Gebruiksaanwijzing /service van het product MU5 van de fabrikant Yamaha
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M.D.G., EMI Division © Yamaha Corporation 1994 VS67010 408PTCP25.2-01A0 Printed in Japan.
FCC INFORMATION (U.S.A.) IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
Entsorgung leerer Batterien (nur innerhalb Deutschlands) Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder Akkumulatoren d ü rfen nicht in den Hausm ü ll. Sie k ö nnen bei einer Sammelstelle f ü r Altbatterien bzw. Sonderm ü ll abgegeben werden.
SPECIAL MESSAGE SECTION (U.S.A.) This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recom- mended by Yamaha.
1 Welcome to the MU5 Congratulations and thank you for purchasing the Yamaha MU5 Tone Generator! The MU5 is an advanced tone generator providing exceptionally high-quality Voices , full General MIDI compatibility , and flexible computer interfacing in a highly compact and portable package.
2 T able of Contents Welcome to the MU5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 How to Use This Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Precautions . . . . . . . . . . . . . . . . . . . .
3 Table of Contents Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Utility Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 ● Master Tune . . . . . . . . . . . . . . .
4 How to Use This Manual You are probably eager to try out your new MU5 Tone Generator right away and hear what it can do, rather than have to read through a lot of instructions before you can even get a sound out of it.
5 How to Use This Manual 6) Muting and Soloing Parts; Editing Mute and Solo are useful in song playback, while editing opera- tions prepare you for digging in deeper to the advanced functions of the MU5. 7) Reference Once you ’ re familiar with everything above, lightly go over this comprehensive guide to all editing functions.
6 Precautions Your MU5 will give you years of reliable service if you follow the simple precautions below: ● LOCATION Keep the instrument away from locations where it is likely to be exposed to high temperatures (such as direct sunlight) or humid- ity.
7 ● CLEAN WITH A SOFT, DRY CLOTH Never use solvents such as benzine or thinner to clean the instru- ment, since these will damage the cabinet finish or dull the keys. Wipe clean with a soft, dry cloth. If necessary, use a soft, clean, slightly moistened cloth — making sure to wipe the case off again with a dry cloth.
8 VOICE LIST 001 – 008 009 – 0 16 017 – 0 24 025 – 0 32 033 – 0 40 041 – 0 48 049 – 0 56 057 – 0 64 PA R T – 1 V ALUE +1 MUTE EXIT MSTR TUNE TRNS POSE MUTE LOCK VELO CITY LOCL CTRL DUMP OUT INIT ALL VOL PAN MIDI CH NOTE SHFT PA RT TUNE BEND RNGE OCT DOWN OCT UP 123 45 678 90 UTILITY P ART EDIT ENTER SELECT C C PIANO TUNED PERC.
9 The Controls of the MU5 e -= buttons For changing the value of the selected function or parameter. In the Play mode, these are used to change the program number at the selected Part. In the Edit modes, these are used to change the current function ’ s value or turn a function on or off.
10 ■ Rear Panel q VOLUME control For adjusting the overall level of the MU5. w LINE OUT/PHONES jack For connection to an amplifier/speaker system or a set of stereo headphones.
11 The MU5 — What It Is and What It Can Do ■ What It Is... The MU5 is a compact, highly portable and easy-to-use tone generator. It features full General MIDI Level 1 compatibility with 128 General MIDI Voices and 8 drum kits. The MU5 has 28-Voice polyphony and is 16-Part multi-timbral.
12 ■ What It Can Do... Here are a few ideas on how you can use the MU5. The list below is not comprehensive, but is meant to be a general guide to the possibilities and provide a starting point or springboard for your own creative ideas and explo- rations.
13 ● Perform With It Bring it with you to a gig — as long as there ’ s a MIDI keyboard on stage, you can use the high-quality sounds of MU5 in your performance. ● Multimedia Since it ’ s portable and compatible with General MIDI, the MU5 is a natural for multimedia applications.
14 CAUTION! ■ Do not attempt to use an AC adaptor other than the PA-3, PA-4 or PA-40. The use of an incompat- ible adaptor may result in irreparable damage to the MU5, and even pose a serious shock hazard. (Never use the PA-3B.) ■ Be sure to disconnect the power adaptor from the outlet when the MU5 is not in use.
