Gebruiksaanwijzing /service van het product XV-3080 van de fabrikant Roland
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Notation Used in This Owner’s Manual To make operation procedures easy to understand, the following notation system is adopted: Characters and numbers in square brackets [ ] indicate buttons on the front panel. For example, [PATCH] represents the PATCH button and [ENTER] the ENTER button.
2 For the USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.
3 U S I N G T H E U N I T S A F E L Y • Before using this unit, make sure to read the instructions below, and the Owner’s Manual. .......................................................................................................... • Do not open or perform any internal modifica- tions on the unit.
4 Contents USING THE UNIT SAFELY ...................................................................... 3 Contents .................................................................................................. 4 IMPORTANT NOTES ...................
5 Contents Parameters ...................................................................................................................................... 72 Example of Settings........................................................................
6 Contents Settings Common to an Entire Rhythm Set ........................................................................................ 111 Setting up Individual Rhythm Tones ........................................................................
7 Contents Using the XV-3080 as a General MIDI Sound Module ..................................................................... 141 Entering GM Mode ....................................................................................................
8 IMPORTANT NOTES In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2 and 3, please read and observe the following: Power Supply Power .
9 Main Features ■ 128-Voice Polyphony and 16-Part Multitimbrality The XV-3080 is a 16-part multitimbral sound generator that produces up to 128 simultaneous polyphonic voices. It provides ample polyphony, even with Patches containing multiple Tones.
10 Front and Rear Panels Front Panel A VOLUME Knob (PHRASE PREVIEW) This adjusts the volume from the A(MIX) OUTPUT jacks and PHONES jacks. The volume from the OUTPUT B and C jacks cannot be adjusted. You can press the knob to listen to the XV-3080 without using any external devices.
11 Front and Rear Panels [ ], [ ] Move the cursor (underline) with these. [ ], [ ] When the left edge of the display shows a or symbol, use these buttons to move to other parameter screens. Hold [EXIT] and press [ ] to hear the demo songs. G (MODE) [PERFORM] Press this button to enter Performance mode.
12 Front and Rear Panels Rear Panel M AC Inlet Connect the included power cable here. (Quick Start p. 10) N (MIDI) MIDI Connectors (IN, OUT, THRU) These connectors connect the XV-3080 with other MIDI devices, enabling the sending and receiving of MIDI messages.
13 Chapter 1 Chapter 1 Selecting and Playing a Sound Auditioning Sounds on the XV-3080 (Phrase Preview) The Phrase Preview feature allows you to audition Patches on the XV-3080 even when it ’ s not connected to a MIDI keyboard or sequencer. You can preview a Patch using a Phrase that ’ s appropriate to the Patch ’ s type or category.
14 Chapter 1 Selecting and Playing a Sound Playing a Patch on the XV- 3080 from External MIDI Devices (MIDI Keyboard) The XV-3080 produces sound in response to MIDI messages that it receives from an external MIDI device such as a MIDI keyboard or sequencer.
15 Chapter 1 Selecting and Playing a Sound Chapter 1 to produce essentially the same musical performance. The upwardly compatible General MIDI 2 ( ) recommendations pick up where the original General MIDI left off, offering enhanced expressive capabilities, and even greater compatibility.
16 Chapter 1 Selecting and Playing a Sound Selecting a Patch Basic Procedure for Selecting a Patch Turn the VALUE dial or press [INC]/[DEC] to select the desired Patch. VALUE Dial To move quickly through the available Patches: Turn the VALUE dial while pressing it or, if you prefer, turn the VALUE dial while pressing [SHIFT].
17 Chapter 1 Selecting and Playing a Sound Chapter 1 The following categories can be selected. Category Group Category Contents — NO ASSIGN No assign Piano PNO AC.PIANO Acoustic Piano EP EL.PIANO Electric Piano Keys&Organ KEY KEYBOARDS Other Keyboards (Clav, Harpsichord etc.
18 Chapter 1 Selecting and Playing a Sound The Patches and Rhythm Sets in each library correspond to Bank Select numbers as follows. Patch Patch Patch Bank Select Number Program group number MSB LSB n.
19 Chapter 1 Selecting and Playing a Sound Chapter 1 In Performance mode 1. Press [PERFORM] to make its indicator light. 2. Set the transmission channel on the external MIDI device to match the Performance Ctrl Ch(p. 131) setting on the XV-3080. To learn about the MIDI settings of your external MIDI device, see its owner ’ s manual.
20 Chapter 1 Selecting and Playing a Sound Setting a Patch’s Pitch in Octave Steps (Octave Shift) In Patch mode, you can easily change the pitch of an entire Patch. Each time you press [ ]/[ ], the pitch will change in one- octave steps. You can adjust a Patch ’ s pitch by as much as +/ - 3 octaves.
21 Chapter 2 Chapter 2 Using the XV-3080 Effects The XV-3080 has three built-in effect units: Multi-Effects, Chorus and Reverb. You can independently edit each unit ’ s settings. Multi-Effects (MFX) The Multi-Effects unit offers 63 effects ranging from single effects – such as distortion and delay – to powerful combination effects.
22 Chapter 2 Using the XV-3080 Effects Routing Tones to Effects Output (Tone Output) This page allows you to route each Tone to the Multi-Effects or to the desired rear-panel output jacks. It also lets you set its output level and its send level to the Chorus and Reverb.
23 Chapter 2 Using the XV-3080 Effects Chapter 2 Making Chorus Settings The XV-3080 ’ s Chorus effect unit can also be used as a stereo delay unit. These settings allow you to select chorus or delay, the characteristics of the selected effect type, and the Chorus output routing.
24 Chapter 2 Using the XV-3080 Effects PATCH CHO OUT (Patch Chorus Output) Output Assign (Chorus Output Assign) A/B/C This setting selects the pair of OUTPUT jacks to which the Chorus unit ’ s stereo output is routed when Chorus Output Select is set to “ MAIN ” or “ MAIN+R.
25 Chapter 2 Using the XV-3080 Effects Chapter 2 Fbk When the Type setting is DELAY or PAN-DLY, this adjust the amount of delay feedback, controlling the number of delay repeats.
26 Chapter 2 Using the XV-3080 Effects Adjusting Effects Settings in Performance Mode ([PERFORM]-[EFFECTS]) Each Part can use the Multi-Effects, Chorus and Reverb programmed for the Performance. You can control the amount of effect applied to each Part by adjusting the Part ’ s Send Level to the effect units.
27 Chapter 2 Using the XV-3080 Effects Chapter 2 Adjusting Multi-Effects Settings PERFORM MFX TYPE Type (MFX Type) Use this parameter to select from among the 63 available Multi-Effects. For a description of these effects, check out “ Parameters for Each Multi-Effect (MFX TYPE) ” (p.
28 Chapter 2 Using the XV-3080 Effects Making Chorus Settings The XV-3080 ’ s Chorus effect unit can also be used as a stereo delay unit. These settings allow you to select chorus or delay, the characteristics of the selected effect type, and the Chorus output routing.
