Gebruiksaanwijzing /service van het product GR-55 van de fabrikant Roland
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2 Before using this unit, car efully read the sections entitled: “USING THE UNIT SAFEL Y” (p.4) and “IMPORT ANT NOTES ” (p .5). These sections provide important information concerning the proper operation of the unit.
3 Cont ents Saving a P atch (P A TCH WRITE) . . . . . . . . . . . . . . . . . . . . . . 60 S a v i n g a P a t c h ( P A T C H W R I T E ) ................................... 60 R e n a m i n g a P a t c h ......................................... 60 Changing the Order of P atches (P A T CH EX CHANGE) .
4 USING THE UNIT SAFEL Y W ARNING Do not attempt to repair the unit, or replac e parts within it (except when this manual provides specic instructions directing you to do so). Refer all servicing to your retailer , the nearest Roland Service Center , or an autho - rized Roland distributor , as listed on the “Information ” page.
5 IMPORT ANT NO TES P ow er Supply • Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an in verter (such as a refrigerator , washing machine, microw ave oven, or air c onditioner), or that contains a motor .
6 Main F eatur es Sound: S ophisticat ed fusion of a PCM synthesiz er and C OSM modeling sound generator Sounds produced by a high-quality PCM synthesizer and a realistic C OSM modeling sound generator can be freely combined to take advantage of each method’ s unique characteristics.
Settings This chapter explains how to make the nec essary settings when using the GR-55 for the rst time. First , get your guitar/bass ready • In order to use the GR-55, you ’ll need a guitar or bass equipped with a divided pickup (GK pickup), which outputs a separate signal f or each string.
8 P r epara tions f or U sing the GR-55 Connections The GUIT AR OUT jack outputs the sound of the normal pickups and the sound of the modeling tone (p.
9 Prepara tions for U sing the GR-55 Selec ting Guitar or Bass ( GUIT AR<->BASS) Before you use the GR-55, y ou must make a mode setting that species whether you ’ re using it with a guitar or with a bass. * With the factory settings, this is set to “GUIT AR.
10 Prepara tions for U sing the GR-55 Adjusting Y our G uitar Pickup 1. Use the cursor [ ] [ ] buttons to move the cursor t o “PU TYPE, ” and use the dial to select the type of pickup that ’ s installed on your guitar . V alue Description GK-3 Choose this if you ’ re using a GK -3.
11 Prepara tions for U sing the GR-55 Adjusting Y our B ass Pickup 1. Use the cursor [ ] [ ] buttons to move the cursor t o “PU TYPE, ” and use the dial to select the type of pickup that ’ s installed on your bass. V alue Description GK-3B Choose this if you ’ re using a GK -3B.
12 Prepara tions for U sing the GR-55 7. Use the cursor [ ] [ ] buttons to move the cursor t o the STRING SENS eld for the low est string. Play the lowest string as str ongly as you ever expect to .
13 Prepara tions for U sing the GR-55 Setting Description B-AMP WITH TWEE TER Choose this setting if the GR-55 is connected to a bass amp that has a tweeter . B-AMP NO TWEE TER Choose this setting if the GR-55 is connected to a bass amp that does not have a tweeter .
14 MEMO.
Quick Guide This chapter explains basic operation. Before y ou pla y , you should set y our GK pickup ’ s select switch to “MIX”! If a dierent setting is selected, the sound might not be output corr ectly.
16 Now that you ’ve nished with pr eparations, her e’ s how to operate the GR-55 while you pla y . Adjusting the Output Lev el 1. Adjust the GR-55’ s output level by turning the [ OUTPUT LEVEL] knob. T urning the knob toward the right will increase the v olume; turning the knob all the way toward the left will set the volume to zer o .
17 Selec ting and Playing Sounds Selec ting a User P atch New patches that you cr eate are sav ed in the GR-55 as “ user patches ” (p.18). Press the [USER] butt on to select user patches in Step 1 of “Selec ting a Sound (Pat ch). ” The rest of the proc edure is the same as when selecting a preset patch.
