Gebruiksaanwijzing /service van het product 1550-07 GUS van de fabrikant Gibson Guitars
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O W N E R ’ S M AN U A L.
15 50-0 7 GUS.
© 2 00 7 Gib son G uit ar Co rp ..
T o th e ne w Gi bson ow ne r: C on gra tu l ati on s on th e p ur ch as e of you r new Gi bs on ele ct ri c gu it ar —t he wor ld ’ s mo st fam o us el e ct ri c gui t ar f ro m t he lea d er o f f ret t ed i ns tr u m e n t s .
Th e Com pon en ts of t he S oli d bod y E lec tri c Gui ta r 4 G ibs on Inn ova t ion s 6 Th e His tor y o f Gi bso n Ele ctr ic Gui ta rs 8 DE SI GN AN D CO NST RUC TIO N B o d y 1 3 N ec k and H ea.
6 S t r a p B u t t o n S t o p b a r T a i l p i e c e T u n e - o - m a t i c B r i d g e Th e C om pon e nts o f th e So li db od y E lec tr ic Gu it ar Feat u rin g a Les Paul S t a n d a r d in H.
7 S t r a p B u t t o n S t o p b a r T a i l p i e c e T u n e - o - m a t i c B r i d g e T he Com po nen ts of the So li db od y E lec tr ic Gui ta r Feat u rin g a V -F act or F ade d in W o r n C.
6 H e r e are ju s t a f ew of t h e G ib so n in no v at io ns th at ha ve re sh ap e d th e gu it a r wo rl d : 18 94 – F i rst ar c ht op g ui ta r 19 22 – F i rst ƒ- ho le ar c ht op, t he L .
7 1 95 8 – F i rs t s em i- ho ll ow bo d y g uit ar , th e E S- 335 1 96 1 – S G b od y s t yl e in t rod u ce d in t he L es Pa ul li ne 1 96 3 – F i r e b i r d gu it ar s a nd Th un de rb ir.
8 A BRIE F HIS TO RY OF GIB SO N ELE C TR IC G UIT A R S G i b s o n ’ s le g e nd ary a co us ti c e n gi ne e r , L lo yd Lo ar , w as e xp er im en ti n g w it h e le ctr ic i n st r u m e n t s i n 19 24 , at th e d awn of el e ctr o ni c am pl i fi ca ti on .
9 T he fi rs t p o st wa r G i bs on e le ct r ic s f ol l owe d t h e p re wa r c on ce pt o f an e le ct r ic gui t ar as a co nv ent i on al aco u st ic arc h to p w it h a p ick u p i ns ta ll ed on t he to p.
10 I n 1 95 4 t he gr owi n g p op ul a rit y o f t he Le s P au l Mode l pr om pt ed Gib s on to ex pa nd th e l in e. On t he h i gh e nd , th e Le s P aul Cus t om s por te d an Eb on y fin i sh a .
11 T he b od y o f t he L es P au l J r . r ec ei ve d a pa ir o f r oun de d h orn s to b ec om e G ibs o n’ s fi rs t do u ble - c uta way s o lid bo d y . An d the fi n ish col or on th e Le s Pa ul Mod el wa s c ha ng ed to Ch er ry S un bu rs t, w hic h le t the gra i n of th e map l e top sho w thr o ug h.
12 I n r e sp ons e to th e r i si ng de ma nd f or 19 50 s- s ty le Le s P au ls, t he c ar ve d- to p m ode l s w er e r e i n - t r od uc e d in 19 6 8. A ne w mod e l, th e Le s Pa u l Del ux e, f ea tu ri n g mi n i- hu mb uc ki ng pic ku ps a p p e a r e d i n 1 9 69.
13 D ESI GN AND CO NST RU CTI ON B o d y . T he so l idb od y g uit a r wa s inv e nt ed to in cr eas e sus t ai n, p rod u ce a br il lia nt to ne , a nd e li mi na te f eed b ac k ca us ed b y a v ib rat in g top . Th es e qu al it ie s ar e en ha nc ed b y w oo d wi th hi gh d e n s i t y , s uch a s map le .