29 Chapter 2 Using the XV-3080 Effects Chapter 2 PERFORM CHO OUT (Performance Chorus Output) Output Assign (Chorus Output Assign) A/B/C This setting selects the pair of OUTPUT jacks to which the Chorus unit ’ s stereo output is routed when Chorus Output Select is set to “ MAIN ” or “ MAIN+R.
30 Chapter 2 Using the XV-3080 Effects HF damp (Reverb/Delay HF Damp) *1 This specifies the frequency above which the high-frequency content of the reverb sound will be cut, or “ damped. ” Lower values cause a greater range of high frequencies to be cut, producing a softer reverb sound.
31 Chapter 2 Using the XV-3080 Effects Chapter 2 Adjusting Effect Settings in Rhythm Set Mode ([RHYTHM]-[EFFECTS]) You can apply Multi-Effects, Chorus or Reverb to each of a Rhythm Set ’ s Tones. You can control the amount of effect to be applied to each Tone by adjusting its send level to the Multi-Effects, Chorus and Reverb.
32 Chapter 2 Using the XV-3080 Effects Control 1–4 (MFX Control 1–4 Source) OFF: No controller is used. CC01 – 95: Controller numbers 1 – 95 (except for 32) BENDER: Pitch Bend AFTERTOUCH: Afte.
33 Chapter 2 Using the XV-3080 Effects Chapter 2 Cutoff Freq (Cutoff Frequency) *1 This sets the cutoff frequency at which the LPF or HPF begin to work.
34 Chapter 2 Using the XV-3080 Effects Making Reverb Settings These settings allow you to select the desired type of Reverb, its characteristics, and the pair of OUTPUT jacks to which the Reverb unit ’ s stereo output is routed. RHYTHM REV TYPE (Rhythm Reverb Type) You can choose from a variety of reverb types.
35 Chapter 2 Using the XV-3080 Effects Chapter 2 HF Damp Frequency *3 This specifies the frequency above which the high-frequency content of the reverb sound will be reduced, or “ damped. ” HF Damp Gain -36–0 dB This adjusts the amount of damping applied to the frequency range selected with HF Damp.
36 Chapter 2 Using the XV-3080 Effects Parameters for Each Multi- Effect (MFX TYPE) Multi-Effects provides 63 types of effect. Some of these consist of two different effects connected in series or parallel.
37 Chapter 2 Using the XV-3080 Effects Chapter 2 ■ Delay (Effects that delay the sound) 7: STEREO DELAY 18: MODULATION DELAY 19: TRIPLE TAP DELAY 20: QUADRUPLE TAP DELAY 21: TIME CONTROL DELAY 22: 2.
38 Chapter 2 Using the XV-3080 Effects 1: STEREO-EQ (Stereo Equalizer) This is a four-band stereo equalizer (low, mid x 2, high). fig.2-04 LowFreq (Low Frequency) Select the frequency of the low range (200 Hz/400 Hz). LowGain (Low Gain) Adjust the gain of the low frequency.
39 Chapter 2 Using the XV-3080 Effects Chapter 2 3: DISTORTION This effect produces a more intense distortion than Overdrive. fig.2-06 Drive # Adjust the degree of distortion. The volume will change together with the degree of distortion. Level (Output Level) Adjust the output level.
40 Chapter 2 Using the XV-3080 Effects 5: SPECTRUM Spectrum is a type of filter which modifies the timbre by boosting or cutting the level at specific frequencies. It is similar to an equalizer, but has 8 frequency points fixed at locations most suitable for adding character to the sound.
41 Chapter 2 Using the XV-3080 Effects Chapter 2 in a more narrow range. Rate # Adjust the frequency of the modulation. Depth Adjust the depth of the modulation. Level (Output Level) Adjust the output level. 8: ROTARY The Rotary effect simulates the sound of the rotary speakers often used with the electric organs of the past.
42 Chapter 2 Using the XV-3080 Effects 9: COMPRESSOR The Compressor flattens out high levels and boosts low levels, smoothing out unevenness in volume. fig.2-12 Attack Adjust the attack time of an input sound. Sustain Adjust the time over which low level sounds are boosted until they reach the specified volume.
43 Chapter 2 Using the XV-3080 Effects Chapter 2 sound will be output, and with a setting of D0:100W only the chorus sound will be output. Level (Output Level) Adjust the output level. 12: TREMOLO CHORUS Tremolo Chorus is a chorus effect with added Tremolo (cyclic modulation of volume).
44 Chapter 2 Using the XV-3080 Effects 14: STEREO CHORUS This is a stereo chorus. A filter is provided so that you can adjust the timbre of the chorus sound. fig.2-17 Pre Dly (Pre Delay Time) Adjust the time delay from when the direct sound begins until the processed sound is heard.
45 Chapter 2 Using the XV-3080 Effects Chapter 2 flanger sound. With a setting of D100:0W only the direct sound will be output, and with a setting of D0:100W only the flanger sound will be output. Level (Output Level) Adjust the output level. 16: STEP FLANGER The Step Flanger effect is a flanger in which the flanger pitch changes in steps.
46 Chapter 2 Using the XV-3080 Effects 17: STEREO DELAY This is a stereo delay. When Feedback Mode is NORMAL: fig.2-20 When Feedback Mode is CROSS: fig.2-21 Delay L (Delay Time Left) Adjust the time from the original sound until when the left delay sound is heard.
47 Chapter 2 Using the XV-3080 Effects Chapter 2 18: MODULATION DELAY This effect adds modulation to the delayed sound, producing an effect similar to a flanger. When Feedback Mode is NORMAL: fig.2-22 When Feedback Mode is CROSS: fig.2-23 Delay L (Delay Time Left) Adjust the time from the original sound until when the left delay sound is heard.
48 Chapter 2 Using the XV-3080 Effects 19: TRIPLE TAP DELAY The Triple Tap Delay produces three delay sounds; center, left and right. The center delay time can be specified as a note value of a specified tempo.
49 Chapter 2 Using the XV-3080 Effects Chapter 2 into the effect. Negative (-) settings will invert the phase. HF Damp Adjust the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies of the feedback, set this parameter to BYPASS.
50 Chapter 2 Using the XV-3080 Effects 22: 2VOICE PITCH SHIFTER A Pitch Shifter shifts the pitch of the original sound. This 2- voice pitch shifter has two pitch shifters, and can add two pitch shifted sounds to the original sound. fig.2-28 CoarseA (Coarse Pitch A) #1 Adjust the pitch of Pitch Shift A in semitone steps (-2-+1 octaves).
51 Chapter 2 Using the XV-3080 Effects Chapter 2 Balance (Effect Balance) Adjust the volume balance between the direct sound and the pitch shift sound. With a setting of D100:0W only the direct sound will be output, and with a setting of D0:100W only the pitch shift sound will be output.
52 Chapter 2 Using the XV-3080 Effects 25: GATED REVERB Gate Reverb is a special type of reverb in which the reverberant sound is cut off before its natural length.
53 Chapter 2 Using the XV-3080 Effects Chapter 2 Flg Dpt (Flanger Depth) Adjust the modulation depth of the flanger effect. Flg Fbk (Flanger Feedback Level) Adjust the proportion (%) of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.