18 Selec ting and Playing Sounds Crea ting an Original Sound Using the EZ EDIT F unc tion to Cr eat e a Sound Y ou can easily edit the selected patch to your taste by using the GR-55’ s EZ EDIT func tion. Step 1 Select a patch (p.16). Step 4 T urn the dial to adjust the volume of the overall patch.
Ref er ence.
20 P anel Descriptions Fr ont P anel [OUTPUT LEVEL] knob Adjusts the volume of the output jacks and the headphone jack. Display Dial Use this to switch patches or edit v alues. [ ] [ ] [ ] [ ] (cursor buttons) Use these to move the cursor up/do wn/ left/right.
21 Panel Descriptions Rear P anel 1 2 3 4 5 6 7 8 9 10 11 1. Security Slot ( ) http://ww w .kensington.com/ 2. GK IN connector Use the included GK cable (or a separately sold GK C-5 or GKC-10) to connect your divided pickup to this connector .
22 How the GR-55 W orks Wha t is a P atch? A “pa tch” is a unit of sound on the GR-55. In addition to settings det ermining the type of sound, a patch also contains eect settings. Y ou can modify (edit) the settings of a patch, and save it as a “ user pat ch.
23 Editing the T ones ( T ONE) As shown in the illustration below , a GR-55 patch consists of several tones . Y ou can create a new patch by selecting dier ent tones or by editing the detailed settings of each tone . Synthesiz er sound P A TCH This is a synthesizer sound that play s according to the performance data from your guitar .
24 Editing the T ones ( T ONE) Editing the T one Here ’ s how to make various settings for the tone . If you want to edit detailed settings, r efer to “Editing a T one (Detailed Settings)” (p.24). Basic operation 1. In step 3 of “Changing the T one” (p.
25 Editing the T ones ( T ONE) P aramet er List (PCM T ONE 1/PCM TONE 2) Group Par ameter V alue Description TONE SWITCH OFF , ON T urns the tone on/o . T ones that are turned “OFF” will not sound (they are muted). TONE CA TEGORY Selec ts the category (group) of tones.
26 Editing the T ones ( T ONE) Group Par ameter V alue Description FIL TER FIL TER TYPE OFF T he lter will not be used. LPF Low P ass F ilter . The region abov e the cuto frequency will be cut, making the sound more mellow . BPF Band Pass F ilter .
27 Editing the T ones ( T ONE) Group Par ameter V alue Description TVA TVA A T T ACK TIME # -50–+50 Adjusts the attack time of the amp envelope . TVA DECA Y TIME -50–+50 Adjusts the decay time of the amp en velope. TVA SUST AIN LEVEL -50–+50 Adjusts the sustain level of the amp env elope.
28 Editing the T ones ( T ONE) Using the Nuance paramet ers The Nuance parameters detect when you pla y your guitar/bass with a soft touch, and apply a corresponding change to the sound of the PCM tone.
29 Editing the T ones ( T ONE) P aramet er List (MODELING T ONE) Group Par ameter V alue Description TONE SWITCH OFF , ON T urns the tone on/o . T ones turned “OFF” will not sound (i.e., they are muted). TONE CA TEGORY If GUIT AR<->BASS is set to “ GUIT AR” (p .
30 Editing the T ones ( T ONE) * Company names and product names appearing in this document are the reg istered trademarks or tr ademarks of their respective owners. This document uses these names in order to appropria tely describe the sounds simulated by C OSM technology.
31 Editing the T ones ( T ONE) T ONE CA TEGORY : SYNTH TONE NUMBER (PICKUP) Description GUIT AR BASS 18: ANAL OG GR 10: ANAL OG GR This is the sound of a classic analog polyphonic guitar (bass) synthesizer .
32 Editing the T ones ( T ONE) A C STEEL Group Par ameter V alue Description BODY BODY T YPE # Species the acoustic guitar type. MA28 The sound of a Mar tin D-28. Older model k nown for its ex quisitely balanced sound. TRP-0 The sound of a Martin 000-28.
