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AUDIO FIRE 2 AUDIO FIRE 4 AUDIO FIRE 8 AUDIO FIRE 12.
Owner’s Manual Version 2.0 for Macintosh.
Important Safety Instructions 1. Read Instructions - Be sure to read all of the safety and operating instructions before operating this product. 2. Retain Instructions - The safety instructions and owner's manual should be retained for future reference.
11. Damage Requiring Service - Unplug this unit and refer it to a qualified service technician when any of the following occur: a) Objects have fallen or liquid has spilled into the unit b) The produc.
Registering your product online at http://www.echoaudio.co m/support/register.php allows us to register key information so t hat we may handl e problems faster and inform you of advance inform ation on upgrades and other news. Thank you in advance for registeri ng.
©2005 by Echo Digital Audio Corporation 6309 Carpinteri a Ave. #300 Carpinteri a, CA 93013 Echo ® and AudioFire are tradem arks of Echo Digital Audi o Corporation.
INTRODUCTION .................................................................................................. 9 W HAT Y OU S HOULD H AVE R ECEIVED IN THE B OX ............................................... 9 S YSTEM R EQUIREMENTS ..................
APPENDIX B: AN INTRODUCTION TO DIGITAL RECORDING ........... 48 APPENDIX C: SPECIFICATIONS ................................................................... 55 INDEX ...................................................................................
Introduction Introduction Thank you for choosing Echo Digital A udio. We think you’ll find your Echo product to be an extremely flexible, high-performance tool for your com puter- based hard disk recording system.
Introduction System Requirements In order to use AudioFire2, AudioFire4, AudioFire8, or AudioFire12 you’ll need the following: An Apple brand Macintosh computer (desktop or notebook) with: Mac OS X (10.
Installation Installation To properly install your AudioFire product you will need to: log in as an administrator, check OS X version, run software update, connect the audio interface to a FireWire port and to your ot her audio hardware, install the Console software, and install Tracktion.
Installation Installing the AudioFire Hardware and Software Now that you have logged in as an admini strator, checked the OS X version, and updated your software, you are ready to install your AudioFire product in your computer. 1. Install the AudioFire Console.
Installation NOTE: You should check the driver downloads area of our website ( www.echoaudio.com ) for any software updates and install them before continuing. The AudioFire hardware must be installed and powered on for the firmware update to load properly.
Connecting to the Audio Interface Connecting to the Audio Interface The AudioFire2, AudioFire4, AudioFire8 and AudioFire12 audio interfaces contain a wide variety of connections that allow great flexibility in operation. For optimal performance, it is critical to us e the appropriate cabling and connectors.
Connecting to the Audio Interface Analog Inputs and Outputs – AudioFire4 AudioFire4’s front panel has two universal inputs (1 – 2) with meters and trim knobs, a phantom power indicator (+48v), and a power button with an amber power indicator light.
Connecting to the Audio Interface headphone output jack, with a corresponding volume knob, which monitors analog outputs 1 and 2. AudioFire8 has six analog line inputs (3 – 8) and eight analog line outputs on the rear panel. These analog inputs (3 – 8) operate with an input impedance of 10Kohms.
Connecting to the Audio Interface Universal Inputs – AudioFire4 and AudioFire8 The universal input connections can accept balanced or unbalanced signals via ¼” or XLR connectors. Since your AudioFir e has built-in preamps, you can just plug your microphone or guitar cable right into the universal input.
Connecting to the Audio Interface For optimal audio quality, you should adjust the input trim knob so that your loudest recorded signal lights up the yellow light, but not the red.
Connecting to the Audio Interface By default, the inputs and outputs are set to receive or send a +4dBu signal. You can switch between +4dBu and –10dBV for each individual input and output via the console software (see “Console” section below).
Connecting to the Audio Interface When connecting devices to the S/PDIF j acks, the use of standard analog RCA audio cables is not recommended. For re liable S/PDIF operation, 75-ohm coaxial (RG59) video cables are recommended. MIDI Your AudioFire is equipped with MIDI I/O connectors.
Connecting to the Audio Interface The S/PDIF connectors are used to transmit digital audio data between digital audio devices via an electrical signal. When connecting devices to the S/PDIF jacks, the use of standard analog RCA audio cables is not recommended.
Software Configuration Software Configuration Now that you have installed your AudioFire product, you can verify that everything is working properly. Open “System Preferences” fro m the Dock or Apple menu, select “Show All”, and select the “Sound” panel.
Software Configuration You can also check out your hardware with the “Audio MIDI Setup” application. Go to your Applications folder on your hard disk and from there to the Utilities folder.
Software Configuration By clicking on the “MIDI Devices” tab, you will display the available CoreMIDI devices. You should see your AudioFire product shown as an icon here. Next, you’ll want to install Tracktion and learn about the AudioFire Console software.