54 Chapter 2 Using the XV-3080 Effects 30: DISTORTION → FLANGER This effect connects distortion and flanger in series. The parameters are essentially the same as in “ 27: OVERDRIVE?FLANGER, ” with the exception of the following two. OD Drive → Dist Drive (Specify the amount of distortion.
55 Chapter 2 Using the XV-3080 Effects Chapter 2 the enhancer sound will be output. With a setting of “ D0: 100W, ” only the enhancer sound that is sent through the flanger will be output. Level (Output Level) Adjust the output level. 34: ENHANCER → DELAY This effect connects an enhancer and a delay in series.
56 Chapter 2 Using the XV-3080 Effects 36: FLANGER → DELAY This effect connects a flanger and a delay in series. fig.2-42 Flg Dly (Flanger Pre Delay Time) Adjust the time delay from when the direct sound begins until the flanger sound is heard. FlgRate (Flanger Rate) Adjust the modulation speed of the flanger effect.
57 Chapter 2 Using the XV-3080 Effects Chapter 2 38: CHORUS/DELAY This effect connects a chorus and a delay in parallel. The parameters are the same as for “ 35: CHORUS → DELAY. ” However, the Delay Balance parameter adjusts the volume balance between the direct sound and the delay sound.
58 Chapter 2 Using the XV-3080 Effects Res (Phaser Resonance) Adjust the amount of feedback for the phaser. Higher settings will give the sound a stronger character. X-Fbk (Cross Feedback Level) Adjust the proportion (%) of the phaser sound that is to be returned to the input.
59 Chapter 2 Using the XV-3080 Effects Chapter 2 Keysync (Keysync Switch) Determines whether the Flanger LFO is reset according to the input sound (ON) or not (OFF). Thre (Keysync Threshold) Adjust the volume level for which reset will be applied. Keysync Phase Sets the LFO phase when the LFO is reset.
60 Chapter 2 Using the XV-3080 Effects 44:RING MODULATOR Ring Modulator is an effect which applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency according to the volume of the sound input to the effects device.
61 Chapter 2 Using the XV-3080 Effects Chapter 2 Level 3 Adjust the output level of delay 3. Level 4 Adjust the output level of delay 4. Fbk (Feedback) # Adjust the proportion (%) of the delay sound that is to be returned to the input.
62 Chapter 2 Using the XV-3080 Effects Balance (Effect Balance) # Sets the volume balance between the source sound and the effect sound. With a setting of D100:0W only the direct sound will be output, and with a setting of D0:100W only the effect sound will be output.
63 Chapter 2 Using the XV-3080 Effects Chapter 2 Delay L (Delay Time Left) Adjust the delay time from the original sound until the left delay sound is heard. Delay R (Delay Time Right) Adjust the delay time from the original sound until the right delay sound is heard.
64 Chapter 2 Using the XV-3080 Effects Level (Output Level) Specifies the output volume. 50:LOFI COMPRESS This is an effect that intentionally degrades the sound quality. fig.2-60 Type (LoFi Type) Lowers the audio quality. The audio quality will worsen as this setting is increased.
65 Chapter 2 Using the XV-3080 Effects Chapter 2 Hi Gain Adjust the high frequency gain (amount of boost or cut). Positive (+) settings will emphasize (boost) the high frequency range. Balance (Effect Balance) # Sets the volume balance between the source sound and the effect sound.
66 Chapter 2 Using the XV-3080 Effects Tone Adjust the sound quality of the Overdrive effect. Pan (Output Pan) # Adjust the stereo location of the output sound. A setting of L64 is far left, 0 is center, and 63R is far right. 54:DISTORTION 2 This is a distortion effect that provides heavy distortion.
67 Chapter 2 Using the XV-3080 Effects Chapter 2 Ratio (Compression Ratio) Adjust the compression ratio. Gain (Post Gain) Adjust the output gain. LowGain Adjust the low frequency gain. Hi Gain Adjust the high frequency gain. Level (Output Level) # Adjust the output level.
68 Chapter 2 Using the XV-3080 Effects Thre (Reset Threshold) Sets the volume level at which the reset begins. Mon (Reset Monitor) Determines whether the sound used as the reset trigger is output (ON) or not (OFF). This parameter is disabled when Reset is set to OFF or Source.
69 Chapter 2 Using the XV-3080 Effects Chapter 2 Phase Adjust the spaciousness of the chorus sound. Filter Type OFF: A filter will not be used. LPF: The frequency region above the Cutoff Freq setting will be cut. HPF: The frequency region below the Cutoff Freq setting will be cut.
70 Chapter 2 Using the XV-3080 Effects Balance # Adjust the volume balance between the original sound and the flanger sound. With a setting of D100:0W only the direct sound will be output, and with a setting of D0:100W only the flanger sound will be output.
71 Chapter 2 Using the XV-3080 Effects Chapter 2 Copying Effect Settings You can copy the effect settings from any Patch, Performance, or Rhythm Set into the currently selected Patch, Performance, or Rhythm Set. This can save a great deal of time and effort when setting up effects.
72 Chapter 3 Selecting Output Jacks The XV-3080 has three sets of stereo outputs. These outputs allow you to separate sounds – or groups of sounds – from the XV-3080 ’ s overall stereo mix, and to send them to their own external destinations.
73 Chapter 3 Selecting Output Jacks Chapter 3 * You can specify the level for each Tone using the Tone Level parameter (TVA p. 95). Pan (Patch pan)L64–0–63R This determines the stereo positioning of the Patch. A setting of L64 places the Patch at the far left, 0 in the center, and 63R at the far right.
74 Chapter 3 Selecting Output Jacks PARALLEL: Sounds are routed to output jacks according to their output settings. * The XV-3080’s Master Level and Mix/Parallel settings are each established using a single global parameter.
75 Chapter 3 Selecting Output Jacks Chapter 3 Performance Mode Settings Signal(PART) Flow fig.3-02 Parameters The parameters related to Part output settings are shown below. PART 1–16 OUTPUT ([PERFORM]- [EFFECTS]) This sets the output destination and level for the selected Part as well as its send level to the Chorus and Reverb.
76 Chapter 3 Selecting Output Jacks PERFORM CHO OUT ([PERFORM]- [EFFECTS]) Output Assign (Chorus Output Assign) A/B/C This setting selects the pair of OUTPUT jacks to which the Chorus unit ’ s stereo output is routed when Chorus Output Select is set to “ MAIN ” or “ MAIN+R.
77 Chapter 3 Selecting Output Jacks Chapter 3 * Make sure that the [1-8/9-16] button’s indicator is not lit. If the indicator is lit, press [1-8/9-16] to turn it off. 2. Press [ ] or [ ] to move the cursor to the parameter you wish to set, and turn the VALUE dial or press [INC] or [DEC] to select the following values.
78 Chapter 3 Selecting Output Jacks Rhythm Set Mode Settings Signal(RHYTHM TONE) Flow fig.3-03 Parameters The parameters related to Rhythm Set output settings are shown below. A0–C8 OUTPUT ([RHYTHM]-[EFFECTS]) This sets the output destination and level for each Rhythm Tone, as well as the Tone ’ s send level to the Chorus and Reverb.