33 Editing the T ones ( T ONE) BANJO Group Par ameter V alue Description BODY A T T ACK # 0–100 Species the strength of the attack when you pluck the string strongly . As this setting is increased, the attack will be sharper , and the sound will be crisper.
34 Editing the T ones ( T ONE) RICK Group Par ameter V alue Description PU REAR VOL 0–100 S ets the volume of the rear pickup . FRONT VOL 0–100 Sets the volume of the fr ont pickup. REAR TONE 0–100 A djusts the tone of the rear pickup . FRONT TONE 0–100 A djusts the tone of the front pickup .
35 Editing the T ones ( T ONE) SYNTH ANAL OG- GR Group Par ameter V alue Description TONE MODE # Species whether to sound the hexa-VC O (sawtooth wav e), the hexa-distortion (square wave), or both. VCO Only the hexa-VCO will sound. V+D The hexa- VCO and hexa-distortion will sound together .
36 Editing the T ones ( T ONE) Group Par ameter V alue Description PITCH PITCH SW Switches the pitch shift setting of the hexa-VC O that responds to the pitch of the string vibra tions. * P itch shift applies only to the hexa-V CO; it does not apply to he xa-distortion.
37 Editing the T ones ( T ONE) W A VE SYNTH Paramet er V alue Description TYPE # SA W This is an analog-synth type sound suitable f or leads. SQUARE This is an analog-synth type sound suitable for backing. COL OR # 0–100 Adjusts the tone quality . Increasing this value makes the sound brighter .
38 E ec t Settings (EFFEC T ) The GR-55 contains seven e ects processors (AMP , MFX, MOD, CHORUS, DELA Y , REVERB, EQ), which are organized as sho wn in the illustration below .
39 Eect Settings (EFFEC T ) Editing the E ects Here ’ s how to edit the eect settings. For details on these settings , ref er to “Eect Editing (Detailed S ettings)” (p.39). Basic operation 1. In step 3 of “Switching the Eect T ype, ” move the cursor to the EFFECT LE VEL eld.
40 Eect Settings (EFFEC T ) Changing the Struc ture/Specifying the Connection Destination If you want to change the way in which the e ects are arranged, you can switch the structure. The GR-55 provides two structures , which have the f ollowing featur es.
41 Eect Settings (EFFEC T ) P aramet er List (EFFEC T ) * Company names and product names appearing in this document are the register ed trademarks or trademarks of their r espective owners. This document uses these names in order to appropriately describe the sounds simulated by C OSM technology .
42 Eect Settings (EFFEC T ) AMP T YPE V alue Description 01: BOSS CLEAN A clean sound that is smooth and warm. 02: JC-120 The sound of the Roland JC-120. 03: JAZZ COMBO A sound suit ed to jazz. 04: FULL RANGE A sound with at response. Good for acoustic guitar .
43 Eect Settings (EFFEC T ) MOD T ype 01: OD/DS Paramet er V alue Description TYPE Selects the type of eect. MID BOOST A booster with unique characteristics in the midrange. This pr oduces a great sound f or solos. CLEAN BOOST This can be used not only as a booster , but also can be used by itself to provide clean tones with punch.
44 Eect Settings (EFFEC T ) 06: PHASER Paramet er V alue Description TYPE Selects the number of stages that the phaser eect uses. 4 ST AGE A four-phase e ect. A light phaser eect is obtained. 8 ST AGE An eight-phase eect. This is the most common phaser eect.
45 Eect Settings (EFFEC T ) 14: EQ L OW GAIN LO-MID GAIN L O-MID FREQ HI-MID FREQ Fr equency HI-MID GAIN HIGH GAIN Paramet er V alue Description L OW CUT FLA T , 55–800 Hz Species the frequency at which the low cut lter begins to take eect.
46 Eect Settings (EFFEC T ) 02: SUPER FIL TER This is a lter with an extremely sharp slope. The cuto frequency can be varied cyclically. L in R in L out R out Super Filter Super Filter Paramet er V alue Description FIL TER TYPE # Selects the type of lter.
