Gebruiksaanwijzing /service van het product 42-4058 van de fabrikant Radio Shack
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42-4058 OWNER’S M ANUAL — Please read before using this equipment. © 2002 Rad ioShack Co rporati on. All Rights Reserv ed. RadioSh ack and RadioShack .
The FCC W ants You to K now 2 6*' (%% 9#065 ;17 61 -019 This equ ipment has bee n test ed and found to compl y w i th th e li mi ts f or a Class B digi tal device , pursu ant to Part 1 5 of the FCC Rules .
Connecting Headphones Connecting Headphones 3 %100'%6+0) *'#&2*10'5 To listen to your keyboa rd without disturbing other s, you ca n connec t an optional pa ir of stereo he adphones with a 1 / 4 -inch (6. 35 mm) plug. You r local Radio Shack sto re sells a wide sel ection of headp hones.
4 A Quick Look at Your K eyboard Tempo Control — lets you spee d up or slow down the tempo of any selected music patt ern. Split Functio n — lets you u se differe nt sounds for the low- an d high-end keys (see “Using S PLIT” on Page 8).
Basic Operation 5 $#5+% 12'4#6+10 1. Slide VO LUME to MIN (minim um) . 2. T o turn on the keyb oard, pre ss POWER . The POWER indicator lights and t he displ ay tu rns o n. ± 3. Slide MO DE to NORMAL . 4. Slide VO LUME toward MAX slightly and begin p l aying the key board.
Using Reverb and Chorus 6 4. T o select a dif f e rent ton e, re pea t Step 2 while JED; JED; JED; JED; appea rs. 7 5+0) #0 # &8#0%'& 6 10' The first 100 tones (numbers 0 0 to 99 ) hav e correspo nding adv anced tones.
DSP (Dig ital Signal Process or) 7 9^e 9^e 9^e 9^e :[fj^ :[fj^ :[fj^ :[fj^ ( &&& &&& &&& &&& to '(- '(- '(- '(- )—Sets the undulat ion depth of the ch orus sound. A higher v alue p roduce s deeper undulat ion.
Using SPLIT 8 2. Repeat edly press + or – or enter a number u s ing the numbe r button s to select the equ ali ze r type you want. The equa lizer type ( IjWdZWhZ IjWdZWhZ IjWdZWhZ IjWdZWhZ , 8Wii.
Using the P reset Auto-Rhyt hms Using the P reset Auto-Rhyt hms 9 3. Repea tedly p res s SPLIT until th e SPLIT indica tor appears. 4. Enter the n u mber for the low-e nd base tone. 5. Repea tedly p res s SPLIT until th e SPLIT indica tor disappears. 6.
Using Auto Accompaniment 10 automati cally re sumes at the en d of th e current m easure. When yo u press another v ariation b utton ( V ARIA TION/FILL-I N 2 whi le you are pl aying variatio n 1, for ex ample), the keyb oard starts to play the newl y-sel ect ed variation and does no t inse rt a fill-in .
Using Auto Accompaniment 11 The lowes t note you play determin es the key of the chord. For examp le, if the lowest note is C, the k eyboard p lays a C chord. ± 1. Set MO DE to CONCERT CHORD . 2. Enter a two-d igit a uto-rhythm number . 3. T o start the auto -rhythm before the auto accom paniment , press ST ART/STO P or I NTRO/ENDING 1 or 2 .
Using the Mixer 12 7 5+0) # 761 * #4/10+<' When using auto-ac c om pan im ent in the fingered or concert chord modes, press AUTO HARMONIZE to auto matic ally add harmony to yo ur melodi es. The indicato r next to AUT O HARMONIZE l i ghts, and the keyboa rd adds har mony base d on the chord playing on the accomp animent key s ection.
Using the Tone Synthesizer 13 units. A cent is one hun dredth of a semitone. There are 12 sem itones pe r octav e. Effect Parame ters HlX HlX HlX HlX (R everb ) I[dZ I[dZ I[dZ I[dZ ( &&& &&& &&& &&& to '(- '(- '(- '(- ) – controls how much re verb is ap plied.
Using the Registration Memory 14 When yo u store a tone with DSP line turned on , all th e DSP parame ters are recalled as you select the tone. 4. Repeat edly press + or – to chan ge the paramete r ’s s etting , or use th e number buttons to directly ente r a value f or the paramete r .
Special Features 15 the dis play is the num ber of “ce nts” to which th e keyboa rd is curre ntly tune d, compar ed to its default pitch. 2. Within 5 se conds, repe atedly pres s – or + to lowe r or rais e th e ke yb oard ’s pitch. Each tim e you pre ss the key , the number decrea ses or in creases by 1 cent.
Using the Song Memory 16 75+0) 6*' 510) /'/14; The key board lets you reco rd up to two separate songs (w ith up to about 3,500 notes) in memory for l a ter playback.