79 Chapter 3 Selecting Output Jacks Chapter 3 RHYTHM MFX OUT ([RHYTHM]- [EFFECTS]) Output (Output Assign) A/B/C This specifies the OUTPUT jacks to which the stereo Multi- Effects unit ’ s output is routed. Dry (Dry Output Level) 0–127 This sets the output level of the Multi-Effects to the selected OUTPUT jacks.
80 Chapter 3 Selecting Output Jacks 6. Turn the VALUE dial or press [DEC] / [INC] to select INDIV 3. 7. Press [ ] / [ ] to move the cursor to Chorus. 8. Turn the VALUE dial to select 0. 9. Set Reverb to 0 by repeating Steps 7 and 8, selecting Reverb in Step 7.
81 Chapter 3 Selecting Output Jacks Chapter 3 Settings in General MIDI Mode Signal(PART) Flow fig.3-04 Parameters The parameters related to Part(General MIDI Mode) output settings are shown below. PART OUTPUT Output Assign (Output Assign/Output Level) Sets the output destination for each Part.
82 Chapter 3 Selecting Output Jacks OUTPUT jack, and Rhythm Tones routed to the INDIVIDUAL 4/6 jacks are sent to the right A(MIX) OUTPUT jack. PARALLEL: Rhythm Tones are routed to output jacks according to their output settings. * The XV-3080’s Master Level and Mix/Parallel settings are each established using a single global parameter.
83 Chapter 4 Chapter 4 Creating a Patch How a Patch Is Organized The type of sound most commonly played on the XV-3080 is called a Patch . Each Patch can contain up to four Tones. fig.4-01.e You can turn the Tones in a Patch on or off. Only Tones that are turned on are heard when you play the Patch.
84 Chapter 4 Creating a Patch Tips for Creating a Patch • Select a Patch that is similar to the sound you wish to create. When you want to create a new sound, it ’ s a good idea to begin with a Patch that is close to the sound that you have in mind.
85 Chapter 4 Creating a Patch Chapter 4 fig.4-07.e PATCH CATEGORY Category (Patch category) This specifies the type, or “ category ” of the Patch. The Patch Finder uses this setting. It also determines the phrase that will be heard when you audition the Patch using the Phrase Preview feature.
86 Chapter 4 Creating a Patch Output Assign This specifies the output destination for the Patch. MFX: The Patch is sent into the Multi-Effects. The output destination is determined by the Multi-Effects output setting. OUTPUT A – C: The Patch is sent to the selected pair of OUTPUTs, A – C.
87 Chapter 4 Creating a Patch Chapter 4 U.Fade (TMT velocity fade width upper)0 – 127 This determines what will happen to the Tone ’ s level when the Tone is played at a velocity greater than its specified velocity range. Higher settings result in a more gradual change in volume.
88 Chapter 4 Creating a Patch STRUCT (Structure) Each of the above two parameters determines how Tone 1 and 2, and Tone 3 and 4 are connected. Type (Structure type)1 – 10 fig.4-11 fig.4-11a fig.4-11b fig.4-11c fig.4-11d fig.4-11e fig.4-11f fig.4-11g fig.
89 Chapter 4 Creating a Patch Chapter 4 More Advanced Editing of Tones You can use a tremendous amount of detail when you edit the Tones in a Patch. Each Tone ’ s editable parameters are assigned to the function select buttons as follows. [CONTROL] Using Controllers to Change How Sounds Are Played (p.
90 Chapter 4 Creating a Patch 7. Repeat Steps 2 – 6 to finish setting up the Patch. 8. Press [EXIT] to return to the PATCH PLAY page. A “ * ” symbol will appear at the left of the Patch name, indicating that its settings have been modified. fig.
91 Chapter 4 Creating a Patch Chapter 4 instrument ’ s character. The XV-3080 provides a variety of waveforms containing realistic acoustic instrument attacks. To obtain the maximum realism when using these waveforms, it is best to leave the filter wide-open during the attack so that all of these important timbral changes are heard.
92 Chapter 4 Creating a Patch Mode (Tone delay mode) This sets the manner in which the Tone will sound. NORMAL: The Tone will sound after the specified Delay Time. fig.4-18.e HOLD: The Tone will only sound if the key is held for longer than the specified Delay Time.
93 Chapter 4 Creating a Patch Chapter 4 PCH ENVELOPE (Pitch envelope) These parameters determine the amount of pitch enveloping – changes to your basic pitch settings that occur over time – the effect of velocity on the pitch envelope, and the basic characteristics of the pitch envelope itself.
94 Chapter 4 Creating a Patch TVF ENVELOPE settings while still maintaining a fixed cutoff frequency. This can be very effective with acoustic-instrument-based Tones, since nothing is done to weaken the power and energy of the sound. * This disables the Resonance setting.
95 Chapter 4 Creating a Patch Chapter 4 envelope depth when you play softly or hard. Negative (-) settings reverse the direction of change. V-Curve (TVF envelope velocity curve)FIXED/1 – 7 This selects one of seven velocity curves that determine how velocity will affect the depth of the TVF Envelope.
96 Chapter 4 Creating a Patch fig.4-26.e Bias (TVA bias level)-100 – +100 This adjusts the slope of the volume change that will occur in the selected Bias Direction. Higher settings produce greater amounts of change to the Tone ’ s volume. Negative (-) settings reverse the direction of the change.
97 Chapter 4 Creating a Patch Chapter 4 T1 – T4 (TVA envelope time 1 – 4) These settings determine the times over which the Tone level setting will change from one TVA envelope level to the next. L1 – L3 (TVA envelope level 1 – 3) Each TVA envelope level value determines an amount of change to be applied to the original Tone level setting.
98 Chapter 4 Creating a Patch is pressed, and will begin fading out when the key is released. fig.4-31.e Fade Time (LFO fade time) This adjusts the time over which the LFO rises to its full effect or fades away.
99 Chapter 4 Creating a Patch Chapter 4 Sw (Portamento switch) ON/OFF Turn this switch on when you wish to use Portamento. Time (Portamento time) 0 – 127 This sets the time over which one pitch will glide to the next. Mode (Portamento mode) Ths selects the way in which Portamento will be applied.
100 Chapter 4 Creating a Patch TMT Ctrl Sw (TMT control switch) OFF/ON This setting determines whether or not the TMT is controlled by the Matrix Control.
101 Chapter 4 Creating a Patch Chapter 4 4. Use [ ] / [ ] to make “ COPY ” blink, and then press [ENTER]. The Patch TONE CPY page will appear. fig.4-34.e 5. Press [ ] / [ ] to move the cursor to the parameter that you wish to set. 6. Turn the VALUE dial or press [INC] [DEC] to select the desired value.
102 Chapter 5 Creating a Performance Creating Performances In the XV-3080 ’ s Performance mode, you can play and control up to 16 instrument sounds at the same time, including Patches and/or Rhythm Sets. Such a set of sounds, as well as an effect setup, can be saved as a “ Performance.