47 Eect Settings (EFFEC T ) Paramet er V alue Description POLARITY Selects whether the left and right phase of the modulation will be the same or the opposite. INVERSE The left and right phase will be opposite. When using a mono source, this spr eads the sound.
48 Eect Settings (EFFEC T ) 08: SLICER By applying successive cuts to the sound, this e ect turns a conventional sound int o a sound that appears to be played as a backing phrase. This is especially eective when applied to sustain-type sounds.
49 Eect Settings (EFFEC T ) 11: SP ACE-D This is a multiple chorus that applies two-phase modulation in stereo . It gives no impression of modulation, but produces a transpar ent chorus eect. L in R in Space D Space D L out R out 2-Band EQ 2-Band EQ Balance W Balance W Balance D Balance D Paramet er V alue Description PRE DELA Y 0.
50 Eect Settings (EFFEC T ) 14: GUIT AR AMP SIMULA TOR This is an eect that simulates the sound of a guitar amplier . L in R in L out R out Pan R Pan L Pre Amp Speaker Paramet er V alue Description PRE AMP SW OFF , ON T urns the amp switch on/o .
51 Eect Settings (EFFEC T ) 16: LIMITER Compresses signals that ex ceed a specied volume lev el, preven ting distortion from occurring. L in R in L out R out Limiter 2-Band EQ 2-Band EQ Limiter .
52 Eect Settings (EFFEC T ) 19: L OFI COMPRESS This is an eect that intentionally degr ades the sound quality for creative purposes. L in R in L out R out Compressor Lo-Fi Lo-Fi Compressor 2-Ban.
53 Eect Settings (EFFEC T ) Group Par ameter V alue Description SEND MFX SEND 0–100 Adjusts the volume of the signal sen t from the MFX output to REVERB.
54 P atch Settings (M ASTER) Basic operation 1. Select a patch and press the [EDIT ] button. The EDIT screen will appear . 2. Use the P AGE [ ] [ ] buttons to select the MASTER tab . 3. Use the cursor [ ] [ ] buttons to select the icon for the settings you want t o edit.
55 Pa tch Settings (MASTER) P aramet er List (MASTER) PED AL/GK CTL T ab Parameter V alue Description CTL, EXP SW , GK S1, GK S2 ST A TUS (CTL, EXP SW only) OFF , ON Switches the pedal on/o (r eects the indicator’ s illumination status).
56 Pa tch Settings (MASTER) T ab Parameter V alue Description CTL, EXP SW , GK S1, GK S2 FUNCTION AUDIO PLA YER PLA Y/ STOP Starts/stops the audio player .
57 Pa tch Settings (MASTER) T ab Parameter V alue Description EXP , EXP ON, GK VOL FUNCTION MOD CONTROL Controls the principal parameter f or each type of MOD eect. This is valid if MOD SWIT CH is “ON. ” MOD CONTROL Paramet er V alue Description MIN Species the range of change for the parameter .
58 Pa tch Settings (MASTER) T ab Parameter V alue Description ASSIGN 1–8 INT TRIG Species how the motion of the internal pedal will be triggered. *1 P A TCH CHANGE Triggered when you switch pa tches. CTL PDL Triggered when y ou operate the [CTL] pedal.
59 Pa tch Settings (MASTER) GUIT AR OUT Group Par ameter V alue Description GUIT AR OUT SOURCE For each pat ch, species the signal that will be sent from the GUIT AR OUT jack . The system parameter GUIT AR OUT lets you specify whether to use the GUIT AR OUT setting for each patch or the overall setting (system setting) f or the entire GR-55.
60 Saving a P atch (P A T CH WRITE) S a ving a P atch (P A TCH WRITE) If you edit a patch and then select another patch before sa ving the edited patch, the changes you made will be lost. If you w ant to keep the changes for future use , you must save the pa tch.