14 N ec k Sp ec if ic a ti ons . G ibs o n des i gn s it s gu i tar nec ks t o com p le me nt and en ha nc e t he un iq u e c ha ra c ter is ti c s of e ac h mod e l. N ec k p r of il e s c a n be “ rou nd e d ’5 0s” or “ sl im ’6 0s” ( or a s li gh t V -s ha p e ava il ab le onl y on th e Bl ues H aw k) .
15 w it ho u t th e “d o g ear s” are n ick n am ed “s oa p ba r” b ec aus e th e or ig in al cr e a m - c o l o r e d p la st i c c ov er s on th e 19 52 Le s Pa ul Mo de l re se m ble d bar s o f s oa p. Wh en th e P- 90 wa s in tr o d u c e d i n 194 6, i t wa s th e mo s t pow e rf u l pi ck up of its k ind .
16 V ol ume co nt r o l s : Th e tw o k nob s c lo s est to th e fi ng e rb oa rd co nt ro l the v ol um e o f th e pi ck u ps . T he vo l um e k no b n e ar es t t h e b ri dg e c o nt ro ls th e “f r ont ” or ne c k p ic ku p; t he k nob n ea re st t he e dg e of t he gu it ar co nt ro ls th e “b a ck ” o r b ri dg e p ic ku p.
17 T he T un e- o-m at ic Br idg e . Th e T un e- o- ma ti c b r id g e a llo w s fo r a dj us tm e nt i n o ve ra ll br i dg e h e ig ht a nd in di vi d ual s tr in g le ng th . He ig ht is adj u st abl e up and d own b y mea n s o f th um b wh ee ls u nd er t he b ri dg e a t e it he r e nd .
18 T he t un e- o- ma t ic br id ge wa s d esi gn e d to ad ju st f or st ri ng ch a ng es (ga u ge or ty pe ) an d ot he r p hy sic a l c h ang es b ut n ot fo r p rob l em s w it h in to na t ion du e to st ri n g w ea r .
19 C ARE AND MA IN TEN AN CE F i n i s h . A Gi bs o n in st ru m ent al wa ys a tt ra ct s att e nt ion , w het h er i t is on a con ce r t st ag e be fo r e t hou s a nd s or on a gu i ta r st a nd in a ho me st ud io . Aft er th e cla ss ic bo dy li ne s o f a Gi bso n , t he f in is h m ak es th e st r on ge st im pr e s s i o n .
20 H ea t a n d c ol d: G i b s o n ’ s n i tro c ell u l ose f in is h c a n e xp a nd or co n tra ct t o a d ju st t o e xt re me t em - p e r a t u r e s an d hu mi dit i es —b ut not to su dd e n c ha ng es i n te mp er at ur e or hu m idi ty .
21 A v oi d s ha r p b lo w s to any p ar t o f yo u r i ns tr um e nt . B e p a rti c ul ar ly al e rt t o p os si b le bl ow s t o th e b ac k of th e h ea ds toc k, mac h in e he ad s (t un er s) , an d in th e ne ck he el are a.
22 W he n ch a ng in g st r ing s , we re co mm en d ch a ng in g on e s t rin g at a t im e in or de r t o ma in t ai n te n- s io n o n t he nec k an d br id ge . T he p r e s s u r e o f th e s tr in gs hol d s t he br id ge a n d sa d dle s i n p la ce , a nd rem o vi ng al l t he st ri ng s c ou ld ne ce ss it a te a ne w s et up .
23 2 . Be certain the string is wrapped around the tuner post an adequat e n um be r of tim e s. Fo r un wo un d s tr i ng s, at l ea st f iv e t ur ns a ro un d th e m ac hi ne h ea d s te m a re n ec es s ar y . F or w ou nd st ri ng s, two o r t hr ee tu rn s a re ad eq ua te .
24 NE W TEC H NOLO G Y - THE GIB SO N RO BO T G UIT A R T he I m po ss ib le is No w Po s si bl e. I n t r o du ci ng th e G ib so n R ob ot Gu it ar , th e w or ld ’ s f irs t gui ta r wit h rob ot te ch n ol og y .
25 T HE M ASTE R C ONT R OL KN OB (M CK ) T he M as ter Con tr ol Kno b not on ly ser ves as the mas te r co nt ro l for all as pec ts o f th is a maz i ng , se lf - tun i ng sy s tem , bu t it wi l l com m un ic at e wi th yo u as you le ar n it s “la n gu ag e .