103 Chapter 5 Creating a Performance Chapter 5 Establishing Settings for an Entire Performance (COMMON) PERFORM NAME (Performance Name) You can give a Performance a name of up to 12 characters in length. Use [ ]/[ ] to move the cursor, and then turn the [VALUE] knob or press [INC]/[DEC] to select the desired character.
104 Chapter 5 Creating a Performance Setting the Keyboard Range ([COMMON]-[PART KEY RANG]) You can set each Part ’ s keyboard range (Key Range), the area on the keyboard that will cause the Part to sound. Adjust Part Key Ranges when you wish to divide the keyboard into areas with a different Patch in each area – this is called a “ split.
105 Chapter 5 Creating a Performance Chapter 5 * It is not possible for the settings of all Parts to total an amount greater than 128. The remaining number of available voices will be displayed to the left of this value (Rest=). Pay attention to this readout as you make set the Voice Reserve parameter.
106 Chapter 5 Creating a Performance Changing the Pitch ([PART]-[PART PITCH]) You can set the pitch and bend range each Part will use when playing its sound. PART PITCH Octave (Octave shift) -3 – 0 – +3 This adjusts the pitch of the Part ’ s sound up or down in units of an octave (+/-3 octaves).
107 Chapter 5 Creating a Performance Chapter 5 Program Change (Program change switch) This sets whether the Part will respond to received MIDI Program Change messages (ON) or not (OFF). Vol (Receive volume switch) This sets whether the Part will respond to received MIDI Volume messages (ON) or not (OFF).
108 Chapter 5 Creating a Performance Effect Settings Refer to “ Adjusting Effect Settings in Performance mode ” (p. 26). Saving Performances You Create Refer to “ Saving Performances ” (p. 122). Copying the Settings of Another Part (Performance Part Copy) Part settings from any Performance can be copied to the currently selected Part.
109 Chapter 5 Creating a Performance Chapter 5 Editing a Patch or Rhythm Set in the Performance Mode 1. Hold down [SHIFT] and press [PERFORM]. 2. Press [PATCH] if you wish to edit a Patch, or [RHYTHM] to edit a Rhythm Set, lighting the respective indicator.
110 Chapter 6. Creating a Rhythm Set How Percussion Instruments Are Organized A Rhythm Set is a collection of Rhythm Tones, each of which represents a percussion instrument played on a single key. An instrument consists of the following four elements.
111 Chapter 6. Creating a Rhythm Set Chapter 6 Settings Common to an Entire Rhythm Set Setting Procedure: 1. Select the Rhythm Set you wish to edit. 2. Press the [COMMON] function select button. 3. Use [ ]/[ ] to select the page containing the parameter you want to set.
112 Chapter 6. Creating a Rhythm Set Setting up Individual Rhythm Tones The parameters which can be set for each Rhythm Tone of the Rhythm Set are assigned to the function select buttons as follows. [CONTROL] Other Settings (p. 118) [WAVE] Modifying a Rhythm Tone ’ s Waveform and Panning (p.
113 Chapter 6. Creating a Rhythm Set Chapter 6 note is held, allowing wave memory to be used more efficiently. The XV-3080 ’ s looped waveforms also include components of other sounds, such as piano-string resonant vibrations and the hollow sounds of brass instruments.
114 Chapter 6. Creating a Rhythm Set Table) . Group (Wave group) This selects the desired waveform ’ s group. Number (Wave number) This selects the desired waveform by its number. You can choose a separate waveform for each of the XV-3080 ’ s left and right channels.
115 Chapter 6. Creating a Rhythm Set Chapter 6 waveform to apply frequency modulation to the currently selected waveform, creating complex overtones. This can be useful when creating wilder sounds or sound effects. Switch (Wave FXM switch 1 – 4) This sets whether FXM will be used (ON) or not (OFF).
116 Chapter 6. Creating a Rhythm Set Modifying the Brightness of a Sound with a Filter (TVF) The settings for the TVF (Time Variant Filter) allow you to change a Rhythm Tone ’ s timbral content by altering its brightness or thickness. TVF FILTER Type (TVF filter type) This selects a filter type.
117 Chapter 6. Creating a Rhythm Set Chapter 6 V-Resonance (TVF resonance velocity sensitivity) -63 – +63 Use this parameter when you want velocity to affect the amount of Resonance. With higher settings, there is a greater difference in the amount of Resonance between softly and strongly played notes.
118 Chapter 6. Creating a Rhythm Set the Rhythm Tone ’ s stereo placement. Alternate (Alternate pan depth) L64 – 63R This setting causes panning to be alternated between left and right each time a key is pressed. Higher values result in a greater left/right width.
119 Chapter 6. Creating a Rhythm Set Chapter 6 set, an open hi-hat and a closed hi-hat sound will never occur simultaneously, since they ’ re produced by the same instrument – the hi-hat is either open or closed, but not both at the same time.
120 Chapter 6. Creating a Rhythm Set Compare Function You can use the Compare function during the Rhythm Key Copy operation. The Compare function allows you to play the Rhythm Set currently occupying the copy source. To do so, press [UNDO] to access the RHYTHM COMPARE page.
121 Chapter 7 Chapter 7 Saving a Sound You Create Registering Favorite Patches in the FAVORITE LIST You can bring together your favorite and most frequently used Patches in one place by registering them in the FAVORITE LIST .
122 Chapter 7 Saving a Sound You Create Saving Edits to the XV- 3080 ’ s Internal Memory If you turn the power off or select another Patch, Performance, or Rhythm Set after you have modified a Patch, Performance or Rhythm Set, the changes you have made will be lost.
123 Chapter 7 Saving a Sound You Create Chapter 7 5. Turn the VALUE dial or press [INC]/[DEC] to select the of the memory location in which you wish to save the Rhythm Set (USER area). 6. Press [ENTER] to save the Rhythm Set and return to the RHYTHM PLAY page.
124 Chapter 7 Saving a Sound You Create Protecting the Internal Memory (PROTECT) This feature helps prevent the accidental overwriting of USER memory to ensure that Patch, Performance or Rhythm Set data is not accidentally erased.
125 Chapter 7 Saving a Sound You Create Chapter 7 Transmitting Sound Settings Data Transmission to a Memory Card XV-3080 can use a commercially available memory card.
126 Chapter 7 Saving a Sound You Create a memory card before loading new data. fig.7-16 1. Press [UTILITY] to make its indicator light. 2. Press [ ] or [ ] to select the UTIL 2 page. 3. Use [ ] or [ ] to make “ LOAD ” blink, and then press [ENTER].
127 Chapter 7 Saving a Sound You Create Chapter 7 1. Insert the memory card containing the files you want to copy into the slot, then press [Enter]. fig.7-20a 2. Rotate the VALUE dial to select the file that will be copied, and then press [ENTER]. fig.
128 Chapter 7 Saving a Sound You Create Select the data to be transmitted by choosing one of the combinations shown below. For example, if you wish to transmit the USER group Patches 001 – 020, you would specify “ PATCH USER:001 – 020.