61 C ontr oller Assig nments Con trollers Whose Assignment Can Be Changed For the f ollowing contr ollers, you ar e free to change the operation tha t will occur when they are pressed .
62 Contr oller Assignments Specifying the P aramet er t o be C ontr olled by the C ontroller For each par ameter , you can specify, in detail , which controller will control which parameter .
63 Contr oller Assignments Example setting 2 F or guitar solos, y ou wan t to be able to st ep on the [ CTL] pedal to switch AMP t o solo mode Select the patch whose settings you want to edit, and then make the following parameter settings . • SYSTEM PEDAL/GK CTL T ab Parameter V alue Page CTL FUNC TION P A TCH SET TING p.
64 Y ou can record up to 20 seconds of a performance and play back the r ecorded section over and ov er . Y ou can also layer additional performances with the recording as it play s back (overdubbing). When playback stops, the r ecorded data is delet ed.
65 Audio les ( W A V , AIFF) copied from your computer to USB memory can be played back on the GR-55. Audio les tha t can be play ed File forma t WA V , AIFF Sampling frequency 44.
66 C onnec ting Ex ternal Equipmen t Connecting a Computer via USB If you use a commercially available USB cable t o connect the GR-55’ s rear panel USB connector to a USB connector on your computer , you’ll be able to do the f ollowing things. USB audio • The sound of the GR-55 can be brought into y our computer and played.
67 Connecting External Equipment Connecting the GR-55 to MIDI Devices Wha t is MIDI? MIDI (Musical Instrument Digital Inter face) is a standard specication that allows musical data to be tr ansferred between electronic musical instruments and computers.
68 Connecting External Equipment Connecting the GR-55 to V-LINK Devices ( V-LINK) Wha t is V -LINK? V-LINK ( ) is a function that allows music and images to be performed together .
69 Settings for the En tire GR-55 (SY STEM) Settings that aect the overall operation of the en tire GR-55, such as tuning and pedal assignments, are called “ system settings. ” This section explains the procedure f or setting system paramet ers, and how each system parameter opera tes.
70 Settings for the Entire GR -55 (SYSTEM) 7. Press the [EXIT] button to return to the top screen. The GK set you selected will be enabled. * If the MASTER parameter GK SET (p .58) is set to “SYSTEM, ” the setting you specied for the SY STEM parameter “GK SET SELECT ” (p.
71 Settings for the Entire GR -55 (SYSTEM) Changing the Output Sound from the GUIT AR OUT Jack for Each P atch 1. Set the system parameter GUIT AR OUT –SOURCE (p.80) to “P A TCH. ” For details on setting the sy stem parameters , refer to “Settings for the Entire GR-55 (SYSTEM)” (p.
72 Settings for the Entire GR -55 (SYSTEM) S a ving GR-55 Settings to USB Memor y (BA CKUP) Here ’ s how to save (back up) all of the GR-55’ s settings to USB memor y . * One set of backup data can be saved to each USB memory device. * Pedal calibration settings are not sa ved.
73 Settings for the Entire GR -55 (SYSTEM) Adjusting the P edal Sensitivit y ( CALIB) Here ’ s how to calibrate the sensitivity of the pedal. 1. Press the [EDIT] button to access the EDIT screen. 2. Use the P AGE [ ] [ ] buttons to select the SYSTEM tab .
74 Settings for the Entire GR -55 (SYSTEM) P aramet er List (SYSTEM) GK SETTING T ab Parameter Value Description GK SET SELECT GK SET SELECT 1–10 Selects the GK SET that will be used when the master parameter “GK SET ” (p.58) is set to “SYSTEM.
75 Settings for the Entire GR -55 (SYSTEM) T ab Parameter Value Description PICKUP PU DIRECTION Species the direction in which the divided pickup is attached. NORMAL The cable extends from the side of the 6th string. REVERSE The cable extends from the side of the 1st string.
76 Settings for the Entire GR -55 (SYSTEM) PED AL/GK CTL T ab Parameter V alue Description CTL, EXP SW , GK S1, GK S2 FUNCTION Here you can specify the function that will be assigned to the [CTL] pedal, the expression pedal swit ch, or the GK [S1]/[S2] buttons.