26 c ha nge d to yo ur li kin g , bu t you c an al wa ys r e s t o r e t he fa ct or y d e fa ult s as l a ter de sc r ib ed i n th i s Ow ne r ’ s Ma n ual . T he M C K’ s L ED di s pla y w i ll s h ow v ar i ou s s ym bol s an d c ol o rs an d th e se wil l be e x pl ai ne d i n t he var iou s m o des of oper a ti on a vai la b le to y ou .
27 PR EC AUT I ON S: • Nev er tr y to m a nu ally tur n t he tu ni ng p e gs on th e P ow er he ad s u nl es s t hey a re in th e dis e ng ag ed p osi ti on (p u ll ed o ut an d a way f rom the peg h ead ) .
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30 GU ID E TO FU NC TIO NS AND DI SPL A Y MO DES DU RIN G TU N IN G OP ER A T I O N S F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s Instantly Activated T uning (440Hz, E.
31 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s DADGAD T uning 440Hz, DADGAD Dropped D T uning 440Hz, DADGBE De lt a Blu es T unin g 44 0Hz, DG DGB D Pull MCK out and t.
32 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s E F lat T uni ng 4 4 0 H z , E b A b D b G b B b e b Do ubl e D r o p p e d D T uni ng D A D G B D Pul l MC K ou t and t.
33 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s R e f e r en ce T unin g ( T une to s ele cte d r e f e r ence p itc h) Pu ll MC K o ut an d t u r n t o I LE D I L ED s hini ng r e d Pu ll o ut (d ise nga ge) the peg of the Power h e a d yo u ch oos e to t une t o a r e f e r e nce p itc h.
34 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s Cu st om A lter e d T un in g Pu ll MC K o ut an d t u r n t o Peg LED T o c rea te yo ur ow n ”Cu sto m Al ter e d T un ing ,” d isen ga ge eac h P ower hea d of t he st rin g r e q u i r ed and tune it man ual ly to the pitch yo u wa nt.
35 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s St rin g U p Mod e St rin g D own Mo de Pul l MC K ou t and tur n to R evol vi ng A rrow LE D Pul l MC K ou t and tur n .
36 T O RE STR IN G YO UR ROB OT GU IT A R F ir st en s ur e th at all Pow e rh ea ds ar e d is en ga ge d by pu lli n g th e peg s a wa y fr om the peg he ad .
37 N ow y ou ar e re ady to en gag e S t ri ng Up Mod e . MCK s ho ul d be on the gr een re v ol vi ng a r r o w a s d e scr ib e d on th e pr ev io us p age .
38 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s In to nati on Mode Activate Intonation Mode by pressing the display for 3 seconds.
39 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s In to nati on Mode For each green LED turn the screw half turn clockwise For each red LED turn the screw half turn counter - clockwise Now a color ed blink code displays the appropriate cor r ection for the intonation scr ew .
40 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s C a l i b r a t i o n M o d e Pu ll MC K o ut an d t u r n t o C L ED C L ED s hine s r e d Ac ce ss Cal ib rati on Mo de b y pre ss ing the di spl ay f or 3 s ec ond s. Th e C LE D wi ll shi ne bl ue.
41 PL E ASE NOT E: O nce y ou h av e s el ec te d y our de si r ed f un d amen tal , p re ss th e d isp l ay d ow n f or thr e e se co nd s. N ow ch o os e a tu n in g and s tr u m t he s tr ing s. T he G lob a l C al i br at io n O f fs et is ap pli ed to ea ch s el ec te d t un in g.
42 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s En te r Set up M ode Pul l MC K ou t and tur n all the way down to “0” ( c o u n t e r - c l o c k w i s e ) b a nd # shi ne r e d Press display for 3 seconds. When the display tur ns blue, r elease the display button.
43 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s Ex it S etu p M ode with out s avi ng ch ang es Ex it S etu p M ode; s avi ng ch ang es Pus h MCK bac k in Dep end en t .
44 R e s t o r e F a c t o r y D ef ault s Di spl ay S of twa re R e l e a s e En ter S et up Mo de a nd t u r n t o LED D En ter S et up Mo de a nd t u r n t o E LE D a n d p r e ss En ter L E D D s .
45 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s G l o b a l C a l i b r a t i o n O f f s e t On / Of f Ent er S etup Mo de t u r n to L ED C an d p r e ss dis pla y o .