15 ● Using Batteries To use the MU5 on battery power, insert six 1.5V AA size (SUM-3, R-6 or equivalent) manganese or alkaline batteries in the battery compartment. Make sure to follow the polarity indications on the bottom case (and as shown below).
16 ■ Audio Connections In order to hear your MU5, you ’ ll have to make certain audio connections. You can listen to the MU5 by using a set of stereo headphones or by connect- ing it to an amplifier/speaker system. ● Using Headphones Connect a set of stereo headphones (with a stereo miniature plug) to the LINE OUT/PHONES jack.
17 As you learned in the section The MU5 — What It Is and What It Can Do on page 11, the MU5 can be integrated into a variety of setups. It would be impossible to cover all connection possibilities in a short manual as this; however, the section below will help in quickly setting up the MU5 and using it in your system.
18 Macintosh Follow these instructions if you have an Apple Macintosh that is not equipped with an external MIDI interface. Connect the TO HOST terminal on the MU5 to the Modem or Printer port on the Macintosh. Operation 1 Set the HOST SELECT switch to MAC.
19 IBM PC and Clones Follow these instructions if you have an IBM PC/AT or compat- ible computer that is not equipped with an external MIDI inter- face. Connect the TO HOST terminal on the MU5 to one of the computer ’ s serial ports, COM 1 or COM 2.
20 NEC PC-9800 Series The NEC PC-9800 Series computers are widely used in Japan. For use with these computers, set the HOST SELECT switch on the MU5 to PC-1. Operation is the same as for the PC-2 setting explained above. The only difference between PC-1 and PC-2 is the communication baud rate.
21 Operation 1 Set the HOST SELECT switch to MIDI. 2 Connect the MU5 to the appropriate MIDI device, as shown in the illustrations above. Use a standard MIDI cable (see page 22).
22 ■ MIDI/Computer Connecting Cables ● MIDI Standard MIDI cable. Maximum length 15 meters. 4 4 2 (GND) 2 5 5 DIN 5-PIN DIN 5-PIN ● Macintosh Apple Macintosh Peripheral cable (M0197).
23 Playing the Demo Song Now that you ’ ve set everything up properly, try playing the built-in Demo Song. This showcases the high-quality Voices and the AWM tone generation system of the MU5. Operation 1 Simultaneously hold down the s buttons and press the E button.
24 Using the MU5 — The Play Mode Now that you ’ ve heard the sophisticated capabilities of the MU5, try playing with some of them yourself in the Play mode. When you turn on the power of the MU5 or press the e button, the Play mode is automatically called up.
25 Using the MU5 — The Play Mode The velocity of the keyboard is fixed; in other words, each note you play sounds at a predetermined volume. You can change this velocity setting from the Velocity parameter in the Utility mode.
26 Selecting a Part and Changing the V oice Now, let ’ s select a different Part and change its Voice. Operation 1 Use the < buttons to select Part 2. (If Part 1 is shown in the display, simply press the . button once.) A total of 16 Parts are available, and each is shown in the display.
27 Using the MU5 — The Play Mode ■ Using the Number Keys to Select a V oice In the Play mode, you can also use the number keys to select a Voice ’ s program number. To do this, simultaneously hold down the s buttons and press the number of the value you wish to set.
28 Using the MU5 with a Computer or Sequencer By connecting the MU5 to a computer or sequencer, you have a powerful music system for playing back songs and even and creating your own songs, using the Voices of the MU5. Make sure that the MU5 is properly connected to the computer or sequencer, and that your music software is ready to run.
29 Muting and Soloing Parts While a song is playing back on your computer or sequencer, you can selec- tively mute or solo any of the 16 Parts of the MU5. Mute lets you silence one Part to hear how all of the other Parts sound without it. Solo lets you isolate a single Part, to hear how that Part sounds by itself.
30 Editing The editing features of the MU5 provide various controls for changing the Parts and setting other important operating functions. Among other things, these let you set the Volume or pitch of.
31 ● Use the number keys on the keyboard. While holding down the s buttons, press the number of the value you wish to set. For example, to set a value of 47, simultaneously hold down the s buttons and press 4 , then 7 , and finally press the E button to actually enter the new value.