77 Settings for the Entire GR -55 (SYSTEM) T ab Parameter V alue Description CTL, EXP SW , GK S1, GK S2 FUNCTION AUDIO PLA YER PLA Y/ STOP Starts/stops the audio player . AUDIO PLA YER SONG INC Selects the audio le in USB memor y played by the audio pla yer .
78 Settings for the Entire GR -55 (SYSTEM) T ab Parameter V alue Description EXP , EXP ON, GK VOL FUNCTION MOD CONTROL Controls the principal parameter f or each type of MOD eect. This is valid if MOD SWIT CH is ON. MOD CONTROL Paramet er V alue Description MIN Species the range of change for the parameter .
79 Settings for the Entire GR -55 (SYSTEM) MIDI/USB T ab Parameter Value Description GENERAL P A T CH CH 1–16 Species the MIDI channel that will control patches . T o switch patches on the GR-55, send a program change message on this MIDI channel.
80 Settings for the Entire GR -55 (SYSTEM) T ab Parameter Value Description USB AUDIO IN LEVEL 0–200 Adjusts the volume of the digital audio signal fr om USB (computer). AUDIO OUT LEVEL 0–200 Adjusts the volume of the digital audio signal output to USB (computer).
Appendix.
82 GUIT AR MODE SOUND ST YLE: LEAD Patch No . Patch Name PCM TONE1 PCM T ONE2 MODELING T ONE Category T one No. Category T one No. Category T one No. 01-1 M etal Synth L ead Synth L ead 477 Synth Lead 548 E.
83 GR-55 P at ch List Patch No . Patch Name PCM TONE1 PCM T ONE2 MODELING T ONE Category T one No. Category T one No. Category T one No. 17-1 70s Unison Dist.Guitar 199 Dist.Guitar 199 E.GTR 01 17-2 Comfortable Solo --- --- --- --- E.GTR 02 17-3 Wah Feedback S ynth Lead 524 Synth Lead 524 E.
84 GR-55 P at ch List SOUND ST YLE: RHY THM Patch No . Patch Name PCM TONE1 PCM T ONE2 MODELING T ONE Category T one No. Category T one No. Category T one No. 01-1 12st AG & Ch Org Pipe Organ 095 --- --- AC 11 01-2 DoubleFlatHeavy Synth Bass 253 Synth Lead 450 E.
85 GR-55 P at ch List Patch No . Patch Name PCM TONE1 PCM T ONE2 MODELING T ONE Category T one No. Category T one No. Category T one No. 18-1 Simple Clavi Clav 103 --- --- --- --- 18-2 R12st+Clavi+X ylo Clav 104 Mallet 161 E.
86 GR-55 P at ch List SOUND ST YLE: O THER Patch No . Patch Name PCM TONE1 PCM T ONE2 MODELING T ONE Category T one No. Category T one No. Category T one No. 01-1 Ultimate Pulse Synth P ad/Strings 612 Pulsating 824 SYNTH 18 01-2 Heav y Hit&Groove Hit 843 Beat&Groove 835 E.
87 GR-55 P at ch List Patch No . Patch Name PCM TONE1 PCM T ONE2 MODELING T ONE Category T one No. Category T one No. Category T one No. 18-1 Enigmatic Rick Synth FX 755 Synth FX 761 E.
88 GR-55 P at ch List BASS MODE SOUND ST YLE: LEAD Patch No . Patch Name PCM TONE1 PCM T ONE2 MODELING T ONE Category T one No. Category T one No. Category T one No.
89 GR-55 P at ch List Patch No . Patch Name PCM TONE1 PCM T ONE2 MODELING T ONE Category T one No. Category T one No. Category T one No. 06-1 Bass Synth Synth Bass 237 --- --- SYNTH 11 06-2 Reso Fuzz Bass Synth Bass 288 --- --- E.BASS 04 06-3 ACID CLA V Synth Bass 262 Clav 105 --- --- 07-1 Space Funk Clav 108 Synth Bass 253 E.