Installing Tracktion Installing Tracktion Your AudioFire comes bundled with the full version of Tracktion 1, audio multitrack recording, MIDI, editing, and sampling software. Install Tracktion from the AudioFire CDROM To install the software: 1. Insert the AudioFire CD-ROM into your CD-ROM drive.
Installing Tracktion Launching Tracktion and Assigning Inputs & Outputs Now it’s time to launch the actual program and set a few options: Locate and double-click the Tracktion icon in the “Applications” folder or wherever you copied it to earlier.
Installing Tracktion Audio Settings 1. Click the “Settings” tab at the top of the screen. 2. Select “Audio Devices” on the left. 3. Where it says “Wave device:” click on the drop down menu and select your AudioFire product. 4. Now you should be able to see a list of the available audio devices for your AudioFire product.
Console Software 28 Console Software Console If you followed the instructions in Step 1 of the “Installing the AudioFire Hardware and Software” section of this manual, then you installed a “virtual control surface” application called the Audi oFire Console.
Console Software 29 Console Software The AudioFire8 Console Window: Analog Out 1-2 Tab selected. Bus Select Tabs The output bus is selected by clicking on one of the tabs at the top of the console window. The above example shows the console window for AudioFire8.
Console Software 30 Console Software output bus tabs. AudioFire12 does not have S/PDIF, so it does not have a digital output bus; it has 6 analog output bus tabs instead. NOTE: Analog outputs 3 and 4 for the AudioFire2 are labeled as “Headphones” in the console.
Console Software 31 Console Software The input monitor controls are a little complicated. Basically, there is a different set of input monitor controls for each output bus , but only one set is visible and changeable at a time .
Console Software 32 Console Software The AudioFire8 Console Window: Analog Out 3-4 Tab selected. Note that since the Analog 3-4 tab is selected you are no longer looking at the input monitor and output controls for analog outputs 1 and 2. You are now looking at the controls for analog outputs 3 and 4.
Console Software 33 Console Software monitored between the two channels of the currently selected output bus. Holding the Ctrl key and clicking on a pan knob w ill set it to the center position. Below each pan knob is a non-selectable green field that tells you the current setting of the pan knob.
Console Software 34 Console Software Adjusting Playback Volume Output volume adjustments are m ade in the digital domain. When you lower a volume fader below 0dB, you are actually decreasing the number of available bits, thereby taking away from the potential dynami c range of the system .
Console Software 35 Console Software Settings Tab Clicking the “Settings” tab allows you to access settings for controlling your AudioFire hardware. The Settings page includes the sample rate, clock source, S/PDIF format and version information. The AudioFire8 Console Window: Analog Out 3-4 Tab selected.
Console Software 36 Console Software Sample Rate The sample rate for your AudioFire hardware is set here. The sample rate, also known as clock rate, affects recording a nd playback. For more information please refer to Appendix C: An Introduction to Digital Recording.
Console Software 37 Console Software The S/PDIF output defaults to the Consumer format. If you are recording from your AudioFire8 into a professional DAT deck, CD recorder, or Mini Disc recorder, the device may not be able to recognize the signal until you switch the output to Consumer.
Console Software 38 Console Software Console Settings and Stand-Alone Mode When the console is closed, all the cons ole mixer settings for your AudioFire are saved to flash memory in the AudioFire. So, these settings will be recalled when you reboot your AudioFire or move it to another computer.
Console Software 39 Console Software Synchronizing Multiple Devices Your AudioFire is designed to work alongside other audio equipment. If you are planning on using your AudioFire with other audio equ.
Console Software 40 Console Software Note: When synchronizing your AudioFire product to an external device via S/PDIF or Word Clock, you must set the AudioFire to the correct base clock rate. See the following table for th e correct base clock rate setting.
Console Software 41 Console Software Connecting to your computer You can connect multiple AudioFires to your computer by daisy chaining FireWire cables (connecting one AudioFire to the ne xt) or by connecting each AudioFire to a different FireWire connector on your co mputer.
Console Software 42 Console Software We recommend using a maximum of 3 Audi oFires on each FireWire bus. Multiple FireWire connectors that are on the sa me FireWire card are all on the same FireWire bus. Similarly, all the FireWire connectors that are directly on your motherboard are on the same FireWire bus.
Customer Service 43 Customer Service Contacting Echo Customer Service If you experience any trouble with your Echo hardware please go to the support area of our website at www.echoaudio.com , and check out the “QuickTips” & FAQ’s we have there.
Appendix A: Troubleshooting Guide 44 Appendix A: Troubleshooting Guide Appendix A: General Troubleshooting Guide Problem: You can’t get your AudioFire product to install properly under Mac OS 8, OS 9, or OS X (10.3.8 or lower). Solution : There is no driver support for AudioFire8 or AudioFire12 under Mac OS 8 or 9.