129 Chapter 7 Saving a Sound You Create Chapter 7 Type Block ALL PR-A, B *1 PERFORM USER *2 01 – 64 PR-A, B *3 01 – 32 CARD 01 – 64 *6 PATCH USER *2 001 – 128 PR-A – F *3 001 – 128 CARD 00.
130 Chapter 8 Other Settings and Checking Status Adjusting the Overall Tuning of the XV-3080 Master Tune and Master Key Shift The Master Tune and Master Key Shift settings are common to all Patches, Performances, Rhythm Sets, and the GM Mode. Master Tune This adjusts the overall tuning of the XV-3080.
131 Chapter 8 Other Settings and Checking Status Chapter 8 10. Press [EXIT] to return to the PERFORM/GM PLAY page. Making MIDI-Related Settings Setting the MIDI Channel The XV-3080 produces sound and can change its internal settings in response to MIDI messages that it receives from other devices.
132 Chapter 8 Other Settings and Checking Status 3. Use [ ]/[ ] to select the setting page for Perform Ctrl Ch. 4. Press [ ]/[ ] to move the cursor to the number underneath “ Perform Ctrl Ch. ” 5. Use the VALUE dial or [INC] / [DEC] to select the desired Performance Control channel.
133 Chapter 8 Other Settings and Checking Status Chapter 8 Connecting Two or More XV- 3080s to Increase Polyphony The Stack function allows you to combine two or more XV- 3080 units to increase the number of voices that can be played simultaneously. You can connect and use up to eight XV-3080s.
134 Chapter 8 Other Settings and Checking Status Making Overall Settings The following three overall settings can be made. Adjusting the Display Brightness LCD (LCD Contrast) 1 – 10 This adjusts the contrast/brightness of the display. Higher values will make the characters darker.
135 Chapter 9 Chapter 9 Examples of Applications Using the XV-3080 Controlling the XV-3080 in Realtime With an External MIDI Device External MIDI controllers (modulation lever, foot switch, expression pedal etc.) can be used to modify Multi-Effects settings or Tone settings in realtime.
136 Chapter 9 Examples of Applications Using the XV-3080 MATRIX CTRL SRC (Matrix control source) If you wish to use controllers to control a specific Tone parameter, select the controller on this page.
137 Chapter 9 Examples of Applications Using the XV-3080 Chapter 9 Sns: This adjusts the amount of change that will occur in response to controller movements. Negative (-) values invert the change. For example, with LFO Depth, the phase is reversed when a negative Sens value is selected.
138 Chapter 9 Examples of Applications Using the XV-3080 Using a Pedal Switch to Modify the Rotary Speed of the Rotary Effect 1. Connect a pedal switch (DP-2, DP-6, etc.) to your external device (MIDI keyboard, etc.). 2. Set the pedal switch of the external MIDI device to generate FOOT-TYPE (CC4) control-change messages.
139 Chapter 9 Examples of Applications Using the XV-3080 Chapter 9 Changing the Cutoff Frequency (p. 174) • Cut: Controller number 74 Changing the Resonance(p. 174) • Res: Controller number 71 Changing the Amount of Internal Chorus/ Reverb (p. 175) • Chorus: Controller number 93 • Reverb: Controller number 91 Changing the Pitch (p.
140 Chapter 9 Examples of Applications Using the XV-3080 Controlling the TMT with the LFO and Changing the Tone ’ s Cycle Time When TMT (Tone Mix Table) is selected as the Matrix Control destination, you can use the Control Source controller to change the time at which Tones in a Patch are played.
141 Chapter 9 Examples of Applications Using the XV-3080 Chapter 9 Using the XV-3080 as a General MIDI Sound Module The XV-3080 features a GM mode — a convenient way to play back or create GM score data (music files for General MIDI sound module).
142 Chapter 9 Examples of Applications Using the XV-3080 2. Use [ ] or [ ] to select the effect that you wish to turn on/off. 3. Pressing [INC] turns it on and pressing [DEC] turns it off. Chorus Chorus adds depth and spaciousness to the sound. Reverb Reverb adds reverberation characteristics of hall or auditorium ambiences.
143 Chapter 9 Examples of Applications Using the XV-3080 Chapter 9 PART MODIFY fig.9-03c You can determine how a Part will pay a sound by setting it to modify the sound ’ s programmed cutoff frequency, Resonance, Velocity Sense, and TVF and TVA Envelope attack and release time settings.
144 Chapter 9 Examples of Applications Using the XV-3080 GM CHORUS fig.9-05 Make settings for the Chorus effect used in GM mode. In GM mode, the Chorus effect settings for the GM Patch assigned to each Part will be ignored (except for the Send Level parameter).
145 Chapter 9 Examples of Applications Using the XV-3080 Chapter 9 For items other than Voice, you may modify the values. When you do so, a MIDI message will be transmitted, and can be recorded on the sequencer, etc.
146 MEMO.
147 Appendices Appendices.
148 Troubleshooting If no sound can be heard, or if the unit does not perform as you expect, check the following points first. If this does not resolve the problem, contact your dealer or a nearby Roland service station. * If a message appears during operation, consult the following section Error Messages (p.
149 Troubleshooting Appendices Effects do not apply Are [MFX], [CHORUS], and [REVERB] turned off? • Press the corresponding button to turn on the indicator. ( p. 21) Are the various effect settings correct? • If the send levels to each effect are at 0, effects will not apply.
150 Error Messages If there has been a mistake in operation, or if the XV-3080 is unable to continue processing as you directed, an error message will appear in the display. Take the appropriate action for the displayed error message. This section gives the error messages in alphabetical order.
151 Appendices Parameter List ■ Patch Parameters * Parameters that can be set independently for each Tone are indicated by "T." COMMON Group(p.
152 Parameter List CONTROL Group(p. 98) Display Parameter Value PATCH KEY MODE Assign Key assign mode POLY, MONO Legato Legato switch OFF, ON Legato Retrigger Legato retrigger switch OFF, ON PATCH POR.
153 Parameter List Appendices LFO Group(p. 97) Display Parameter Value LFO1 WAVE Form LFO form SIN,TRI, SAW-UP, SAW-DW, SQR, RND, UP, DW, TRP, S&H, CHS T Ofset LFO offset -100, -50, 0, +50, +100 T.
154 Parameter List TVA Group(p. 95) Display Parameter Value TVA Level Level 0 – 127 T Pan Pan L64 – 0 – 63R T V-Sens TVA envelope velocity sens -63 – +63 T V-Curve TVA envelope velocity curve .
155 Parameter List Appendices ■ Performance Parameters * Parameters that can be set independently for each Part are indicated by "P." COMMON Group(p. 103) Display Parameter Value PERFORM NAME ---- Performance name ASCII Characters (max. 12) PART KEY RANG L.
156 Parameter List PART Group(p. 103) Display Parameter Value PART PATCH Type Part type PAT/RHY Group Patch group USER, PR-A, PR-B, PR-C, PR-D, PR-E, XP-A, XP-B, XP-C, XP-D, XP-E, XP-F, CD-A – HP Nu.