90 T roubleshooting If the GR-55 is not producing sounds or if you think it is not operating properly , rst check the following points. If checking these points fails to resolve the problem, consult your dealer or the near est Roland service center .
91 T roubleshooting When using the GR-55 with other MIDI devic es / When using the GR-55 with the comput er Problem Items to check Action Page The external sound module connected to the MIDI OUT connector does not sound Do the MIDI channels of the transmitting and receiving devices match? Match the MIDI channels.
92 Error Messages Message Meaning Action MIDI OFFLINE! The MIDI IN connection was broken. Check that there is no problem with the MIDI cable connected to the GR-55’ s MIDI IN, and that the MIDI cable was not disconnected. MIDI BUFFER FULL! An unusually large amount of MIDI data was received, and could not be processed.
93 Signal F low DIVIDED PU NORMAL PU GK SET TING MIDI OUT / COMPUTER (USB) MIDI OUT OUTPUT GUIT AR OUT GK IN COMPUTER (USB) AUDIO OUT AUDIO IN P A TCH SYSTEM PHONES STRUCTURE LINE SELECT GUIT AR OUT SELECT P A TCH NO .
94 MIDI Implementation Char t Function... Basic Channel Mode Note Number Velocity After Touch Pitch Bend Control Change Program Change System Exclusive Common System Realtime AUX Messages Notes Transm.
95 Main Specications Roland GR-55: Guitar Synthesiz er Sound Generator PCM 2 tones Modeling 1 tone T ones PCM 910 types Modeling 23 types (guitar mode) 17 types (bass mode) Eects MFX (Multi-E.
96 Index A A L T - T U N I N G ....................................................... 54 , 59 A M P ................................................................... 41 A S S I G N ............................................................ 54 , 57 Assignments C o n t r o l l e r .
97 Index U USB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79 U S B a u d i o ............................................................. 66 U S B d r i v e r .
For China For EU C ountries.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. BLUE: BROWN: As the colours of the wires in the mains lead of this apparatus may not correspond with the col.
* 5 1 0 0 0 1 8 7 8 7 - 0 3 * Information When you need repair service, call your nearest Roland Service C enter or authorized Roland distributor in your country as shown below .
Een belangrijk punt na aankoop van elk apparaat Roland GR-55 (of zelfs voordat je het koopt) is om de handleiding te lezen. Dit moeten wij doen vanwege een paar simpele redenen:
Als u nog geen Roland GR-55 heb gekocht dan nu is een goed moment om kennis te maken met de basisgegevens van het product. Eerst kijk dan naar de eerste pagina\'s van de handleiding, die je hierboven vindt. Je moet daar de belangrijkste technische gegevens Roland GR-55 vinden. Op dit manier kan je controleren of het apparaat aan jouw behoeften voldoet. Op de volgende pagina's van de handleiding Roland GR-55 leer je over alle kenmerken van het product en krijg je informatie over de werking. De informatie die je over Roland GR-55 krijgt, zal je zeker helpen om een besluit over de aankoop te nemen.
In een situatie waarin je al een beziter van Roland GR-55 bent, maar toch heb je de instructies niet gelezen, moet je het doen voor de hierboven beschreven redenen. Je zult dan weten of je goed de alle beschikbare functies heb gebruikt, en of je fouten heb gemaakt die het leven van de Roland GR-55 kunnen verkorten.
Maar de belangrijkste taak van de handleiding is om de gebruiker bij het oplossen van problemen te helpen met Roland GR-55 . Bijna altijd, zal je daar het vinden Troubleshooting met de meest voorkomende storingen en defecten #MANUAl# samen met de instructies over hun opplosinge. Zelfs als je zelf niet kan om het probleem op te lossen, zal de instructie je de weg wijzen naar verdere andere procedure, bijv. door contact met de klantenservice of het dichtstbijzijnde servicecentrum.