32 Reference Utility Mode The Utility mode lets you set functions related to the overall operation of the MU5, such as Master Tune, Transpose and Velocity settings. Included also are utility operations, such as sending bulk data to a data storage device, and initializing of the MU5 settings.
33 Utility Mode T ranspose Range +/- 24 semitones Default 0 This determines the overall key transposition of the MU5 ’ s Voices, over a total range of four octaves in semitone steps. A Transpose setting of “ 0 ” results in normal pitch. Unlike Master Tune, it has no effect on the individual drum/percussion sounds of the drum kits.
34 V elocity Range 1 – 127 Default 88 This determines the note on velocity of the built-in keyboard. All notes that you play from the MU5 ’ s keyboard will be at this fixed velocity, and sound at the same level. This velocity is also transmitted to connected devices via the MIDI or TO HOST terminals.
35 Utility Mode Local Control Settings Off, On (Use the - / = buttons to change this setting.) Default On This determines whether or not the internal tone generator responds to the notes you play on the MU5 ’ s keyboard. Setting this to Off effectively disconnects the MU5 keyboard from the internal tone generator.
36 Dump Out Settings 1 – 16, All Default All This function allows you to save the current parameter settings of the MU5 to a MIDI sequencer, computer or a MIDI data recorder (such as the Yamaha MDF2 MIDI Data Filer). P ART PGM VOICE NAME # Not available Device number setting (see boxed section on page 37).
37 Utility Mode Operation 1 Make sure that the MU5 is properly connected to the device and that the HOST SELECT switch is properly set. When using the MIDI terminals, connect the MIDI OUT of the MU5 to the MIDI IN of the data recorder. (See the Saving & Restoring Data via MIDI illustration above.
38 Initialize All This operation allows you to restore the original factory settings of the MU5. CAUTION! ■ Using Initialize All will erase whatever settings you ’ ve made on the MU5. If you have important settings you wish to keep, store them to a MIDI data recorder with the Dump Out function.
39 P ART PGM VOICE NAME # 12 34 56 78 9 1 0 1 1 1 2 1 6 15 14 13 Part Edit Mode The Part Edit mode allows you to change certain settings for each individual Part. Keep in mind, though, that the settings you make may automatically change when playing songs on a connected sequencer.
40 P ART PGM VOICE NAME # 12 34 56 78 9 1 0 1 1 1 2 1 6 15 14 13 P ART PGM VOICE NAME # 12 34 56 78 9 1 0 1 1 1 2 1 6 15 14 13 Pan MIDI Channel Range 1 – 16, Off Default Part 1 = 1, Part 2 = 2, Part 3 = 3, etc. This determines the MIDI Receive Channel for each Part.
41 P ART PGM VOICE NAME # 12 34 56 78 9 1 0 1 1 1 2 1 6 15 14 13 P ART PGM VOICE NAME # 12 34 56 78 9 1 0 1 1 1 2 1 6 15 14 13 Part Edit Mode Note Shift Range -24 – +24 semitones Default 00 This determines the key transposition (Note Shift) setting for each Part.
42 Pitch Bend Range Range -24 – +24 semitones Default +02 This determines the maximum range over which the pitch of the Part can be changed by Pitch Bend messages. Most MIDI keyboards feature a Pitch Bend wheel, which allows you to “ bend ” the pitch up or down as you play.
43 Appendix T roubleshooting Even though the MU5 is exceptionally easy to use, it may occasionally not function as you expect it to. If that happens, check the possible problems and solutions below before assuming that the instrument is faulty. Problem Possible Cause and Solution No power.
44 Problem Possible Cause and Solution • Check that Local Control is set to on. (See page 35.) Also check the points for “ No Sound ” above. • Check all MIDI connections, making sure that the .
45 Error Messages Errors may occur from time to time, and when they do the MU5 will display a message to indicate the type of problem so that you can rectify it and return to normal operation. Troubleshooting / Error Messages Too much MIDI data is being received by the MU5 at one time.
46 Specifications ● Tone Generation Method Advanced Wave Memory (AWM) ● Polyphony 28-note (Dynamic allocation) ● Multi-timbral Capacity 16-Part ● Demo Song 1 (not editable, stored in ROM) ● Display Custom LCD (54.5 mm x 29.4 mm) ● Controls , , .