Using the Song Memory 17 2 .#;+0 ) $ #%- (4 1/ 5 10) / '/14; 1. Repea tedl y pres s SON G ME MORY until FbW o FbW o FbW o FbW o appears. 2. Within 5 s econds, repeated ly press + or – (or 0 or 1 ) to se lect a so ng num ber . 3.
Using the Song Memory 18 ( EXIT ) to cancel the rewrite opera tion. ± 4 '%14&+0) / 7.6 +2. ' 6 4#%-5 In addit ion to Track 1, where you record auto accomp animent as well as keyb oard pl ay, there are f ive other tracks you can use to record m elody par ts only.
Using the Song Memory Using the Song Memory 19 &GNGVKPI C 5QPI 1. Repea tedl y pres s SON G ME MORY until FbW o FbW o FbW o FbW o appears. 2. Repea tedl y pres s + or – to selec t the song nu mber . 3. Press G ( ENTER ). Ied]:[b5 Ied]:[b5 Ied]:[b5 Ied]:[b5 appears 4.
Using the Song Memory 20 / #-+0) 6*' /+&+ % 100'%6+105 To conne ct your keyboa rd to anoth er MIDI- equippe d devi ce, you must us e a MIDI cable (availab le at Ra dioSha ck).
Using the Song Memory Using the Song Memory 21 Active Sense — This means the keyboa rd’s sou nd turns of f in the event th e connec tion cabl e to th e MIDI IN term ina l is accide ntally d isconnected. 7 5+0) 6*' & #6# & 190.
Troubleshooting 22 6417$.'5*116+0) %#4' Keep the k eyboard dry; if it g ets wet, wipe it dry immed i ately. Use and s tore th e keyboa rd only in normal temperat ure environm ents .
23 Tone List 610' .+56 2 #0'. 6 10'5.
24 Tone List 2 #0'. 6 10'5 %106+07'& .
25 Tone List # &8#0%'& 6 10'5.
26 Tone List # &8#0%'& 6 10'5 %106+07' & .
27 Tone List )/ 6 10'5.
28 Tone List )/ 6 10'5 %106+07'& .
29 Tone List & 47/ 5 17 0&5 7 5'4 6 10'5.
30 Tone List & 47/ # 55 +)0/' 06 . +56.
31 Tone List ( +0)'4 '& % *14& % *#4 6.
Effect List 32 '(('%6 .+56 4 '8'4$ % *1475 &52.
33 Effect List &52 %1 06+ 07' & .
34 Effect List &52 # .)14+ 6*/ . +56 0WODG T 0COG (WPEVKQP 2CTCOGVGTU 00 Auto Pan Continually performs left-right panning of the input signal in accordanc e with an LFO. 0: Rate (0 to 127) – Adjusts the panning rate. 1: Depth (0 to 127) – A djusts the panning depth.
35 Effect List 09 Stereo Phaser This is a stereo phaser that modulates the phase in accordance with a sine wave LFO. 0: Resonance (0 to 127) – Adjusts the resonance of the sound. 1: Manual (-64 t o 0 to +63) – Adjusts the p haser shift v olume, which is used for reference.
36 Effect List 21 Stereo Del ay 2 This is a cross feedbac k delay of s tereo input and output. 0: Delay Time (0 to 127) – Adjusts the delay time . 1: Wet Level (0 to 127) – Adjust s the level of t he effect sound. 2: Feedback (0 to 127) – Adjusts the repeat of the delay .
37 Effect List The foll owing “Multi” a lgorithms are us ed in co mbina tion wit h the a lgorithms describ ed previ ous ly in thi s sec tio n. Pa ram et er s are sh ar ed by both t ype s of al gor ith ms.
38 Effect List M08 Multi08 (Sin 2-Phase Chorus — Flanger) This is a multi effector that is related to Sin 2-Phase Chorus — Flanger . 0: Chorus LFO Rate 1: Chorus LFO Depth 2: Chorus Feedback 3: Ch.
39 Effect List M17 Multi17 (Rotary — Reflection) This is a multi ef f ect or related to Rotary — Reflection. 0: Rotary Speed 1: Rotary Br eak 2: Rotary Slow Rate 3: Rotary Fas t Rate 4: Reflection.
40 Effect List M26 Multi26 (Auto Wah - Distortion — 2-T ap Delay) This is a m ulti effector that is related to Auto Wah - Distortion — 2-T ap Delay .
41 MIDI Implementation Chart / +&+ +/2.'/'06#6+10 %*#46.
Specifications 42 52'%+(+%# 6+105 Number of Key s ......... .... ....... ...... .......... ..... ..... 61 Polyphonic Sound .......................
Notes Notes 43 0 16'5.
42-4058 MA0206-A 04A02 Printed in Malaysia Radi oSha ck Corp ora tio n Fort Worth, Texas 76102 MD1 121E-1 Limited On e-Y ear W arranty This pro du ct is war ran ted by R a dioS h ack ag ain s t ma nuf.
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