157 Parameter List Appendices ■ Rhythm Set Parameters * Parameters that can be set independently for each Tone are indicated by "T." COMMON Group(P.**) COMMON Group(p. 111) Display Parameter Value RHYTHM NAME ---- Rhythm set name ASCII Characters (max.
158 Parameter List WAVE Group(p. 113) Display Parameter Value TONE NAME ---- Tone name ASCII Characters (max. 12) T WMT WAVE Group Wave group INT, XP-A, XP-B, XP-C, XP-D, XP-E T Number Wave number(L, .
159 Parameter List Appendices ■ GM Mode Parameters * Parameters that can be set independently for each Part are indicated by "P." EFFECTS Group(p.
160 Parameter List ■ MFX Prameters 1:STEREO EQ(p. 38) Parameter Value LowFreq Low frequency 200, 400 Hz LowGain Low gain -15 – +15 dB Hi Freq High frequency 4000, 8000 Hz Hi Gain High gain -15 – +15 dB Mid1 Freq Middle 1 frequency 200 – 8000Hz(*1) Mid1 Q Q 0.
161 Parameter List Appendices 12:TREMOLO CHORUS(p. 43) Parameter Value Pre Dly Pre delay time 0.0-100.0 ms ChoRate Chorus rate 0.05-10.00 Hz Cho Dpt Chorus depth 0-127 Phase Tremolo phase 0-180 degree TrmRate Tremolo rate 0.05-10.00 Hz Trm Sep Tremolo separation 0-127 Balance Effect balance D100:0W-D0:100W Level Output level 0-127 13:SPACE-D(p.
162 Parameter List 20:QUADRUPLE TAP DELAY(p. 48) Parameter Value Delay 1 Delay time 1 200-1000 ms, note Delay 2 Delay time 2 200-1000 ms, note Delay 3 Delay time 3 200-1000 ms, note Delay 4 Delay time.
163 Parameter List Appendices 29:DISTORTION → CHORUS(p. 53) The parameters are essentially the same as "26: OVERDRIVE → CHORUS," with the exception of the following two. OD Drive → Dist Drive, OD Pan → Dist Pan OD Drive → Dist Drive, OD Pan → Dist Pan 30:DISTORTION → FLANGER(p.
164 Parameter List 42:KEYSYNC FLANGER(p. 58) Parameter Value Pre Dly Pre delay time 0.0 – 100 ms Rate LFO rate 0.05 – 10.00 Hz Depth LFO depth 0 – 127 Fbk Feedback -98 – +98 % Phase Phase 0 – 180 degree Filter Filter type OFF, LPF, HPF Cutoff Cutoff frequency 200 – 8000 H(*1) Step Rate Step rate (*2) OFF, ON:0.
165 Parameter List Appendices 48:3D DELAY(p. 62) Parameter Value Delay C Delay time center 0 – 1800 ms Delay L Delay time left 0 – 1800 ms Delay R Delay time right 0 – 1800 ms Fbk Feedback -98 .
166 Parameter List 57:GATE(p. 67) Parameter Value Key Key Source, A, B, C Thre Key threshold 0 – 127 Monitor Key monitor OFF, ON Mode Mode GATE, DUCK Atk Attack time 0 – 127 Hold Hold time 0 – 127 Rel Release time 0 – 127 Balance Effect balance D100:0E – D0:100E Level Output level 0 – 127 58:SLICER(p.
167 Parameter List Appendices ■ System Parameters SETUP Group(p. 134) Display Parameter Value SYSTEM SETUP LCD LCD contrast 1 – 10 Power Up Mode Power up mode LAST-SET, DEFAULT Master Level Master.
168 Waveform List No. Wave Name 1 StGrand pA L 2 StGrand pA R 3 StGrand pB L 4 StGrand pB R 5 StGrand pC L 6 StGrand pC R 7 StGrand fA L 8 StGrand fA R 9 StGrand fB L 10 StGrand fB R 11 StGrand fC L 1.
169 Waveform List Appendices No. Wave Name 251 UprightBs 2C 252 Ac.Bass A 253 Ac.Bass B 254 Ac.Bass C 255 Slap Bass 1 256 Slap & Pop 257 Slap Bass 2 258 Slap Bass 3 259 Jz.
170 Waveform List No. Wave Name 501 DIGI Bell 1+ 502 JD Cowbell 503 Bell Wave 504 Chime 505 Crystal 506 2.2 Bellwave 507 2.2 Vibwave 508 Digiwave 509 DIGI Chime 510 JD DIGIChime 511 BrightDigi 512 Can.
171 Waveform List Appendices No. Wave Name 751 Rock Tom M f 752 Rock Tom H f 753 Rock Flm L1 754 Rock Flm L2 755 Rock Flm M 756 Rock Flm H 757 Jazz Tom L p 758 Jazz Tom M p 759 Jazz Tom H p 760 Jazz T.
172 Waveform List No. Wave Name 1001 REV MplTom2 1002 REV MplTom4 1003 REV 808Tom 1004 REV VerbTomH 1005 REV VerbTomL 1006 REV DryTom H 1007 REV DryTom M 1008 REV RkClH1 p 1009 REV RkClH1mf 1010 REV R.
173 Appendices MIDI Implementation Model :XV-3080 Date :Dec. 18, 1999 Version :1.0 1. Receive data ■ Channel Voice Messages * Not received in Performance mode when the Receive Switch parameter (PERFORM/ PART) is OFF. ● Note off Status 2nd byte 3rd byte 8nH kkH vvH 9nH kkH 00H n = MIDI channel number: 0H - FH (Ch.
174 MIDI Implementation ❍ Balance (Controller number 8) Status 2nd byte 3rd byte BnH 08H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Balance: 00H - 7FH (0 - 127) ❍ Panpot (Controller number 10) Status 2nd byte 3rd byte BnH 0AH vvH n = MIDI channel number: 0H - FH (Ch.
175 MIDI Implementation Appendices * The Tone Level parameter (PATCH/TONE) of Tone 2 will change. ❍ General Purpose Controller 7 (Controller number 82) Status 2nd byte 3rd byte BnH 52H vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) * The Tone Level parameter (PATCH/TONE) of Tone 3 will change.
176 MIDI Implementation Controller Reset value Pitch Bend Change +/-0 (center) Polyphonic Key Pressure 0 (off) Channel Pressure 0 (off) Modulation 0 (off) Breath Type 0 (min) Expression 127 (max) Hold.
177 MIDI Implementation Appendices 7FH Device ID (Broadcast) 09H Sub ID#1 (General MIDI Message) 02H Sub ID#2 (General MIDI Off) F7H EOX (End Of Exclusive) * When this messages is received, this instrument will return to the Performance mode.
178 MIDI Implementation pp=3 LFO Pitch Depth rr = 00H - 7FH 0 - 600[cents] pp=4 LFO Filter Depth rr = 00H - 7FH 0 - 2400[cents] pp=5 LFO Amplitude Depth rr = 00H - 7FH 0 - 100% F7H EOX (End Of Exclusi.