47 Index B batteries, replacing . . . . . . . . . . . . 15 batteries, using . . . . . . . . . . . . . . . 15 baud rate . . . . . . . . . . . . . . . . . . . . 46 Bend Range . . . . . . . . . . . . . . . . . 42 C computer, IBM . . . . . . . . . . . . .
V oice List & MIDI Data Format Page 1 - 99.12.16,0:44 PM - 名称未設定.
2 add- V oice List ● Voice List 33 Bass Acoustic Bass Aco.Bass 34 Electric Bass (finger) FngrBass 35 Electric Bass (pick) PickBass 36 Fretless Bass Fretless 37 Slap Bass 1 SlapBas1 38 Slap Bass 2 Sl.
3 add- 65 Reed Soprano Sax SprnoSax 66 Alto Sax Alto Sax 67 Tenor Sax TenorSax 68 Baritone Sax Bari.Sax 69 Oboe Oboe 70 English Horn Eng.Horn 71 Bassoon Bassoon 72 Clarinet Clarinet 73 Pipe Piccolo Pi.
4 add- 23 B -1 Click L 24 C 0 Click H 25 C # 0 Brush Tap 26 D 0 O Brush Swirl L 27 D # 0 Brush Slap 28 E 0 O Brush Swirl H Reverse Cymbal 29 F 0 O Snare Roll 30 F # 0 Castanet Hi Q 31 G 0 Snare L SD P.
5 add- Reverse Cymbal Hi Q SD Power H Brush Slap L Bass Drum M BD Analog L BD Analog H Gran Cassa Analog Side Stick Analog Snare L Brush Slap Analog Snare H Brush Tap Analog Tom 1 Jazz Tom 1 Brush Tom.
6 add- Pgm# 1 9 17 25 Note# Note Key Off Alternate Standard Kit Room Kit Rock Kit Electronic Kit 60 C 3 Bongo H 61 C # 3 Bongo L 62 D 3 Conga H Mute 63 D # 3 Conga H Open 64 E 3 Conga L 65 F 3 Timbale.
7 add- 26 33 41 49 Analog Kit Jazz Kit Brush Kit Classic Kit Analog Conga H Analog Conga M Analog Conga L Scratch Push Scratch Pull Voice List Page 7 - 99.
8 add- MIDI Data Format 1. General 1.1 Application This following MIDI information applies to the MU5. 1.2 Applicable Standards MIDI 1.0 Standard. 2. MIDI Reception / Transmission Diagrams 2.
9 add- 2.2 Receive Condition MIDI $FE ACTIVE SENSING < Rxnm > $8n NOTE OFF < Rxnm > $9n NOTE ON $Bn, $00 BANK SELECT MSB $Bn, $20 BANK SELECT LSB $Bn, $01 MODULATION $Bn, $06 DATA ENTRY MS.
10 add- 3. Channel Messages 3.1 Transmission 3.1.1 Note ON/OFF Note Range = E-2 – E8 Velocity = 0 – 127 3.1.2 Control change The following parameters can be transmitted.
11 add- 3.1.3 Channel Mode Messages Channel Mode Messages are not transmitted. 3.1.4 RPN (Registered Parameter Number) The RPN MSB and RPN LSB must be sent first for the desired parameter setting, followed by the data entry values.
12 add- 3.2.2.1 Bank Select Control # Parameter Range 0 Bank select MSB 0 : Melody Voice of GM 1 – 126 : No sound 127 : Rhythm Voice of GM 32 Bank select LSB 0 : Fixed Processing of bank select messages is paused until a program change message is received.
13 add- 3.2.2.8 Portamento Control # Parameter Range 84 Portamento control 0 – 127 Portamento time is always set to 0. 3.2.2.9 (RPN) LSB / MSB Control # Parameter Range 100 RPN LSB 0 – 127 101 RPN MSB 0 – 127 (Refer to section 3.2.7) 3.2.3 Program change Refer to the Voice List on page add-2.
14 add- 3.2.5.3 All Notes Off Note off is executed. However, if Hold 1 is on, the sound will not stop until a Hold 1 = off message is received. 3.2.5.4 Omni Off Omni Off is executed. (Rest is the same as in “All Notes Off” above.) 3.2.5.5 Omni On Since the MU5 has no such function, Omni On is not executed.
