Arnold & Richter Cine T echnik Türkenstraße 89 D-80799 München phone: +49 (089) 3809-0 fax: +49 (089) 3809-1244 E-mail: webmaster@arri.
Index.
1.Index Index 24 V accessories .................................................... 33 416 riser ......................................................... 23, 26 50 Hz ................................................
0 0 Index C cable warning ...................................................... 103 camera running .............................................................. 55 stopping ..........................................................
1 1 Index F feed side ............................................................... 35 bre screen .......................................................... 213 exchanging ........................................................
Index I image inverting ............................................................. 53 image orientation compensation .............................. 52 manually ............................................................ 52 reactivating .
Index lightweight support rods ......................................... 26 line interpolation .................................................. 122 LMS-2 ................................................................... 24 load/store menu .
Index mode 2 ........................................................... 58, 63 mode 3 ........................................................... 64, 65 mode 4 ........................................................... 58, 67 mode 5 .
Index PS/CCU .......................................................... 59, 63 PS mode ................................................................ 63 pull-down menu ................................................... 160 R radio channel .
Index stopping camera .................................................... 55 STORD ................................................................ 133 STORE SET .......................................................... 108 Super 16 .
Index V VBS mode ............................................................. 79 VBS out ................................................................. 79 video ............................................................
Index viewnder adjusting ............................................................ 51 viewnder arm ....................................................... 51 extending ................................................
MAIN MENU -> - LOAD/STORE - WB/GAIN/BARS - VIDEO/TEXT ADJ - FORMAT MARKING - COMPARE/STORE - SYSTEM/STATUS - USER TEXT - TIME CODE TIME - TIME CODE UB - PULL DOWN - VITC LINE - WHITE LINE - EXIT AR.
technical data are subject to change without notice © ARRI 2006 Ident-No. K5.66324.0 available languages: English ARNOLD & RICHTER CINE TECHNIK Türkenstr . 89 • D-80799 München Phone +49 – 089 – 38 09 – 0 • Fax +49 – 089 – 38 09 – 12 44 www .
Een belangrijk punt na aankoop van elk apparaat ARRI 416 (of zelfs voordat je het koopt) is om de handleiding te lezen. Dit moeten wij doen vanwege een paar simpele redenen:
Als u nog geen ARRI 416 heb gekocht dan nu is een goed moment om kennis te maken met de basisgegevens van het product. Eerst kijk dan naar de eerste pagina\'s van de handleiding, die je hierboven vindt. Je moet daar de belangrijkste technische gegevens ARRI 416 vinden. Op dit manier kan je controleren of het apparaat aan jouw behoeften voldoet. Op de volgende pagina's van de handleiding ARRI 416 leer je over alle kenmerken van het product en krijg je informatie over de werking. De informatie die je over ARRI 416 krijgt, zal je zeker helpen om een besluit over de aankoop te nemen.
In een situatie waarin je al een beziter van ARRI 416 bent, maar toch heb je de instructies niet gelezen, moet je het doen voor de hierboven beschreven redenen. Je zult dan weten of je goed de alle beschikbare functies heb gebruikt, en of je fouten heb gemaakt die het leven van de ARRI 416 kunnen verkorten.
Maar de belangrijkste taak van de handleiding is om de gebruiker bij het oplossen van problemen te helpen met ARRI 416 . Bijna altijd, zal je daar het vinden Troubleshooting met de meest voorkomende storingen en defecten #MANUAl# samen met de instructies over hun opplosinge. Zelfs als je zelf niet kan om het probleem op te lossen, zal de instructie je de weg wijzen naar verdere andere procedure, bijv. door contact met de klantenservice of het dichtstbijzijnde servicecentrum.