46 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s I n s t a n t l y A c t i v a t e d L ast T u n i n g In st antl y Ac ti vate d P r e set T u n i n g Ent er S etup Mo d.
47 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s Sp eed / A c c u r a c y S e t t i n g s En ter S et up Mo de a nd t urn to A LE D Pe gs sh in es w hite , A sh in es bl ue P r es s di spl ay on c e.
48 Dy nam ic R un time C o n t r ol On / O ff e F u n c t i o n C o r r e c t i o n On / Of f En ter S et up Mo de t u r n t o G LED an d p r e ss En ter En ter S et up Mo de an d tur n to B LED , p r.
49 C A L I B R A TI NG PO WER HEA DS T he Rob ot Gui t ar wi ll b e p re- ca li br a ted f or a s t and ar d .0 10 -.0 4 6 set o f st r ing s . If you c h ang e s tr in g ga uge s , r e s t o r e fac .
50 CH AR GI NG AND BA T T E R Y I NFO RMA T I O N T he R o bo t G ui tar c ome s wi th a b att e ry pa ck c on t ai nin g tw o r e c h a r gea b le b a tt er ie s.
51 C h a r ge Mo de Pu ll MC K o ut, turn to C L ED an d pr e s s d i s p l a y Y our c urre n t cha r g e le ve l wil l be d isp la yed fo r a bou t 3 sec on ds. T he le vel of c har g e wi ll b e in dic at ed by ho w ma ny g ree n LE Ds y ou se e (b et weeen 1 a nd 1 0).
EMERGENCY CHARGE MODE Th e sys tem has an Em ergen cy Charge Mod e (ECM) if it s r e c h a r ge able bat ter y pack goes c omplet ely ‘dead’ or too low in char ge to run the nor mal Char ge Funct ion . Pull out MCK a nd tu rn it to r ough ly the midd le posit ion .
53 Note: It is r ecommended not to store the guitar with the MCK out, as this will fully drain the battery eventually and Emergency Charge Mode must be employed. SHORT CIRCUIT W ARNING I n th e ev en t of a shor t ci r cu it f ro m n eg at iv e to g rou n d (S tr in gs E o r A to D o r G ) the whi t e peg s ymb o l wil l fl ash .
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60 N O T E S _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _.
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6 30 9 Plu s Park Boul eva rd Nashv ille , T N 37 217 U SA 1. 800. 4GI BSO N www . g i b s o n . c o m.
Een belangrijk punt na aankoop van elk apparaat Gibson Guitars 1550-07 GUS (of zelfs voordat je het koopt) is om de handleiding te lezen. Dit moeten wij doen vanwege een paar simpele redenen:
Als u nog geen Gibson Guitars 1550-07 GUS heb gekocht dan nu is een goed moment om kennis te maken met de basisgegevens van het product. Eerst kijk dan naar de eerste pagina\'s van de handleiding, die je hierboven vindt. Je moet daar de belangrijkste technische gegevens Gibson Guitars 1550-07 GUS vinden. Op dit manier kan je controleren of het apparaat aan jouw behoeften voldoet. Op de volgende pagina's van de handleiding Gibson Guitars 1550-07 GUS leer je over alle kenmerken van het product en krijg je informatie over de werking. De informatie die je over Gibson Guitars 1550-07 GUS krijgt, zal je zeker helpen om een besluit over de aankoop te nemen.
In een situatie waarin je al een beziter van Gibson Guitars 1550-07 GUS bent, maar toch heb je de instructies niet gelezen, moet je het doen voor de hierboven beschreven redenen. Je zult dan weten of je goed de alle beschikbare functies heb gebruikt, en of je fouten heb gemaakt die het leven van de Gibson Guitars 1550-07 GUS kunnen verkorten.
Maar de belangrijkste taak van de handleiding is om de gebruiker bij het oplossen van problemen te helpen met Gibson Guitars 1550-07 GUS . Bijna altijd, zal je daar het vinden Troubleshooting met de meest voorkomende storingen en defecten #MANUAl# samen met de instructies over hun opplosinge. Zelfs als je zelf niet kan om het probleem op te lossen, zal de instructie je de weg wijzen naar verdere andere procedure, bijv. door contact met de klantenservice of het dichtstbijzijnde servicecentrum.