15 add- 4. System Exclusive Messages 4.1 Parameter Change The MU5 receives and responds to the following parameter change messages: • Universal Real Time Message Master Volume • Universal Non Real.
16 add- 4.3 Universal Non Real Time Message 4.3.1 General MIDI Mode On 11110000 F0 = Exclusive status 01111110 7E = Universal non-real time 01111111 7F = ID of target device 00001001 09 = Sub-ID #1=Ge.
17 add- 4.4 MU5 Native Parameter Change 11110000 F0 = Exclusive status 01000011 43 = YAMAHA ID 0001nnnn 1N = Device number 00101011 44 = MU5 Model ID 0aaaaaaa aaaaaaa = Start address 1st byte 0aaaaaaa.
18 add- 4.4.4 Reset All Parameters 11110000 F0 = Exclusive status 01000011 43 = YAMAHA ID 0001nnnn 1N = Device number 00101011 44 = MU5 Model ID 00000000 00 = Start address 1st byte 00000000 00 = Star.
19 add- • Multi Part parameters REVERB SEND DEPTH • All Multi Common parameters • All Drum Setup parameters • Voice Memory • Program Change Table 4.
20 add- The device making the dump request must include the corresponding parameter header for each data type (listed below). For example, if only one dump request header is used to request both System and Multi Part data, the MU5 will transmit only the System data.
21 add- EG. RELEASE RATE PITCH BEND RANGE MOD LFO PITCH DEPTH CHANNEL AFTER TOUCH PITCH CONTROL SYSTEM INFORMATION For the following parameters, which are unavailable on the MU5, the MU5 sends fixed data.
22 add- ● Chart 1-2 : MIDI Parameter Change table ( SYSTEM ) Address Size Data Parameter Description Default value (H) (H) (H) (H) 00 00 00 02 1C – E4 MASTER TUNE -100 – +100 (cents) 00 80 00 00.
23 add- Address Size Data Parameter Description Default value (H) (H) (H) (H) 02 0n 11 01 31 – 4F LFO DEPTH -15 – +15 40 02 0n 12 01 00 – 7F LFO DELAY 0 – 127 00 02 0n 13 01 00 – 0F MOD LFO .
YAMAHA [ Tone Generator ] Date:27-JUL-1994 Model MU5 MIDI Implementation Chart Version : 1.00 +----------------------------------------------------------------------+ : : Transmitted : Recognized : Remarks : : Function .
M.D.G., EMI Division © Yamaha Corporation 1994 VS67010 408PTCP25.2-01A0 Printed in Japan.
Een belangrijk punt na aankoop van elk apparaat Yamaha MU5 (of zelfs voordat je het koopt) is om de handleiding te lezen. Dit moeten wij doen vanwege een paar simpele redenen:
Als u nog geen Yamaha MU5 heb gekocht dan nu is een goed moment om kennis te maken met de basisgegevens van het product. Eerst kijk dan naar de eerste pagina\'s van de handleiding, die je hierboven vindt. Je moet daar de belangrijkste technische gegevens Yamaha MU5 vinden. Op dit manier kan je controleren of het apparaat aan jouw behoeften voldoet. Op de volgende pagina's van de handleiding Yamaha MU5 leer je over alle kenmerken van het product en krijg je informatie over de werking. De informatie die je over Yamaha MU5 krijgt, zal je zeker helpen om een besluit over de aankoop te nemen.
In een situatie waarin je al een beziter van Yamaha MU5 bent, maar toch heb je de instructies niet gelezen, moet je het doen voor de hierboven beschreven redenen. Je zult dan weten of je goed de alle beschikbare functies heb gebruikt, en of je fouten heb gemaakt die het leven van de Yamaha MU5 kunnen verkorten.
Maar de belangrijkste taak van de handleiding is om de gebruiker bij het oplossen van problemen te helpen met Yamaha MU5 . Bijna altijd, zal je daar het vinden Troubleshooting met de meest voorkomende storingen en defecten #MANUAl# samen met de instructies over hun opplosinge. Zelfs als je zelf niet kan om het probleem op te lossen, zal de instructie je de weg wijzen naar verdere andere procedure, bijv. door contact met de klantenservice of het dichtstbijzijnde servicecentrum.