Appendix A: Troubleshooting Guide 45 Appendix A: Troubleshooting Guide Problem : You are unable to get your DAT recorder to recognize the S/PDIF output from AudioFire2, AudioFire4 or AudioFire8. Solution: Digital information is transmitted in either of two m odes, “professional” or “consumer.
Appendix A: Troubleshooting Guide 46 Appendix A: Troubleshooting Guide Problem: When you play an audio file, it plays at an altered pitch. Solution : When your AudioFire product is set to synchronize with an external device, it will play back at the rate gene rated by that device.
Appendix A: Troubleshooting Guide 47 Appendix A: Troubleshooting Guide Problem: The sound cuts in and out, or the left or right channel doesn’t work. Solution : You may have a bad audio cable. Try using a different cable in the problem channel. Problem: There is no sound unless I pull the audio plug out a little.
Appendix B: An Introduction to Digital Recording 48 Appendix B: An Introduction to Digital Recording Appendix B: An Introduction to Digital Recording Converting Sound into Numbers In a digital recordi.
Appendix B: An Introduction to Digital Recording 49 Appendix B: An Introduction to Digital Recording Each digit in the number is called a bit. The binary numbers expressed in Figure A are sixteen bits long, and have a maximum value of 65,535.
Appendix B: An Introduction to Digital Recording 50 Appendix B: An Introduction to Digital Recording Also important to the quality of a digital recording is the frequency with which the samples are stored, called the sample rate.
Appendix B: An Introduction to Digital Recording 51 Appendix B: An Introduction to Digital Recording level of analog audio signals. The most common are dBu and dBV decibels. Both of these represent voltage levels and s till double for every increase of 6dB.
Appendix B: An Introduction to Digital Recording 52 Appendix B: An Introduction to Digital Recording The above nominal levels represent typi cal or average levels that are often exceeded when recording loud signals such as drum beats.
Appendix B: An Introduction to Digital Recording 53 Appendix B: An Introduction to Digital Recording are matched, any noise added to the mi nus component will still be approxim ately the same as that picked up by the plus component and will be subtracted out by the input amplifier.
Appendix B: An Introduction to Digital Recording 54 Appendix B: An Introduction to Digital Recording read these levels, the low noise requireme nts of the surrounding circuitry such as power supplies and amplifiers would be so stringent that they would either be impossible or too expensive to build.
Appendix C: Specifications 55 Appendix C: Specifications Appendix C: Specifications AudioFire2 - Audio Performance Analog Inputs (x2 balanced TRS): Line Inputs (x2 balanced TRS): Frequency Response: 20Hz to 20kHz, ± 0.1dB Dynamic Range: 113dB A-weighted THD+n: <0.
Appendix C: Specifications 56 Appendix C: Specifications AudioFire2 - Hardware Host Interface: 1394a (FireWire) Two balanced ¼” analog inputs with precision 24-bit 128x oversampling analog-.
Appendix C: Specifications 57 Appendix C: Specifications AudioFire4 - Audio Performance Analog Inputs (x2 balanced universal XLR/TRS & x2 balanced TRS): Universal Inputs (x2 balanced XLR/TRS): Frequency Response: 10Hz to 20kHz, ± 0.
Appendix C: Specifications 58 Appendix C: Specifications Analog Outputs (x4 balanced TRS): Frequency Response: 10Hz to 20kHz, ± 0.1dB Dynamic Range: 114dB A-weighted THD+n: <0.002% A-weighted Nominal Output Level: +4dBu or –10dBV Maximum Output Level: +17.
Appendix C: Specifications 59 Appendix C: Specifications AudioFire8 - Audio Performance Analog Inputs (x2 balanced universal XLR/TRS & x6 balanced TRS): Universal Inputs (x2 balanced XLR/TRS): Frequency Response: 10Hz to 20kHz, ± 0.
Appendix C: Specifications 60 Appendix C: Specifications Analog Outputs (x8 balanced TRS): Frequency Response: 10Hz to 20kHz, ± 0.1dB Dynamic Range: 114dB A-weighted THD+n: <0.002% A-weighted Nominal Output Level: +4dBu or –10dBV Maximum Output Level: +17.
Appendix C: Specifications 61 Appendix C: Specifications AudioFire12 - Audio Performance Analog Inputs (x12 balanced TRS): Frequency Response: 20Hz to 20kHz, ± 0.1dB Dynamic Range: 113dB A-weighted THD+n: <0.002% A-weighted Nominal Input Level: +4dBu or –10dBV Input Impedance: 10Kohms Maximum Input Level: +17.
Appendix C: Specifications 62 Appendix C: Specifications Variable sample rate feature lets you select any rate between 32kHz – 192kHz MIDI In/Out Word clock I/O.
Index 63 Index Index A adjusting playback levels .............. 34 analog-to-digital converter ............ 48 B balanced......................................... 52 C CD-ROM contents .......................... 9 clock se ttings ......................
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