179 MIDI Implementation Appendices eeH Data: the actual data to be sent. Multiple bytes of data are transmitted in order starting from the address. : : ffH Data sum Checksum F7H EOX (End Of Exclusive).
180 MIDI Implementation ❍ Vibrato Rate (Controller number 76) Status 2nd byte 3rd byte BnH 4CH vvH n = MIDI channel number: 0H - FH (Ch.1 - 16) vv = Vibrato Rate value (relative change): 00H - 7FH (-64 - 0 - +63) ❍ Vibrato Depth (Controller number 77) Status 2nd byte 3rd byte BnH 4DH vvH n = MIDI channel number: 0H - FH (Ch.
181 MIDI Implementation Appendices 3. Parameter address map * Transmission of “ # ” marked address is devided to some packets. For example, ABH in hexadecimal notation will be devided to 0AH and 0BH, and is sent/recieved in this order.
182 MIDI Implementation | 00 15 | 0aaa aaaa | Voice Reserve 6 (0 - 64) | | | | 0 - 63, FULL-VOICE | | 00 16 | 0aaa aaaa | Voice Reserve 7 (0 - 64) | | | | 0 - 63, FULL-VOICE | | 00 17 | 0aaa aaaa | Vo.
183 MIDI Implementation Appendices | | | A, B, C, D<XV-5080> | | 00 03 | 0000 00aa | Chorus Output Select (0 - 2) | | | | MAIN, REV, MAIN+REV | |—————————————+———.
184 MIDI Implementation | 00 20 | 0000 00aa | Part Output MFX Select <XV-5080> (0 - 2) | | | | MFX1, MFX2, MFX3 | |—————————————+—————————————.
185 MIDI Implementation Appendices | | | PIT-ATK, PIT-DCY, PIT-REL, | | | | TVF-ATK, TVF-DCY, TVF-REL, | | | | TVA-ATK, TVA-DCY, TVA-REL, | | | | TMT, FXM, MFX1, MFX2, MFX3, MFX4 | | 00 4A | 0aaa aaaa.
186 MIDI Implementation |# 00 1C | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Chorus Parameter 7 (12768 - 52768) | | | | -20000 - +20000 | |# 00 20 | 0000 aaaa | | | | 0000 bbbb.
187 MIDI Implementation Appendices | 00 17 | 0000 00aa | Tone Control 1 Switch 1 (0 - 2) | | | | OFF, ON, REVERSE | | 00 18 | 0000 00aa | Tone Control 1 Switch 2 (0 - 2) | | | | OFF, ON, REVERSE | | 0.
188 MIDI Implementation | | | OFF, CC01 - CC31, CC33 - CC95, | | | | BEND, AFT, SYS1 - SYS4 | | 00 0C | 0aaa aaaa | MFX Control 4 Sens (1 - 127) | | | | -63 - +63 | |———————————.
189 MIDI Implementation Appendices | | 0000 dddd | Reverb Parameter 4 (12768 - 52768) | | | | -20000 - +20000 | |# 00 13 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Reverb Para.
190 MIDI Implementation | 00 6D | 0000 000a | WMT3 Wave Tempo Sync (0 - 1) | | | | OFF, ON | | 00 6E | 0aaa aaaa | WMT3 Wave Coarse Tune (16 - 112) | | | | -48 - +48 | | 00 6F | 0aaa aaaa | WMT3 Wave .
191 MIDI Implementation Appendices | 40 1x 24 | 0000 000a | Rx. Bank Select LSB (0 - 1) | | | | OFF, ON | |—————————————+———————————+——————.
192 MIDI Implementation ● Decimal and Hexadecimal table (An “ H ” is appended to the end of numbers in hexadecimal notation.) In MIDI documentation, data values and addresses/sizes of Exclusive messages, etc. are expressed as hexadecimal values for each 7 bits.
193 MIDI Implementation Appendices ● Example of an Exclusive message and calculating a checksum Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end (before F7) to make sure that the message was correctly received.
194 MIDI Implementation ● The Scale Tune Feature (address: 40 1x 40) The scale tune feature allows you to finely adjust the individual pitch of the notes from C through B. Though the settings are made while working with one octave, the fine adjustments will affect all octaves.
195 Appendices Function... Basic Channel Mode Note Number : Velocity After Touch Pitch Bend Control Change Program Change System Exclusive System Common System Real Time Aux Messages Notes Transmitted.
196 Specifications XV-3080 128 voice sound module GM Level 2 system Compatible ● Parts 16 ● Maximum Polyphony 128 voices ● Wave memory 64MB (16-bit linear format) ● Expansion slots Wave Expans.
197 Index Numerics 2VOICE PITCH SHIFTER ............................................. 50 3D CHORUS ................................................................... 68 3D DELAY ....................................................................... 62 3D effects .
198 Index MATRIX CTR1 – 4 .................................................. 100, 136 MATRIX CTRL SRC ............................................. 100, 136 Memory Card ................................................................ 125 MFX .......
199 Index RPN ................................................................................ 139 Rx Excl ........................................................................... 132 Rx MIDI ........................................................
200 Index MEMO.
201 Index MEMO.
202 Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. As of May 15, 2001 (Roland) ARGENTINA Instrumentos Musicales S.
2 For the USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.
Notation Used in This Owner’s Manual To make operation procedures easy to understand, the following notation system is adopted: Characters and numbers in square brackets [ ] indicate buttons on the front panel. For example, [PATCH] represents the PATCH button and [ENTER] the ENTER button.
Een belangrijk punt na aankoop van elk apparaat Roland XV-3080 (of zelfs voordat je het koopt) is om de handleiding te lezen. Dit moeten wij doen vanwege een paar simpele redenen:
Als u nog geen Roland XV-3080 heb gekocht dan nu is een goed moment om kennis te maken met de basisgegevens van het product. Eerst kijk dan naar de eerste pagina\'s van de handleiding, die je hierboven vindt. Je moet daar de belangrijkste technische gegevens Roland XV-3080 vinden. Op dit manier kan je controleren of het apparaat aan jouw behoeften voldoet. Op de volgende pagina's van de handleiding Roland XV-3080 leer je over alle kenmerken van het product en krijg je informatie over de werking. De informatie die je over Roland XV-3080 krijgt, zal je zeker helpen om een besluit over de aankoop te nemen.
In een situatie waarin je al een beziter van Roland XV-3080 bent, maar toch heb je de instructies niet gelezen, moet je het doen voor de hierboven beschreven redenen. Je zult dan weten of je goed de alle beschikbare functies heb gebruikt, en of je fouten heb gemaakt die het leven van de Roland XV-3080 kunnen verkorten.
Maar de belangrijkste taak van de handleiding is om de gebruiker bij het oplossen van problemen te helpen met Roland XV-3080 . Bijna altijd, zal je daar het vinden Troubleshooting met de meest voorkomende storingen en defecten #MANUAl# samen met de instructies over hun opplosinge. Zelfs als je zelf niet kan om het probleem op te lossen, zal de instructie je de weg wijzen naar verdere andere procedure, bijv. door contact met de klantenservice of het dichtstbijzijnde servicecentrum.
